The Woman in Black (1989)

Excellent but underrated film

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

This is a gorgeous movie made by a gorgeous spirit.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Herbert Wise's Woman in Black is a blueprint on how a film should be made in order to scare the intelligent audience. Adapted from a book by the same name this Television film has one of the creepiest ghosts ever put on film- and she is there standing in broad daylight! The atmosphere is haunting and the pristine 16mm film stock lends itself well to the tone of the film. A remake starring Daniel Radcliffe was made in 2012 but it does away with everything that this film stands for-a minimalist approach. You should definitely see this movie- it maybe hard to procure but the entire film exists on you-tube.

Herbert Wise's Woman in Black is a blueprint on how a film should be made in order to scare the intelligent audience. Adapted from a book by the same name this Television film has one of the creepiest ghosts ever put on film- and she is there standing in broad daylight! The atmosphere is haunting and the pristine 16mm film stock lends itself well to the tone of the film. A remake starring Daniel Radcliffe was made in 2012 but it does away with everything that this film stands for-a minimalist approach. You should definitely see this movie- it maybe hard to procure but the entire film exists on you-tube.

This was obviously a TV-movie with a small cast and the focus mostly on lawyer Adrian Rawlins (played by Arthur Kidd) who goes to investigate a house so it can be sold. He gets intrigued by the mysterious fog, the apparitions of the woman in black, the sounds of childish laughter. Even though the movie really dragged in some parts I thought it was done way better than the remake. Everything was way more threatening even if there didn't really happen much. The inclusion of the little doggie as his companion was great too. He eventually goes crazy, who wouldn't. I missed however that the village and the children lived in fear of this spirit, she seems to only haunt poor Adrian.Even though enjoyable I don't think I would re-watch it. The mystery is interesting but it stays pretty vague, the motives of the woman in black too, but that could be me not having understood everything. Still I know much more than when I watched the remake. I do remember very little of the remake only that I was totally unimpressed by it and had a pretty stupid ending. Radcliffe as the lawyer seemed to go pretty emotionless through the scenes while Kidd showed genuine feelings of fear. I think it's just the story which isn't interesting enough for me to give it a high rating.

"The Woman in Black" has Adrian Rawlins as London solicitor Arthur Kidd, who is sent to a remote seaside village to sort the estate of a recently deceased recluse. While staying at the woman's mansion on the rural marshlands, he is tormented by the sounds of a phantom carriage crash, and the apparition of a mysterious woman in black who roams the property— but that's the least of his worries.Based on Susan Hill's novel of the same name, "The Woman in Black" has been hailed and beloved by fans, and rightfully so in many ways. It's not a perfect film, but it's an almighty well-done ghost story. In the vein of other Gothic chillers such as "The Innocents" or "The Haunting", the film is indebted to a classical style— heavy on plot and mood, though punctuated by a series of legitimately scary moments that are strung along a sombre and downbeat narrative.A very handsome (if I may so so myself) Adrian Rawlins leads the film as our protagonist and does a fine job here, while Pauline Moran plays counterpoint as the mysterious and perhaps malevolent Woman in Black. Originally broadcast on Christmas Eve 1989, the film definitely has a "made-for-TV" feel to it, but the cinematography is slick and classy, and the visual elements of the film are on par with the unusually sophisticated supernatural narrative arc. The downbeat ending here is just the icing on a very ghastly cake. Overall, "The Woman in Black" is essentially the made-for-TV equivalent of classic Gothic chillers such as Jack Clayton's aforementioned "The Innocents"— that's not to say it's a bad film by any means, but rather that it runs in a similar vein, albeit with the budget quirks of a television production. Despite this, there are several remarkably startling moments that have frightened audiences for decades now, and these moments have earned their notoriety, as they are still well-crafted and effective to this day. As a television production, "The Woman in Black" is a sophisticated and nicely crafted ghost story that holds its ground against its more innovated, big-budget peers. 8/10.