Germinal (1993)

Touches You

Simply Perfect

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Germinal (1993): Dir: Claude Berri / Cast: Renaud, Gerard Depardieu, Judith Henry, Jean-Roger Milo, Jean Carmet: Effective look at mining conditions in the early century with Renaud arriving in town looking for work. He is befriended by Gerard Depardieu who is married and has several children. His daughter quickly catches the attention of Renaud but she is raped by another miner and forced to live with him. Realistically told but its outcome is predictable. Fine directing by Claude Berri with Renaud terrific as the underdog struggling in the mines. Berri is a famed French director who is fortunately backed with superb casting. Depardieu easily outshines everyone with a scene stealing performance that often uplifts the tone within a dark and gloomy atmosphere that they find themselves struggling with. He plays a loving and caring husband and father yet he easily steals scenes with the odd humour as well. Judith Henry is memorable as his daughter who is the victim of rape and struggles to escape the inner shame. Jean- Roger Milo is also featured among the stellar cast. Flawed with familiarity, as in its budget takes away from it. Independent film can and have often gotten around this but with Germinal it just seems like something is lacking. It counters this by portraying mining conditions with great realism as well as the struggle to survive and maintain unity. Score: 7 / 10

"Germinal" (French, 1993): This EPIC story, adapted from Emile Zola's novel and put to film by Claude Berri (director of "Jean de Florette" and "Manon of the Spring"), is the gritty depiction of hard working coal miners in 1800's France, trying to eek out a living and better their lives by forming a labor union. Loaded with issues rising through the Industrial Age, Gerard Depardieu, Miou-Miou, Judith Henry, and Jean-Roger Milo deservedly star in a frighteningly bleak setting, with ominous musical scoring, and the relentless, black dust of coal. Comparisons to the wealthy mine owners lives, opulent and very isolated from their industry's realities, are blatant and clear. Zola wanted some economic and moral balance – even just a little – and set about depicting a situation that could not be denied.

This film is based on a book by French Novelist Emile Zola and is one of a series called the Rougon-Macquart which also includes "Gervaise", "Nana" and "Au Bonheur des Dames". Now Zola was a well known leftist (commy) so you know that the film as the book is very simplistic painting a picture on one side of the "poor old workers" and on the other of the "wicked capitalist bosses" living in luxury. We all know that in reality it was not exactly that but this is the sort of thing leftist people like to hear as it gives them a reason to exist. Also the various groups of miners fight amongs themselves, some want to work others want to strike, those who want to strike try to selfishly prevent the others from going to work. In addition to that, an Anarchist subversive actually sabotages the mine, killing many of the miners in the process and then slinks away in the night. He believes in total bloodshed so the world may start again anew and couldn't care two hoots about the fate of the miners.We also see a baker attacked by the crowd hungry for bread and his private parts cut off ( totally unneccessary scene put in on purpose to shock audiences no doubt) So much for the rubbishy politics of the film !That said, cinematographically the film is not bad - it is too long and many of the scenes are dismal - situated in a cold damp mining area in Northern France. But the quality of the acting is very Good. Depardieu and notably Miou-Miou pull off remarkable performances, and the later scenes in the flooded mine come across well when you listen to them on Home Cinema. I don't think this is the sort of film one would want to see over and over again as it is "miserable" like another one I saw called "Angela's Ashes" but it is good to have seen it once. The film ends with the mine starting up again and the miners going back to work but Depardieu is dead and Renaud leaves the area to look for work elsewhere. But the ending is not optismistic and you don't feel, after 150 minutes of film that you have got anywhere since the beginning.In short, a dreary and politically orientated plot, but worth seeing for the actors' performances.

"Germinal" is a vivid, colorful, eloquent rendering of how the life of mine workers was in Europe in late 19th century. It is also a powerful illustration of how a strike could come about in that time, and how difficult - almost hopeless - it could seem for those dirt-poor people to try and improve their miserable life conditions. Of course, the contrast with the bourgeoisie is striking and thought-provoking. Depardieu (as Maheu) is, as usual, a giant figure, and most other actors are also very convincing. One question that remains when you saw it all is : can you really change a society's deep, unfair structure without violence?