This Is Sodom (2010)

Absolutely the worst movie.

Absolutely Fantastic

The first must-see film of the year.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

It seems I enjoyed this film more than did the other reviewers. I laughed out loud several time, something I don't do often at American films. Someone said there was no satire--but there was one really biting moment of political satire, when the angels brush off Hagar and Ishmael as Arabs who therefore do not deserve their attention. There are some clever in-jokes, though I may have missed much of the Israeli humor. Feminists have often commented on the fact that many Biblical women have no names. In the film, Lot refers to his wife as "Lot's wife." Abraham refuses to share a bowl of shellfish with God, who then gets even by banning it. I also liked the reference to the story of Solomon and the two mothers. Many people have cynically pointed out that the mother who tell Solomon not to kill the child could have fooled Solomon by reverse psychology. Here. Lot knows the story and gives the "right" answer, but it backfires. In short, what I liked best is that the film pokes fun at the Biblical story but is directed at an audience well versed in Bible. I've often said that the Bible is too great a book to be monopolized by the pious. I thought the funniest scenes were those involving God and Abraham. Behind the humor we can sense the real questions theologians have raised about God's call to Abraham.

'Zohi Sdom' is a feature film spin-off of 'Eretz Nehederet', Israel's most successful sketch comedy show for nearly a decade now; like in a National Lampoon movie, the cast of the TV show play various roles in a kinda-linear storyline.There was a strange attempt to market 'Zohi Sdom' as a local version of Monty Python's Life of Brian. But other than the fact that it's set in biblical times, there's absolutely no similarity (other than the lead character's outfit). There's no real satire in 'Zohi Sdom'; a shame, because with a feature film the writers had the chance to make satire more biting and more universal than what they could afford to do on network television. Instead, they used that opportunity to have more sex jokes. The humor in 'Zohi Sdom' is a neverending series of gags, none of which have any bearing on the story, and most of which are anachronism gags in the level of The Flintstones (only with a lot more sex).The movie does have a few chuckles, but the humor is so local as to never have any real impact anywhere but Israel in the early 21st century, which is a waste. It does actually have a pretty decent production, and some good actors - Assi Cohen's performance is deliciously hammy (he clearly realized how dumb the script was), and local legendary satirist/journalist Mordechai Kirschenbaum as Abraham is one of the movie's few saving graces. But ultimately it's a failed attempt, which owes all its success to marketing, and will - I believe and hope - disappear into anonymity.

You know The Simpsons, so they made a movie. Was the movie better than the series? No way. This is the case here, but add lack of funds as a "bonus" and you receive a yawning experience. The movie cannot carry itself. It is just an expansion of a gag, usually no longer than 5 minutes. The movie was done for the summer, that is no shame, but it could have been written better. The main characters lack development, and the plot goes nowhere. But worst of all is the absolute lack of visual effects, so needed in a movie revolving around the destruction of Sodom. I say if you don't have the money to make the necessary visual effects, don't do the movie. Set it up in a place where there is no need for expensive effects. The foreign audience won't be able to watch this movie, because it is absolutely out of context for those unfamiliar with the TV series, which this movie is based on.The Israeli audience, such as myself, was allured to the theaters by the aggressive promotion and a high anticipation. Disappointment was the outcome, unfortunately.

Even in Israel, the entertainment industry is not known for piousness; so give them a Bible story as a basis for satire and you might fear you'll get back pointless and ignorant mocking. But most of the time, the humor in ZOHI SDOME shuns nihilism and springs from a long-standing Jewish view of the Bible in which none of the heroes is considered perfect and any manifestation of God is considered a specialized metaphor. Here Abraham, famous for bargaining with God over the fate of the city of Sodom, finds in God a bargainer straight from the desk of a mobile phone company or insurance agency. Lot, the righteous man in Sodom, is another in a long line of sad sacks that Dov Navon has played in his career, but the movie takes his character seriously and finds an anchor in it among the fast-flung jokes. The movie's cast comes largely from a popular Israeli TV series of skits and jokes, and the advance publicity tried nervously to attract a crowd while cautioning that this is no wide-screen version of the TV show but something else entirely. It is, and whereas the TV show strives to keep up with the nightly or at least the weekly news, ZOHI SDOME is written to be almost as funny years from now. And it probably will be, almost.