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Savage Island

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Savage Island (1985)

September. 01,1985
|
3.3
|
R
| Drama Action
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Women who have been captured and sold as slave labor to a South American emerald mine hatch a plan for revolution and revenge.

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Reviews

Colibel
1985/09/01

Terrible acting, screenplay and direction.

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BootDigest
1985/09/02

Such a frustrating disappointment

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Janis
1985/09/03

One of the most extraordinary films you will see this year. Take that as you want.

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Yazmin
1985/09/04

Close shines in drama with strong language, adult themes.

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gavin6942
1985/09/05

Women who have been captured and sold as slave labor to a South American emerald mine hatch a plan for revolution and revenge.What this film consists of is footage from "Escape from Hell" (1980) and "Hotel Paradise" (also 1980) spliced together with a new wraparound featuring Linda Blair. The new wraparound is directed by Nicholas Beardsley... but who is Nicholas Beardsley?Of course, the new version makes no sense because the characters do not match up. The fact it is even comprehensible at all is something of a miracle. (Apparently Charles Band had a hand in creating this, but I am not sure the details on that.)The two films this came from were both directed by Edoardo Mulargia ("Don't Wait, Django... Shoot!") and written by Sergio Chiusi ("SS Experiment Love Camp"), so if any credit is deserved, it should go to them. But why not just watch their real films?Sadly, the quality is terrible (even on the Shout Factory release) and I suspect there is not much that can be done about that because the footage clearly did not come from original negatives.

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dbborroughs
1985/09/06

Patchwork women in prison film was made from combining two Euro shockers with some new unrelated footage. The new footage has Linda Blair (who shoots security guard Penn Jillette in an blink and you'll miss it role) going to confront the man who runs a mine in the jungles of South America where women are abused and forced to dig for gems. Blair says she was one of the girls in the camp and once we get the confrontation the film flashes back to a group of women going to the island and being abused.This is an okay film with some stand out moments. Its very much of its type with all sorts of abuse heaped upon women who eventually revolt and then make a made dash into the jungle, however there are a few moments where the film creates some genuine tension and creepiness that lift it a bit above the typical voyeuristic level that these films normally operate on. Of course its not high enough to make this something you'd want to watch with your mom (unless she liked these sort of films) but if you're in a mood for this sort of thing you could do worse.

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gridoon
1985/09/07

I have this obscure movie on VHS and the cover features Linda Blair in a revealing outfit, holding a machine gun. In the actual movie, she does hold (and fire) a machine gun, BUT: A) Her outfit is a formal dress under a fur coat, B) Her part is a 5-minute cameo (plus a few lines of narration). The rest of "Savage Island" consists of copied-and-pasted footage from TWO Italian/Spanish Women-In-Prison films, one of which I've seen ("Escape from Hell") and one I haven't ("Orinoco - Prison of Sex"). The result is, as you might expect, a complete mess. There is no continuity between the scenes, sometimes even between the shots. 2 women start fighting dressed, in the next shot they are naked (because a lesbian scene in-between has been omitted). In one shot it is night, in the next shot it is day. In one shot the prisoners are in a circle, in the next shot they have formed lines. There are TWO different prison wardens, and the SAME female guard gets killed twice. It's all quite laughable and shameless. Rating: 0 out of 4 stars, pushed up to 0.5 because Linda Blair with a machine gun is sexy.

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Artemis-9
1985/09/08

If you are into women-in-prison films, "Escape from Hell" in any good copy near the 89 minute Italian/Spanish original, would entitle you to watch the most erotic, and violent, nude lesbian fight - for possession of the third girl in a cell, between black Ajita Wilson and queen-bee Cintia Lodetti; and a gun duel between the same black fugitive and a Nazi female warden (Christina Lay?) to a mutual gory death. Both fights are at close quarters, and filmed in crude detail, which explains so many "director's cuts" of this film, for different markets.

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