Girls' Night (1998)

This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

The film never slows down or bores, plunging from one harrowing sequence to the next.

40-year best friends, co-workers and sisters-in-law, make it out of their British working class neighborhood for a fantasy trip to Las Vegas, tempered by the fact that one of them is dying. Director Nick Hurran and writer Kay Mellor combine quite a number of different ingredients here (including illness, men-vs.-women, factory life, family problems, financial windfalls, travelogue and lovestruck cowboys), yet, despite some missteps, the movie is a worthwhile weepy anchored by terrific performances. As the firebrand, ill-tempered man-chaser, Julie Walters tones down her sometimes-brash personality and has several beautifully realized moments; as her "mate", Brenda Blethyn juggles the more standardized clichés of a character with a limited amount of time left (she's brave, she glows, she's suddenly stronger and charts her own course), though Blethyn is very engaging here and works so naturally and easily with Walters that their friendship strikes nary a false chord. Hurran's dreamy framing of this story, with a puzzling introduction, may put some viewers off, but those who stick with it will find a rewarding drama about friendship and love. These themes have been touched on before in films--and true, there isn't much originality or surprises in Mellor's script--yet the bumps in the road here are actually rather endearing, and by the end of "Girls' Night" I was moved by the thoughtfully worked-out transition of the plotting. It's a minor gem. *** from ****

"Girls' Night" (a misleading title) tells of two middle aged, working class English women best friends and what happens when one is diagnosed with cancer. Although the film is about a last blast in Vegas and the usual throes of terminal illness, the greater story and substance shows how people grow and mature through their experiences and encounters with others. A very well managed and typically austere little Brit flick, "Girls' Night" is a character-driven drama which is more uplifting than woeful, features sterling performances by the Blethyn and Walters, and serves up positive subliminal messages instead of wallowing in grief. Most likely to be appreciated by more mature audiences, particularly females. (B)

Northern accents and wide-eyed astonishment at Las Vegas aside, you could be forgiven that this was a Hollywood weepie rather than the working-class British drama it pretends to be. Brenda Blethyn's and (particularly) Julie Walters' performances are detailed and superb, but the cloying sentimentality (including some sick-making talk of angels) is heaped on to the extent that the film becomes tedious rather than sympathetic.The first half of Girls' Night is enjoyable for its sheer joie de vivre in the face of serious illness, but after around 45 minutes this is lost in a sea of half-baked ideas, repetitive emotional 'scenes' and irritating semi-fairytale romances which upset the previously realistic atmosphere of the piece.Other than the performances, something of a shapeless disappointment.

Girl's Night is a bit sentimental for my taste and there were fewer funny lines than I expected but the performances are the thing and both "girls" are superb and great foils for one another.I particularly enjoyed the Las Vegas section as I was there last year so it all came back.