The Demons (1973)

Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

A typically inane jumble of sex and horror from prolific pervo Jess Franco – here masquerading under the name 'Clifford Brown'. Obviously inspired by the similarly-titled Ken Russell epic THE DEVILS, Franco is happy to throw in as many ingredients as he likes into the heady brew. Yep, here we have it, a combination of lesbian nuns, sadistic torture, swashbuckling, black magic, court intrigue, romance, and a witch who can turn people into skeletons via a deadly kiss. However, I'm afraid that the film isn't as eclectic as it sounds; indeed the most exciting thing about it is the music, which ranges from vaguely-appropriate guitar/folk noise mixed with outlandish rock during the frequent sex scenes. Franco's blurry camera typically zooms into the private parts of various women as they undress; there's lots of frolicking and moaning, and it's a complete turn-off for sensible viewers.The English-dubbed version of the film is pretty poor and the camera-work as shoddy as ever. Lots of jump cuts make little sense and result in a sometimes headache-inducing movie. The nubile Libert and Nichols are happy to strip often for the camera, whilst Alberto Dalbes is a spitting image of our own Tony Blackburn – and whose idea was it to call him Renfield (a la Dracula?). Franco regular Howard Vernon is on hand as a star-gazing nobleman. Franco spices up the sex with some distinctly unappealing torture sequences, such as the opening when an old woman has a needle driven into her arm and then has boiling water poured over her. Mmmm, nice. Anyway, the combination for ingredients makes for typical Spanish fare; certainly bad but fast-paced with it.

Franco's flicks always have something entertaining about them, even if that turns out to be the 'so bad it's good' aspect, but this was actually a pretty good film. I have to say that it must have had to do with the writing and acting. The dialogue wasn't stupid; something pretty odd for a Franco film. I can't remember one stupid line from the film; it actually made sense for the most part. The acting was also much superior to most of his other films I've seen. It seemed like these people actually knew how to act. My hypothesis is that JF was using some talented French actors, instead of the bimbos he used in all his other movies, most of whom had never acted before, and just turned him on sexually. The only part that reminded me of the typical Jess Franco film was the fact that the judge turned into a skeleton at the end in front of the entire town, and no one said a word! The unusual use of rock-based music for some scenes worked pretty well, and Daniel White did a pretty good job with some of the Latin jazz bits.

Despite a little over use of the zoom lens now and again and inexplicably repeated lines this is a pretty well made Jess Franco movie. The budget must have been decent because picture quality and cinematography above par with some excellent location shooting, inside and outside. Costumes are also good, he must have borrowed those from some other film, and there is some effort to keep the tale within known historical events. None of this is to say, however, that there aren't lashings of sex. There is some torture but not overly done, no it is the sex scenes that predominate and fairly erotic and varied they are too. Anne Libert does well in the lead and generously shares her body with most of the rest of the leads. Howard Vernon is set against type for once and I reckon acquitted himself better than when he is given reign to go jumping and over acting everywhere

After an old witch is burned at the stake by the inquisition her two nun daughters execute a revenge which amounts to them seducing every man and woman that comes their way. Dealing with lust and anguish (frequent themes in Franco work),'Les démons' is quite a polished work by Franco's standards. Widescreen compositions are impressive and psychedelic music outstanding(a catchy guitar tune starts playing every time there is a bare flesh on the screen). Sadly Jess Franco didn't bother to hire a good cameraman, so some shots are out of focus, especially during zooms. Still, the camera-work in 'Les démons' is much better then in such later Jess Franco movies as 'White cannibal queen', for example. Regular Jess Franco actor Howard Vernon ("The awful Dr. Orloff") has a supporting role. Recommended for Franco admirers and those who find the idea of lesbian nuns hot.