Treasure Island (1972)

That was an excellent one.

Admirable film.

It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

When I saw a bearded Ben Gunn come running across the beach towards Jim Hawkins,I thought he would utter the immortal lines"and now for something completely different".Followed by Carol Cleveland and Eric Idle on the organ.My biggest problem with this was the miscast Orson Welles.He is awful,not a patch on dear old Robert Mewton.This does the impossible and makes the story boring

So far as I've seen, this is the most commendable of all interpretations of Robert Lewis Stevenson's stirring book; yet, still a great disappointment.Most of the cast did well enough in their rolls, with the exception of, believe it or not, Orson Welles. Mr. Welles so severely under played the part of Long John Silver he made the character completely uninteresting; that and his unintelligible mumbling fatally scuttles what should have been a great and memorable film.The music of Natale Massara, another problem, while expertly orchestrated, is derivative of other works and does nothing to convey the feeling of a thrilling tale of the sea. It would have been better suited to an episode of "Little House On The Prairie" with it's ocean of grass.I certainly won't say that it is a waste of time to watch this version, but if it were not for Wolf Mankowitz writing the screenplay, this might well have been a complete failure.For a real treat, go see "Muppet Treasure Island". You won't be sorry! More information at http://www.imdb.com/title/tt0117110/ .

In my childhood, this was a perennial on Italian TV over Christmas - but, somehow, I never got to watch it! It's surely the least of the three most renowned film versions of the R.L. Stevenson classic but, in itself, is decent enough...if still mainly interesting for the contribution (both as actor and writer) of Orson Welles.Welles' presence alone elevates any film he appears in - though he's quite restrained here (certainly in comparison to Robert Newton) and, unwisely, adopts perhaps the silliest accent since THE LADY FROM SHANGHAI (1948)! As for his script - co-written, under the pseudonym O.W. Jeeves, with Wolf Mankowitz - it's reasonably faithful to both the spirit and letter of Stevenson's original. However, the low-budget hurts the overall effort (Welles must have identified with such a predicament, as his own films were too often plagued by compromise!) and the 'modern' score composed by Natale Massara is quite inappropriate.Still, despite a good cast - including Kim Burfield (unexceptional but not bad as Jim Hawkins), Walter Slezak (as Squire Trelawney), Lionel Stander (as Billy Bones), Paul Muller (as Blind Pew) and Maria Rohm (as Mrs. Hawkins) - it's essentially a 'kiddie' film and is, therefore, in sharp contrast with most of producer Harry Alan Towers' output (particularly his collaborations with Jess Franco)!

The level of production values,the caliber of the sets,the quality of the writing tend to make me think of the peplum films and cheap swashbucklers made in Europe during the post-war period and the 1950s and early 1960s that we used to see at Saturday afternoon matinees at the cinema or on Television.Let's face it,it doesn't even come up to the level of bad entertainment.Where do we begin? 1.)The ship is so small and shoddy that it couldn't even qualify as a fishing boat,let alone a deep-water vessel. 2.)The fort on the island,described as a sturdy log cabin in the story,is a stucco and brick hacienda,with a stone wall rather than the log stockade required. 3.)The casting is really quite strange:a.)Stander is so benign as to be unbelievable;b.)Slezak,as the squire is too refined and much too Middle-European to portray the blustering,blowhard Stevenson intended;c.)Who,in the name of all that's holy,suggested that Welles play Silver?He's too old,too lethargic,and too unhealthy looking to gives us the strong,powerful,vital villain we all think of.The only truly piratical trait he has is a genuine penchant for evil.Interestingly enough,they do show Ben Gunn as was the original concept.And the scenes at the Benbow Inn are quite realistic and accurate.In addition,the scenes at Silver's inn,interactions among the pirates there,and the introduction of Silver's mulatto wife give this production it's only redeeming moments.Watch this ,and see what not to do.