Don't Answer the Phone! (1980)

I love this movie so much

Good story, Not enough for a whole film

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Okay-at-best psycho on the loose pic is pretty standard fare with few if any surprises. James Westmoreland does a serviceable job in the lead as a composed detective hunting a certified nut-job who's strangling (and then some) vulnerable women and phoning in his conquests to a local psychiatrist's (Gerrish) radio programme.Worth is hyper-maniacal in the antagonist role, his hulking appearance fulfilling the intimidation quotient well, whilst a few familiar faces (Haze, Frank et al) round out a capable cast. Contrary to other reviewer's remarks, I personally didn't have a problem with Westmoreland's performance nor did I think Worth was especially remarkable in his characterisation; they and the rest of the cast manage with some fairly drab dialogue padding out what is essentially, a paper thin plot (if you excised the pointless scene fillers, DATP would barely make theatrical length). DATP just seems like a run of the mill slasher pic with all the typical elements, including nudity, sadism, nurse stalking, PTSD, some occasional light humour (check out the brothel scene which was a laugh) and every other cliché you've ever seen in films of the ilk. A pretty good example of where the title attracts attention that the film itself can't sustain. Very average.

Talking to a family friend about Horror movies that they were searching for on DVD,I was surprised to hear them give details about a film,which sounded like a more extreme take on an under rated Slasher Thriller called Eyes of a Stranger.Searching round on Amazon UK,I was pleased to find,that along with the cut UK edition of the movie,a completely uncut version of the film had also come out on DVD in the US,which lead to me deciding that this would be a call worth listening in to.The plot:Hearing on the news about the police discovering his 5th rape/murder victim,serial killer Kirk Smith decides to celebrate by phoning up a local radio station,and talk to the host of a psychologist program called Dr.Lindsay Gale.Putting on a fake voice and using the name "Ramone",Smith is thrilled to hear Gale give him a nervous reaction,until Lindsay begins to ask "Ramone" if he has taken the medical advice that she gave him,when "Ramone" last phoned up the show.Angered over Gale ruining his fun,Smith decides that is time for him to start searching for a new victim.Being placed by their chief officer as the investigators of the mysterious serial killer's spree,Lt. Chris McCabe and Sgt.Hatcher find themselves completely out of their dept in predicting the killer's next move.Focusing on doing extensive evidence gathering at the murder scenes,and also knocking down a number of doors,McCabe and Hatcher begin to suspect that the killer might be a fan of a local radio show…View on the film:Before getting to the movie itself,I first have to give a special mention to the Scorpion Releasing DVD,which along with offering a terrific,clean uncut print of the film,also fill the DVD with a number of very informative extras,which include a great commentary by Co- producer/Co-writer/ (along with Michael Castle and actor Nicolas Worth) director Robert Hammer-who sounds like one of the most mild mannered directors of the last 20 years!.Shooting his first,and only film in 18 days,Hammer impressively overcomes the tired,misogynistic Slasher elements of the movie,by turning the second half of the film into a GrindHouse Slasher!,with Hammer and Castle giving McCabe and Hatcher's search for the killer an unexpected comedic edge,whilst also making sure that the blood of Smith's victim's solely runs in the gutter,thanks to Hammer illegal filming on the dirty,grime-covered streets of Las Angeles,which lead to this phone call being one that you wont forget for a good while.

This was obviously meant to be a standard late-70s total-waste-of-time movie, an excuse to show topless women squirming and thrashing while being strangled, but Nicholas Worth turns it into a must-see. Actors-in-training and stage-vocalists, especially, can learn from his vocal prowess and from the way he uses his size. He is a huge, hulking basso with the ability to near-totally relax his inhibitions, and he uses his entire range, from resonant, snarling low tones, through a thundering midrange up to a piercing, blubbering whimper at the very top which has to be heard to be believed. He should have been an opera-singer. He could have sung Wagner.The women dress beautifully in late 1970s casual summer-wear, and they get undressed equally beautifully by Worth's character, after (sometimes before) he strangles them to death. (One of them is future PLAYBOY-centerfold Pamela Jean Bryant.) As the other reviewer said, James Westmoreland (Detective McCabe) and Flo Gerrish (Doctor Lindsay Gale) act extremely badly; however, Ben Frank (Detective Hatcher) delivers some very funny lines with excellent cheesy deadpan. Like when McCabe tells him that the strangler has stolen some of the victim's clothes, and he replies: "That's great! Now we got him on petty theft, as well as murder!" Also, Chuck Mitchell, one of the few actors even bulkier than Nicholas Worth, plays a small part as a porno publisher. (If Mitchell looks familiar, it's because he played the Warden in PENITENTIARY and the title character in PORKY'S.) These folks have created a masterpiece in spite of all their best efforts to the contrary.

Snickering Vietnam vet Kirk Smith (Nicholas Worth) is one hell of a sicko: for a living, he shoots obscene pornographic photos, and in his spare time, he strangles pretty young women BEFORE raping them. LA detectives Lt. Chris McCabe (James Westmoreland) and Sgt. Hatcher (Ben Frank) are hot on the maniac's heels, but can they catch him before he kills his latest target, radio psychologist Dr. Lindsay Gale (Flo Lawrence)?With such a sleazy premise, Don't Answer The Phone looks set to be a classic slice of extremely offensive exploitation, but with director Robert Hammer reluctant to go that extra mile to offend, the film falls short of the high (or should that be low?) standards set by his contemporary William Lustig, whose similarly themed film, Maniac, goes all out to shock the viewer.Worth's character, Kirk Smith, is an undeniably repugnant fellow, and what he gets up to certainly ain't nice, but Hammer's approach to his patently sensationalist material is surprisingly cautious: whilst he doesn't mind showing the audience a little nudity (for example, all of the victims have their tops torn off before being choked to death), he doesn't quite seem to possess the cojonas necessary to present his sex and violence in the no-nonsense manner the genre demands.Instead, his characters simply fill us in on the salacious details through conversation: a psychic gives a graphic account of the murder and rape of one girl, offering lurid tidbits of info about Kirk's modus operandi, and several characters pass comment on the particularly explicit nature of his photography. At the risk of sounding like a dangerous psycho myself, I ask 'Where's the really good stuff?'. A few throttlings and some tits only qualify this as exploitation lite!To be fair, Don't Answer The Phone does manage to deliver a couple of scenes that almost make the grade—Kirk strangles a junkie hooker whilst she is live on air with Dr. Gale, and one topless victim is subjected to scalding by melted candle wax— but with too many other scenes pulling their punches, this film is most likely going to disappoint fans of degenerate cinema.5.5 out of 10, generously rounded up to 6 for IMDb.