Riders of the Whistling Pines (1949)
While trailing Forest Ranger Charles Carter, who is suspected of permitting lumber man Henry Mitchell to cut restricted timber, Gene fires at a dangerous mountain lion and apparently kills Carter. Actually, Bill Wright, Mitchell's associate, killed Carter because the ranger had discovered tussock moth infestation in the forest, and if the infestation was not reported, the trees would die and have to be cut, thereby profiting Mitchell and Wright. In order to compensate the best he can, Gene sells his sportsman's camp and gives the money to Carter's daughter Helen . En route to Texas, Gene discovers the infestation and is assigned by the Forest Department to supervise the program of spraying the area with DDT from the air. After the first day of spraying, the DDT is blamed by furious stock men for the many animals found dead of poisoning.
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Did you people see the same film I saw?
Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.
Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
As a huge fan of The Lone Ranger, watching this, I couldn't help saying, "Oh, no, Lone! What made you go wrong?" It was odd to hear Clayton Moore's voice as a baddie. Apparently, this movie was released only months before the Lone Ranger series on TV began in 1949. So, in the end, Lone turned to the good side, and everything was right in the Force. Gene Autry and Hopalong Cassidy were OK, but The Lone Ranger, Tonto and Roy Rogers were my TV cowboy show heroes. Hi yo, Silver! ... c'mon Bullet.
Scenic Autry western with a few surprises. The plot is a little complex for me, and I had trouble keeping some of the look-alike characters straight. But that's probably just me. Anyhow, the story involves aerial spraying of DDT and who stands to gain or lose. In that surprising sense, the movie involves contemporary environmental issues, even in 1949. The 70-minutes is also notable for there being no Autry sidekick (Burnette or Buttram) for comedy relief. So it's pretty much straight melodrama the whole way. Then too, as leading lady, there's the luscious Patricia Barry who later went on to a pretty extensive TV career, along with familiar baddie Douglass Dumbrille, and future Lone Ranger, Clayton Moore, in a supporting role. Also, catch that very last scene, an unusually thoughtful one for a horse opera of any kind. All in all, it adds up to a different kind of Autry programmer with more noisy winged conveyances than Gene's usual 4-footed friends.
New science has made this particular Gene Autry western quite out of date. Seems as though the rumors those outlaws were spreading about DDT was right after all. The government did ban its use many years later.But for Riders Of The Whistling Pines Gene is cast as a recently discharged forest ranger who is accused of killing another forest service ranger. The death is ruled accidental.Why he was killed was that he discovered a kind of moth that can devastate the timber. Gene later discovers it and persuades the Interior Department in the form of his forest service buddies to spray DDT and save the timber.But that doesn't help villain Douglass Dumbrille who wants the moths to kill the trees because he can strip the forest of dead trees and make a real windfall profit. There's quite a bit more plot to this horse opera than is the case for one aimed at the Saturday Matinée crowd. There's also Jimmy Lloyd who is Autry's pal and drinking a lot because he got through World War II without a scratch and his wife died at home. Lloyd does something you would not see normally in a B picture kid's western.Sad to say though that science really renders Riders Of The Whistling Pines quite obsolete.
One of my earliest childhood memories was getting home from school and sitting down in the family kitchen to hear "The Lone Ranger" on our big console radio. Of all my first TV heroes, none were bigger or braver than Davy Crockett, Superman and The Lone Ranger (not to forget his "faithful Indian companion and a fiery horse called Silver.") Until now, I'm sure I'd never seen Fess Parker, George Reeves or Clayton Moore as a bad guy. A few hours before this movie aired on cable, I saw the text of the preview box which read "Pete:Clayton Moore" so I was curious to see what color hat he was wearing. Actually, I later found out from IMDb filmographies that Parker, Reeves and Moore had each played villains more than once. Still, I had to wait until the third reel before I could be sure I was seeing Moore. In the first few scenes, what little dialogue he spoke didn't really identify him. But in the last scene he played with Autry, he spoke long enough that his clear deep voice revealed the familiar one we would grow to recognize from the long-running series which began not many months after the release of this film. There's little else about this oater I'd recommend. There are some good but forgettable songs, by Gene and others, just fair action and cinematography, no real romance, and not even a comical sidekick. It's not a great western by any stretch or even one of Autry's best films. For all that, it's still a passable way to spend an hour and ten minutes, which is about the length of one of my church's Sunday morning worship services. Forgive me, Pastor Mark, but Gene Autry's films haven't yet put me to sleep. Now, Rev, if you're hankerin' to liven up the congregation, I'd reckon you might try to wear a Stetson and fire a six-shooter (blanks-loaded, naturally) now and then. Dale Roloff