Ernest Rides Again (1993)

Pretty Good

In truth, there is barely enough story here to make a film.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

One of the worst ways to make a cult movie is to set out to make a cult movie.

With the 'Ernest' film series, there are people who get much entertainment out of them and finds a lot of appeal in Ernest. There are also people who dislike, or even outright hate, the films and find the character annoying. Both viewpoints are understandable.For me, while they are not great films, the 'Ernest' films are mostly silly harmless fun that don't try to be any more than they need to be, and should be taken for what they are, rather than having any stereotypical notion of what a film of a certain genre or overall ought to do. They're mostly uneven but entertaining in a guilty pleasure sort of way, and Ernest is the sort of the character one can relate to easily. The sort of character that is a well-intended serial bungler with a strong heart but always finding himself messing up.To me, the series' fifth film 'Ernest Rides Again' is an entertaining and worthy entry, if rather uneven. It's hardly one of the worst of the series, but to me there are better films too, such as the previous three films after 'Ernest Goes to Camp' (so 'Saves Christmas', 'Goes to Jail' and 'Scared Stupid').'Ernest Rides Again' wasn't perfect from personal opinion. The final scenes are clumsily staged and improbable, even for an 'Ernest' film, while the villains are weakly and repetitively characterised (to me Tom Butler was slumming it and didn't really pose that much of an antagonist).Character of Abner had his moments, he is more the straight-man guy and it's in these moments where the characterisation fares best, but the film also has a brasher side that jars and doesn't fit as a partner for Ernest or in the film. Ron James does play him well all things considered. Some of the physical comedy is a little childish and rather crude which also sticks out like a sore thumb.However, 'Ernest Rides Again' is one of the better-looking 'Ernest' films. Loved the colourful locations and the photography is nowhere near as cheap and hasty as it can be. The soundtrack is nostalgic and energetic, and there are some very funny (if not particularly, but pretty much deliberately so, sophisticated) lines and wonderfully manic gags, anything with the cannon being among the highlights.Another thing that 'Ernest Rides Again' does better than most other 'Ernest' films is that there is more story here and generally, apart from at the end, it takes itself more seriously, with more of a serious tone, which can be seen in the sincere and important (if not exactly subtle) moral. The energy levels are still high.Jim Varney is still very funny and likable and James does quite well with a character that could have been better and more consistently written. Linda Kash is an amusing scene-stealer. It was only really with the villains where there were signs of bad acting, this said that may be just me.Overall, entertaining if uneven. 6/10 Bethany Cox

This ranks among my most favorite of "Ernest" movies. The bumbling janitor Ernest P. Worrel (Jim Varney)and his wishy-washy, history-professor friend, Abner Melon (Ron James), stumble upon an old revolutionary-war cannon known as "Goliath," that Abner has been searching for his whole life. Unbeknownst to them, other people are also interested in the cannon because it contains the crown jewels of England: a history professor and Abner's boss, who moonlights as a crime boss, and an British secret agent who wants to recover the jewels for England.As the other reviewer stated, "Ernest Rides Again" is a bit more serious in plot, but it is filled with laughs nevertheless, especially in the scenes where Varney plays against straight-man Ron James. Don't miss the hilarious canon "chase" scenes! The relative seriousness of the plot makes the laughs that much funnier. Definitely a "must see," especially for those who have never seen an "Ernest" movie!

The Ernest films are pretty much all the same: amiable, clunky, dumb, with an inspired moment every half hour or so. This is the exception. Same writers, same production company, but for some reason they decided to forget about plausibility and go straight for surrealism -- and the result is one of the funniest movies ever made. There's a story of sorts (lots of people chasing a revolutionary war cannon purported to contain the Crown Jewels of England), and a moral of sorts (don't be afraid to risk), but they're just scaffolding for the gags and shtick. The script abounds in throwaway lines that have no relation to anything else ("I haven't seen anything like this since the Bay of Pigs"), scraps of ridiculous dialogue (the history professor sees Ernest with a possibly valuable artifact: "Where did you get that?" "France." "Where in France?" "Outside Paris"), and all sorts of off-the-wall bits (the professor doing Elvis, the Mighty Workboy song). Jim Varney does a few of his standard issue klutzy-Ernest bits, but they just set the real humor in higher relief. Plus, the supporting cast is great: Tom Butler as the villain, alternately sadistic and zoned-out ("Yes...but many men died"); Ron James as the nebbishy professor ("Herpetology is not my field"); and the magnificent Linda Kash, stealing the picture as the professor's domineering wife ("Really hate that tie, dear. Really do.") I've seen this movie maybe ten times, and it gets stranger and funnier every time. If you're expecting something that makes sense, you'll be disappointed, but if you just sit back and watch the weirdness, you're in for a comic classic. 10 out of 10, no hesitation.

I was one of the few people who watched this move in the theaters, and to say the least, I was disappointed. Granted, the series went back to a more believable story and a more subtle production design after the faults of Ernest Goes to Jail and Ernest Scared Stupid. But then again, this should have been a clear indication this series should have ended. But lo and behold, Hollywood had to further defile Jim Varney in this haphazard effort. And of note, where the heck was Bobby in this film!