Rapture (1965)

Instant Favorite.

It's easily one of the freshest, sharpest and most enjoyable films of this year.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.

Believe it or not,Patricia Gozzi is virtually forgotten in her native France.Not only "Cybèle Ou Les Dimanches De Ville D'Avray" is NOT available on DVD ,but it's also NEVER screened on French TV!But at least ,it's included in the French Dictionnaire Des Films whereas "Rapture" aka "La Fleur De L'Age" is nowhere to be seen.It was broadcast today on satellite TV.I knew Patricia Gozzi was outstanding,but in "Rapture " she is even better an actress than in "Cybèle".Her decision to call it quits after her marriage was a major loss for French cinema.(Gozzi had made her real debut in Melville's "Leon Morin Pretre" but she only had a supporting part.It's hard to admit that the director who made "Tower Inferno" or "Death on the Nile" made this art house work.But it is so."Rapture" is an exceptionally original movie,with complex characters (one user wrote ,and he was right ,that the relationship father/daughter remained extremely mysterious ,running the whole gamut,from desperate love to hatred and resentment),a gloomy cinematography which takes advantage of the splendor of the landscapes of Bretagne.Some scenes are absolutely phenomenal: the rag doll on the rocks (and the final scene which is its exact equivalent),the fight in the shed,the insane asylum where Agnes is irresistibly attracted ,the chemistry between her and James Deanesque Dean Stockwell .There are similarities between Gozzi's parts in "Cybèle" and "Rapture" :in both works,we find a little girl or a teenager in love with someone much older than her.The endings are very similar too.Both are heartbreakingly beautiful .To write that Georges Delerue's scores are simply magnificent is to state the obvious.He too was never replaced.

Magnificent performance by Patricia Gozzi, with the help of Dean Stockwell and Melvyn Douglas. Brilliant directing by John, Guillermin who admits that he never had to direct a more gifted actress (John Guillermin is also responsible for the discovery of Jessica Lange, introduced in King Kong) The film suffered of a black & white (inspired ) cinematography (by French cameraman Marcel Grigon) at a time when distributors would not accept to release a film other than in color,to fight the TV competition (1965).Patricia Gozzi is also great in GRABUGE another ill-starred production of Darry F.Zanuck that was a harbinger to the 68 riot in Paris.

I have just tracked down this film, through this site, many years after the one and only time I saw it. I saw it as a B film i.e. tagged on to the main feature but it left such a lasting impression I cannot remember what the main feature was.It was the beginning of the film that made such an impact on me and that I remember most.The idea of a scarecrow coming to life (Joseph in hiding) and Agnes'd reaction which gripped me. The photography was dark and powerful.The developing relationship between Agnes and Joseph and her fathers reaction to it was moving. I do not know what I would make of it now but I hope it would generate the same emotions that I felt as a teenager.

This is a great film. For some reason this movie really struck a cord with me when I first caught in on tv back when I was a teenager. The lighting, the French location, the novelty [to me] of the film style...I must have watched it a hundred times. Even though I haven't seen it in a few years, I still remember how Agnes is so overwhelmed by everything in her life and seems to like to hide her in childlike world. And Dean Stockwell is actually pretty cute; I was surprised to find out this the same Dean Stockwell that was later on Quantum Leap. My mother told me that he was quite the heartthrob in the Sixties, and one can see why in this film. I also read the book by Phyllis Hasting, and it is a whole lot darker in tone than the film. I think it also explores the father-daughter relationship in more detail than the film. This and some of her other books seem very anti-male.