Reality (2012)

You won't be disappointed!

A lot more amusing than I thought it would be.

In truth, any opportunity to see the film on the big screen is welcome.

The movie really just wants to entertain people.

Reality is a wonderfully drawn film that showcases the obsessive behavior of a guy destined (in his own mind) to take the prize on Italy's 'Big Brother.' Not a new premise by any stretch, and always difficult to watch. He basically throws his life, the life of his family, and his own sanity out the window for a stupid reality TV show, before needing the proper motivation to fight his way back.That being said it is a story of flawed characters. Of which we are all. So I tried very hard to get over my general distaste of the main character's actions and maneuvers to enjoy the story that was being told. Direction and cinematography are top notch. Simply exquisite. The non stop sweeping camera made my knees weak at times...and I simply loved the title treatment at the end of the film. Probably even gained it another star simply because it made me smile on my way out the door.But when all is said and done we find our characters, and in many ways ourselves, left exactly as we were to begin with, nothing learned, nothing lost, and definitely nothing ultimately gained.

Reality is a fitting title about a man who totally lost it (his own sense of reality).Part satire, part a comic-tragic portrait of our world with its vanities our hero is just an everyday guy who is a fishmonger, and like many others has a souse, children with all that goes with it.His world is shaken when following a brief performance in a wedding reception he becomes acquainted with a celebrity and the desire is born in him that he can be part of this world, the world of stardom, wealth and recognition.So by making use of this brief acquaintance he enters a competition to join big brother and does so in the certainty it will be his passport to fame and fortune. The contact with fame though ludicrously brief it is enough to cause him a great deal of harm.The harm came in the form of obsessive behaviour, paranoia and hallucination causing a loss of his own self awareness and disregard for all those around him.A charmer of a movie about vanity, obsession and a surrounding culture that feeds us these kind of fake feelings and desires.

One of the things I have read more frequently about this movie is that, since it talks about the TV program "Big Brother", which in Italy has already reached the 12th season, it's supposed to be a decade late. Well: it's not, as the "Reality" mentioned in the title is obviously not the one of the TV-genre, but the actual one of nowadays Italy.As Woody Allen wrote once, "life doesn't imitates art: imitates bad television". Following this line, the first scene is by far the more "fantastic" of the whole movie: we see an incredibly rich marriage ceremony, and we are not on TV or in any other fiction, but we are supposed to be in the real world - even if the settings and the outfits looks like a David LaChappelle picture. But later, when the guests go back to their homes, we see how theirs everyday "Reality" is made of poor dirty houses, impossibly crowded interiors, daily struggles and tricks to arrange a living. All places depicted completely lack any sign of awareness or responsible living in the world: newspapers don't exist, books are never read or shown, Internet is never searched – and receipts during commercial transactions are never issued. In this wasteland of culture and decency, feelings still grows. We can see that the main character still genuinely loves and cares for his wife and kids, and he could be called, in his own way, a good family man. But disaster suddenly happens when his set of values proves to be not enough to properly relate with the ghosts of fame and success.This "Bigbrother" thing, when it was introduced in Italy had some cultural appeal, and for some months represented something worthy to talk about. But it has quickly evolved in a tire and sad repetition of the same situations, that seems to aim at a lower target every further year: and after more than 10 years of lowering, now it doesn't have audiences anymore, but victims. This movie will show you how one of those victims undergoes his own sacrifice. So, be prepared: it can't be anything else than a very sad story – highlighted anyhow by some great actor performances.

** Contains Major Spoilers, including a discussion of the ending of the film** When asked about what he was trying to say with Faust, Goethe replied that what he wanted to say was what's he'd written in the play. If he'd wanted to say something else, he added, he would have written something else.Matteo Garrone, of Gomorrah fame, is going for much the same answer about his latest work, Reality. I just saw the movie and the director himself at the 2012 Toronto International Film Festival, where Garrone stepped on stage after the screening to take a few questions.It was an entertaining back-and-forth between an audience gushing with praise and a visibly pleased but disarmingly unpretentious director. When asked to elaborate on the film's enigmatic ending, though, Garrone politely declined, saying that he'd rather leave it open to interpretation, and was more interested in what the audience thought.So, here's my take. At the end of the movie, the main character Luciano, a Neapolitan fishmonger who auditioned for Grande Fratello (Italy's Big Brother) but never heard back, sneaks onto the set of the show in Cinecitta. None of the Big Brother contestants, who are splashing around in the pool, seem to notice him. Luciano, seemingly mesmerized by the giggling bunch, takes a seat on a sunbed in a courtyard nearby—and suddenly he can't stop laughing. The final shot zooms out, beginning with Luciano giggling all by himself and eventually encompassing all of Rome.What does the uncontrollable giggle mean? Has Luciano lost his mind? That's a very real possibility. On the other hand, as Garrone pointed out to me when chatted briefly after the screening, he also may be laughing because he's finally won—after all, he is finally in "The House." But what kind of victory is that? I think we're supposed to compare the final scene with the first. The film opens with a panoramic shot of Naples in full daylight with Vesuvius and the Bay as a backdrop. Then the camera slowly zooms in on the odd spectacle of a gilded horse-drawn carriage. The carriage arrives at a sort of villa, where a staff dressed in what appears to be 18th century costumes opens to door for the passengers, a tacky bride and groom.Both the opening and closing scenes revolve around some kind of fantasy, but one zooms in while the other zooms out. The colors are important here. The opening shots are strikingly colorful and bright, while the final shot is almost black and white, being shot at night and starting from the minimalist courtyard with its stylized white-backlit lounge chairs. The opening is crowded with family and friends, and in the end, Luciano is alone. The opening represents fantasy within the bounds of reality, while reality TV is fantasy beyond these boundaries.By the end of the movie, Luciano has lost sight of what is most important: his family. It is true that his life as a fishmonger and scam artist is far from idyllic, but there is undoubtedly something valuable in the role he plays in his own small community. He is already a star to his relatives and friends, as we see from his comic performance at a family wedding at the beginning of the movie.see the rest of this: americanfilmtheory.com