Love n' Dancing (2009)

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

Such a smart, funny, beautiful movie! Pays attention to details, has very likable actors, superb dancing, great script.Even though its a small budget movie, i just really loved how carefully they've directed it, haven't seen any goofs or superficial scripting and even though it seems predictable at first glance, it surprises in every level! I never liked Billy Zane and this is the first role that he is very cute and funny.It suits him well! This is one movie you have to see, if you are romantic and love dance! I have to write 2 more lines, i don't understand this silly rule, so let me repeat again and again, this movie is wonderful and if you like dance, comedy and romance, sit tight and enjoy the movie night!

... and I dance East Coast Swing, a simplified take on Lindy Hop, which is the real thing (West Coast borrows a few moves from East Coast/Lindy and blues dance but is actually too Hollywood in its choreography and too close to the Hustle -- FEH!), so of course the dancing fell short for me. Real swing is what you dance to Count Basie, Duke Ellington, or Benny Goodman, or even contemporary big bands. My saying so will no doubt steam the West Coast fans in the audience, but hey, dance history is what it is (look up Frankie Manning and Hellzapoppin' on Wikipedia if you want to know where it all came from). Besides, the dance scenes would have fallen short anyway, for reasons cited below. But I digress.I started off really wanting to like this movie. Honest. After all, I found the male lead appealing at first, and I'd enjoyed other dance films such as Strictly Ballroom, Center Stage, Take The Lead, and Tango Bar (I even tolerated Shall We Dance fairly well, given my usually complete disdain for Richard Gere). But no: the non-dance part of this storyline was so weak it made me cringe. OFTEN. Billy Zane was slightly less obnoxious than usual, so that was something, but not enough to offset the fact that Amy Smart seemed to be sleepwalking through the whole thing. The writing was awful. Their fight scene at home, for example, seemed sudden and oh, so contrived. So did the upset at their friends' wedding. Fake, fake, fake. You could see the consequences telegraphed a mile away. And the dance competition was even **more** Hollywood over-the-top than West Coast usually is. Mehhh. They learned ALL the wrong things from ballroom competitions.Worst of all, Amy Smart never looked like she was really getting the hang of the sense of elasticity or stretch that underlies all variations of swing -- or that she was enjoying any of it, even a little bit. If you hate dancing that much, why do a dance movie?? Don't tell me she really liked it, because you sure couldn't tell from her performance in this film. I could barely sit through it. The actual dancing by others, however, like some ballroom competitions I've seen, was expert yet mechanical. Soulless despite all the plastic smiles, sequins, and flash moves. Wasn't **anybody** really getting into it? It's like they were still showing off but all just too cool to really show they like it. Nuts!!! I've seen much more fun and energy generated by amateurs at Lindy competitions on college campuses than I saw anywhere in this film. And I kept wanting to see real Lindy Hop, so that spoiled the rest of it for me.If you want an introduction to WCS, I suppose this is as good as any; but if you were hoping for another Swing Kids (despite its inauthentic choreography) or Take The Lead, sit this one out -- it's not your kind of number, and it doesn't even have anyone like Antonio Banderas to save it. And Lindyhoppers should avoid it entirely. (It'll just annoy you too much. Better your should watch Frankie Manning clips on YouTube or video reruns from the Frankie 95 celebration. I'm just saying.)PS -- I just noticed that Tom Molloy, the lead, also wrote the script. He has a lot to answer for, in that case.

This film is about a former dance champion who re-evaluates his life after meeting a dedicated and talented student."Love N' Dancing" is not a typical romantic comedy. It successfully amalgamates these cheesy themes into an enjoyable film with a positive message. On the surface, it is about love and dancing. At a deeper level, "Love N' Dancing" is about not letting impairments and self doubt hinder yourself reaching your full potential. It is an uplifting feel good film, both visually and emotionally.I enjoyed watching it a lot, and I think it deserves a wider audience and more recognition.

Having been a West Coast Swing dancer for 5 years in the UK, it was great to finally see this film in a cinema in San Diego across from the annual Swing Diego dance convention. Anticipation has been high for this film over the last year or so, which has been given a limited cinema release. In the UK, it has only been available on satellite through Sky, so it was nice to catch it in a proper cinematic environment.Devotees of the dance style will have a ball spotting some of their favourite pros in some sequences. The likes of Ronnie Debennetta, Brandi Tobias, Jordan Frisbee, Tatiana Mollmann, Parker Dearborn, Jessica Cox and others who work and teach tirelessly during the calendar year at events both US and Internationally serve as competent supporting players in a movie in the style of STRICTLY BALLROOM.Tom Malloy plays a former US Swing champion who gives a lecture on disability to a school and reveals his talent to a class of students. A teacher at the school wants to sign up her fiancé for dance lessons, but his devotion to the deal rather than her prompts her to follow through herself.Robert Iscove, who directed SHE'S ALL THAT (memorable for the prom dance to Fatboy Slim and who has a long history of dance choreography) does admirably and refreshingly the issue of deafness in an individual is sensitively handled. The dance sequences are staged well and the more astute amongst WCS dancers keen to see the style portrayed in cinematic form will not be disappointed.Hopefully, this will be the start-off point for more films along the same lines.