Permanent Midnight (1998)

Highly Overrated But Still Good

This story has more twists and turns than a second-rate soap opera.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Permanent Midnight seems at first like another film you will love. It's the story of a drug- addicted real-life semi-celebrity, it's directed with slick style and a fast pace, and it provokes emotion with its increasingly gloomy atmosphere and R-rated subject matter. The "but" or the "however" is hard to place, because there is no real reason why it can't live up to the expectations based on what I just described. The only real way to say why it isn't the contemporary classic or young moviegoer's classic that it should be is to say that it doesn't have as much intensity that one would expect from it. It allows itself to indulge in the formula elements of a movie like this.There are formula elements to every genre and subgenre, even the fast-paced stylized biopic and the drug film, even though they don't seem like they would. Why would they? They're usually based on true stories and real lives, or they go in directions most other films don't take. Still, a real life and a true story can still either turn out the way so many similar ones do, or their adaptations do. Permanent Midnight is a formula film of its subgenre.That doesn't stop it from being enjoyable and powerful on a substantial level. It's directed well and Stiller's performance is fantastic. It's loaded with dark humor, Scorsesian music placement and jump cuts disguised as techno music and fade outs, and attention-grabbing supporting players like Owen Wilson and Maria Bello. If only its storytelling took another avenue, or if only it were tighter and more extensive.

Poor little rich kid, Jerry Stahl, an actual TV screenwriter in 1980s Hollywood, p***es all his good fortune away through a hefty heroin habit. Jerry then hits bottom, recovers, and writes his autobiography. "Permanent Midnight" chronicles Jerry's fall from Hollywood hotshot to junkie bum. Besides such an unpleasant subject, and an equally unsympathetic main character, "Permanent Midnight" still entertains, in a morbid sort of way. It's told in flashback (at the beginning of the movie Jerry's just finished rehab and is about to return to his old LA haunts), so we kind of know where the movie will take us. There's no mystery, we're going to watch Jerry's self-destructive crash and burn in close-up. We're a little in the dark about what will happen after the movie catches up with itself, but there's really not a lot of tension. It's like watching a car wreck in very slow motion.Ben Stiller does an excellent job portraying Jerry, with his craving for the drug rising above, and then destroying, all that's good in his life. It's quite a frightening portrayal. Elizabeth Hurley, as his girlfriend, is a bit of a stretch for both her acting talent and in the casting. But the rest of the cast does fine work. I think the major detriment to this movie is that the audience knows beforehand how it will all end. This is a very dramatic subject, but with no drama in the screenplay. And that is a drag.

I disagree with the previous comment. This is a very good movie about the horrors of drug addiction. It would be of particular interest to Ben Stillere fans interested in seeing him in a straight drama (as opposed to comedy)...

SPOILERS - Even thought this is a pseudo-autobiography, in the movie it is presented as the story of Jerry (Ben Stiller) in recovery, meeting a girl (Maria Bello) in recovery, and the two of them trying to figure out if they can make a go of it, initially meeting at a cheap motel for casual sex, and by the end of the movie realizing they love each other. Their conversations result in a number of Jerry's memories which are shown in flashback form.Whether this is a good movie depends on what one expects to get out of it. "Permanent Midnight" tries to be entertaining in spots. To wit, Jerry picks up a German girl, they have meaningless sex, and at climax she yells, "My God, my God, I'm being f**ked by a Jew!" Very marginal humor. This is not a very entertaining film, but it is gripping simply for the realization that some people actually try to navigate their lives that way. During this period, the real Jerry Stahl was writing for popular 1980s series like "Moonlighting", "Alph", and "Northern Exposure." Anyway, during his addiction phase Stahl represents himself as a person with little self-control, lying, needing drugs to get through any stressful situation. Then, when he first tries to rehabilitate, bad friends drag him down. I am glad I saw this film, however I cannot recommend it strongly. However, I now realize that thirty-something Maria Bello might be my new favorite female actress, after seeing her here, in "Coyote Ugly" and in "Duets." She is uniquely attractive and a very natural actress, I think I could enjoy watching her in anything!