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Divine Madness

Divine Madness (1980)

September. 26,1980
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7
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R
| Comedy Documentary Music

Divine Madness is a 1980 concert film directed by Michael Ritchie, and featuring Bette Midler during her 1979 concert at Pasadena's Civic Auditorium. The 94-minute film features Midler's stand-up comedy routines as well as 16 songs, including "Big Noise From Winnetka," "Paradise," "Shiver Me Timbers," "Fire Down Below," "Stay With Me," "My Mother’s Eyes," "Chapel of Love/Boogie Woogie Bugle Boy," "Do You Want to Dance," "You Can’t Always Get What You Want/I Shall Be Released", "The E-Street Shuffle/Summer (The First Time)/"Leader of the Pack" and "The Rose".

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Interesteg
1980/09/26

What makes it different from others?

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Actuakers
1980/09/27

One of my all time favorites.

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SparkMore
1980/09/28

n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

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Guillelmina
1980/09/29

The film's masterful storytelling did its job. The message was clear. No need to overdo.

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preppy-3
1980/09/30

Film version of a Bette Midler stage show. After the huge hit movie "The Rose" Hollywood figured that America was ready to see Bette Midler uncensored on stage. Well--they weren't. Film critics were horrified and/or found the film way too stagy. Also it was made VERY clear that the jokes were really extreme and vulgar. This movie pretty much bombed. But come on! What where they expecting? "The Rose" wasn't exactly PG material. I'm a Bette Midler fan myself but I wasn't too impressed with this. When she's joking it's absolutely hysterical and she does some great songs ("Shiver Me Timbers", "The Rose", "Going to the Chapel") and the stage show is very elaborate. But you never forget you're watching a stage show and uninspired direction doesn't help. Also Midler (unwisely) does some rock'n'roll towards the end which just doesn't work. There are some obvious cuts in the performance too. Still, it has plenty of good moments and doesn't overstay it's welcome. Bette Midler fans will want to check this out. All others--use your own judgment.

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Syl
1980/10/01

Bette Midler is truly a versatile performer. She can sing and act better than the rest of perrformers today. Her taped show is a great example of her abilities to truly dazzle the crowd. She still does that today 25 years after this concert has aired. Bette comes alive on stage more so than in film or television. In this taping, she really is at her best and peak despite her personal problems. I was hoping to see Katey Sagal as one of her Harlettes but she wasn't in this one. My best advice to Bette is to go back on tour. I never did understand the mermaid thing but Bette takes it to a new level. She has an amazing energy and can belt out "the Rose" and the songs before she returned in 1986. This taping must have happened before her nervous breakdown. Bette has performed everywhere imaginable from gay bathhouses in Greenwich Village to Radio City Music Hall uptown. This taped version is quite an event without pushing the envelope even by today's standard. She is still pretty tame in comparison and she can teach the younger generation of performers that you don't have to bare it all to grab their attention. Bette knows that people have paid good money to be entertained by her and she does that. She always does that and that's why she is one of the best live performers of our generation. Sing on, Bette.

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jamesmk
1980/10/02

Right on the heels of the smash success of "The Rose," "Divine Madness" is Bette in concert - but not the usual Bette in concert up to that point. This is rock and roll, with even some punk rock thrown in ("Paradise") that couldn't have been better nailed if the Sex-Pistols themselves did it. Bette wails on Bob Seger's "Fire Down Below" and blows the roof off the Pasadena Civic Auditorium. Ironically, Bette had the flu when this was filmed, and doesn't like the sound quality of it. Still, "Stay With Me" rips your heart out. Her cover of the Stones' "You Can't Always Get What You Want" mixes with Dylan's "I Shall Be Released" perfectly. And of course, plenty of biting Midler language, vulgarities, and enough camp to keep everyone happy. Anyone questioning whether Midler should be inducted into the Rock and Roll Hall of Fame, this concert alone answers a resounding YES.

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Lee-112
1980/10/03

I can watch this over and over again. After watching The Rose, I HAD to see this, so I went out and rented it. So what if her jokes are corny, she can sing. I can't wait until I get to see her in december. Rent this if you want to see a good performance by a wonderful singer.

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