Henri 4 (2010)

Crappy film

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

A story that's too fascinating to pass by...

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

Henri 4 is, as the name already suggests a biopic about the French king mentioned in the title. Biopic fits in the truest sense as the film starts with the main character as a boy and ends with his assassination. I am not sure how close it is to the Heinrich Mann novel it is based on, but it's a historic drama from 5 years ago and while it is usually not particularly my favorite genre, I was nicely entertained most of the time. Here and there there was a scene where it dragged a bit, but it was still bearable for a 2.5 hour film. It's packed with intrigue, violence, killings, sex and relationship struggles, most of these pretty graphic. These relationships involved queens, wives and, last but not least, God. There are many emotional scenes in this film. The film is written and directed by Jo Baier, a man who won several Adolf Grimme awards in the past already for his works. It is a multi-cultural movie. Many countries involved here and actors from these countries too, especially Germany and France. You may have come across Król, Pippig, Hüller, Hoger, Striesow, Markovics, Urspruch and Monot already if you are interested in German movies.Ulrich Noethen scored a supporting actor nomination at the German Film Awards for his performance here and he was certainly one of the standouts of this movie. Julien Boisselier (did not know him before) was a good choice for the lead character, but not a perfect one. All in all, the movie did not have any real moments of greatness, but no major weaknesses wither. If you like the genre, this certainly deserves a watch. Give it a chance.

it is far to be a revelation. stylized story, not extraordinary acting, battle and love scenes and the noble purpose to present in decent manner one of fundamental personalities of Modern French history. common biographic movie, without great ambition but remarkable for few scenes who reflects the roots of political crisis, it is a French past page in clothes of German. and without be impressive, the result is far to be boring or slice of time waist, sure, it could be better. but the performance of Julien Boisselier , charming and not complicated, transforming the lead character in a form of sketch, is a good thing and inspired spice for an easy film.

From an early start Henri of Navarre, the protestant nobleman saw war first hand. As a child he was present in battles that would mark him for all his life. He also knew fear in his own person when he was surrounded by warriors engaging in combat. In fact, Henri's fate was predicted by Nostradamus himself, when Henri's mother brought the seer to take a look at her young son. Henri was a man destined for great things, as indeed it was the case with his life took him from a small kingdom to be the ruler of one of the most powerful European nations.Born protestant, Henri had everything stacked against him, when France totally dominated by the Pope and his strict Catholic Church. The throne of France was dominated by the powerful Catherine De Medici. Her weak son Francis was the ruler of the land, but her ambition was to make her other son Henri, to succeed his brother. That way Catherine was able to control everything. In a bold move, Catherine decided to marry her daughter Margaret to Henri of Navarre to cement France's dominance. The union proved to be stormy at best. The reign of Henri III, a homosexual, ended with his assassination. Henri of Navarre became the king of France. He wanted the best for the country he loved, but had to yield to entering a conversion that no one really believed came from his heart, but it was a sort of marriage of convenience. Henri true love was Gabrielle D'Estress, who was not accepted by the Pope. Instead he endured a terrible marriage to another Medici, Marie, who gave him an heir to continue the lineage. Henri had a horrible end as he was slain in the streets of Paris.An ambitious project "Henri 4" is an epic of great proportions. A co- production between Germany, France, Spain and the Czech Republic, the film tries to make justice to those turbulent years in a country dominated by religious wars. Directed by Jo Baier, the film will surely delight history fans for it shows powerful individuals whose ambitions were incredible. The cinematography of Gernot Roll, the veteran German cameraman, is amazing. Mr. Roll catches nuances as well as the fury of the battles in details seldom seen. The incidental music is by Hans Zimmer and Henry Jackman. The mainly German cast does a wonderful rendition of the drama as staged by Mr. Baier.

A German made film (originally released as a miniseries) about the life of the 16th century's Henri (or Henry) IV of France, one of the crucial kings in the French Wars of religion (by one count, Henry changed religions four times during his life between Catholicism and Protestantism). Solid and interesting, just a bit overlong at two hours and a half, it has both French actors and Germans actors dubbed in French (I didn't care much about this, though perhaps some French native speakers would). Medieval and early Modern history can be very complicated (the personal gets involved with the political, as the main political leaders tend to be relatives as well) but if you pay attention the various political plots are reasonably well explained in the film. On the minus side, the movie could have benefited from a more charismatic lead than Julien Boisselier as Henry. And Ulrich Noethen (who played Himmler in Downfall) outrageously overacts as Charles IX, one of Henry's predecessors. But the beautiful Chloe Stefani is lovely as Henry's mistress, Gabrielle d'Estrées (none more so when she appears nude, as she does frequently here). And Hannelore Hoger is suitably evil as queen Catharina de Medicis, a major plotter against Henry.The production values are reasonably good, though as in many other historical films, battles are not very credible when it seems to involve the fight of dozens of people, instead of thousands (films like these should consider using computer generated imagery to give modern audiences the feel of a large battle).The same subject matter was covered in La Reine Margot, a French film released in the 1990s, starring Isabelle Adjani as Marguerite de Valois (in Henri, Margot is played as a semi hysterical woman by Armelle Deutsch). I saw La Reine Margot at the time it was released, but I really don't remember a lot about it, except that it was a much stylized affair; Henri is a much more down to earth film.