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The Void

The Void (2001)

January. 01,2001
|
3.8
|
R
| Action Thriller Science Fiction

Physicist Eva Soderstrom discovers greedy industrialist Thomas Abernathy is on the verge of creating an artificial black hole in a laboratory on Earth. It's the same experiment that killed her father years earlier, except bigger. With the help of Dr. Price, Eva tries to stop Abernathy and, possibly, save the planet

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Reviews

AniInterview
2001/01/01

Sorry, this movie sucks

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Kien Navarro
2001/01/02

Exactly the movie you think it is, but not the movie you want it to be.

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Portia Hilton
2001/01/03

Blistering performances.

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Gary
2001/01/04

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

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stormruston
2001/01/05

I would like to see this idea or movie redone with a budget and some decent special effects.Lets start on a positive note..Adrian Paul and Malcom McDowell are as always very charismatic and take there rolls pretty seriously.The story is cool...endless energy but at what cost or risk.The fact that there is some "hardball players" but no real evil characters is sort of a nice change.Just people doing whatever it takes to accomplish what they believe in. So that is the gist of the movie without telling you what it is about.The effects a few and far between and this movie does not cut in as a drama...so I do not recommend it in-spite of some decent acting.

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alvoss04
2001/01/06

I watched this movie only because Amanda Tapping was cast in it. Although she did show great acting skill and proved beyond a doubt that she is NOT a bimbo, I was disappointed by the obvious use of a body double for the brief nude scenes. I hope Amanda will get an opportunity to star in a higher budget movie soon and that she will not be so shy about nudity. From a scientific standpoint, this was a plausible movie. From a point of reality it is a bit foolish. For example, when they are both tied to chairs and expecting to be executed, the dialogue and behavior seemed unreal. Amanda's character showed conviction and perseverance to show the data error, but then surrendered so easily when captured. Just not consistent behavior for the character. This movie is a must see for all Star gate fans, as the movie does prove Amanda's acting skills.

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vfrickey
2001/01/07

The key to a successful screenplay is creating willing suspension of disbelief. When a screenplay refers to the US Atomic Energy Commission (a government agency which was disestablished over 30 years ago when the US Department of Energy was created) as though it were still with us, that destroys willing suspension of disbelief.So does the movie's main premise that the bad guys are making black holes by colliding protons and anti-protons at high speed "to turn energy into matter." Collide matter into antimatter and you get an annihilation reaction, and the collective mass of the matter and antimatter becomes energy (apart from the possible creation of some neutrinos, possibly some pair-production events). Just the opposite of what the movie is telling us. (And the movie's premise isn't even as plausible as the far-fetched anxiety over the CERN Large Hadron Collider.)This is high school physics information we're talking about here! The writers could have taken an undergraduate physics student out for pizza and gotten the true facts for the price of the meal - or just used their good friend Google.Worse, the dialogue is predictable and the movie just creeps along in that made-for-TV-hack science fiction way. The characters are neither memorable nor very sympathetic. Malcolm McDowell, playing the bad guy-in-chief, is a BORING bad guy with none of the intensity he brought to every other film of his I've seen. Adrian Paul (of The Highlander TV series and other cheap SF movies, Dead Men Can't Dance, among others) is a self-parody as a physicist, complete with a suit made from car seat- cover fabric and glasses swiped from the set of Revenge of the Nerds. Amanda Tapping (Stargate SG-1) is hemmed in by a horrible script in her role as the helpless heroine whose nuclear physicist dad dies, bringing her into danger. They went all the way back to the 1950s for that hackneyed plot device, the "murdered good scientist's vulnerable daughter who must be rescued by the male lead". And the trip wasn't worth it. They didn't even play it for laughs.The producers did demonstrate the power of a dead script to subdue every bit of acting ability in the cast of a film. Adrian Paul has had a run of bad luck in this regard - first "Dead Men Can't Dance," then this. I hope some better scripts come his way, because he was very good in the Highlander television series.Avoid this movie as you would a rabid dog. Walk across the street from it when you see it. Find something else to do besides watch it. It's a worthy bookend to that other Adrian Paul-starring turkey, "Dead Men Can't Dance." They need to be used to keep uneven tables from wobbling at the video store, or their DVDs recycled as targets at a skeet range - maybe used as part of a mobile in a kindergarten art class. Just don't play the things.

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void-7
2001/01/08

"eat, make a movie about black holes and then don't really show one until the final minutes of the movie and then it's nothing but a whole in the wall sucking up everything in the room."A whole in the wall? "Other than those two, the black hole effects were yawnnnnsish. I saw a better black hole in the movie black hole with Max Von Snydow."The Black Hole, by Walt Disney Pictures, starred Maximillian Schell, not Max Von Sydow.Thank you for playing, though...

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