The Legend of the Lone Ranger (1981)

the audience applauded

Save your money for something good and enjoyable

This is a gorgeous movie made by a gorgeous spirit.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Scenic locales, gorgeous cinematography, superb set design, atmospheric art direction, and a first-class supporting cast cannot salvage "Monte Walsh" director William A. Fraker's lame western "The Legend of the Lone Ranger" with a impassive Klinton Spilsbury cast as the Masked Man. Spilsbury is a tall, lean gent with a strong chin and a dashing profile. In other words, he would have made a great Marlboro Man, but he conveys no sense of presence. Not only is this western an origins epic establishing the genesis of the Lone Ranger, but it is also an abduction opus since the hero must rescue President Ulysses S. Grant from the villainous Major Bartholomew 'Butch' Cavendish (Christopher Lloyd of "Back to the Future") who attacks his train. You would think President Grant would have surrounded himself with an army of soldiers as his bodyguards, but they are nowhere to be seen. When we get our first glimpse of the Lone Ranger, John Reid is an adolescent who saves a young Tonto from a gang of ruthless ruffians. No sooner has young Reid saved Tonto from these villains than he scrambles back to his home to find these same dastards attacking his ranch. They gun down both his mother and father in cold blood, and later his big brother packs him off to Detroit. Of course, Detroit would be the perfect place since the original "Lone Ranger" radio series aired there on WXYZ in the first place in 1933. Later, after he has grown up and graduated from law school, he visits his brother, Captain Dan Reid (John Bennett Perry of "Independence Day"),and they ride off in pursuit of the gunmen who hanged a crusading newspaper publisher (John Hart of "The Lone Ranger") in the dusty town of Del Rio, Texas. It seems that Lucas Striker has printed some unkind words about Cavendish, and he repays the favor by dispatching his hooligans to slip a noose around his neck. The ambush at Bryant's Gap—one of the few events that distinguish this horse opera-- is staged with gusto. Cavendish's men launch wagons laden with explosives off promontories at either end of the gap and cut the Rangers off from escaping while his army of riflemen massacre them. They use a Gatling gun to mow down the poor lawmen. In this version of the legend, Cavendish is no longer an ordinary outlaw but a former U.S. Army officer court-marshaled by Grant. Cavendish plans to establish his own kingdom in Texas and intends to use Grant as his bargaining chip to realize his dream. Christopher Lloyd plays Cavendish as a tight-lipped martinet, and he does some strange things himself. When he orders the execution of two of his henchmen (Ted Gehring and Buck Taylor of TV's "Gunsmoke"), he has them blindfolded and seated in chairs before a firing squad. Believe it or not, one of Cavendish's other henchmen is portrayed by no less than Tom Laughlin of "Billy Jack" fame.This 98-minute horse opera perished at the box office partially because of an ill-fated public relations campaign that stripped the original Lone Ranger--Clayton Moore--of his mask. After he finished making "The Lone Ranger and the Lost City of God," Moore appeared in various commercials with sidekick Jay Silverheels and attended movie conventions where he signed autographs. The was the primary way that the former Masked Man generated revenue for himself and his family in his later years. Something must have gone wrong in the process of making the movie because the producers used John Hart, who took over the role momentarily after a contract dispute. Particularly objectionable is the reliance upon a balladeer (country singer Merle Haggard) to provide musical narration that serves no purpose. We know everything that we need to know and then here comes Merle underlining what we already know. The problems with the script are numerous. A relationship between John Reed and Amy Striker has its moments when they swap spit, but it goes no farther. Instead of the outlaws killing Amy's father, they should have killed her accidentally when she got in their way. This would have ended the romance and given the Lone Ranger another reason to ride the back trails for justice. The scene where the Masked Man gallops alone into Del Rio to rescue Tonto from a hangman's noose is inferior. He faces little opposition from the townspeople. Although the finale with the Lone Ranger and Tonto infiltrating Cavendish hidden fort turns out to explosive stuff, this entire scene makes it too easy for our heroes who encounter no trouble. The screenplay includes historical figures such as Buffalo Bill Cody, Wild Bill Hickok, and General George A. Custer. Jason Robards is good as Grant, but the story is formulaic. If you didn't know any better, "The Legend of the Lone Ranger" might make a tolerable rainy day movie. Michael Horse plays Tonto, but the two generate little sense of camaraderie. "Your sins will be paid for in the fires of hell," proclaims Grant when he sentences Cavendish to prison. He could have been the idiots who took away Clayton Moore's mask and came up with this oater. Stacy Keach's younger brother James dubbed Klinton Spilsbury's dialogue, but not even he can cry "Hi, Yo-Silver" with any enthusiasm. I grew up watching Clayton Moore and Jay Silverheels ride across the small screen as well as the big screen in "The Lone Ranger" and "The Lone Ranger and the Lost City of Gold," and both of these outings surpass this technically elegant looking sagebrusher. The DVD release of this inferior western is just as lame because it is presented in the Pan & Scan format until the end credits roll and the images appear in widescreen letterb0xed format.

The movie was enjoyable. I am biased, though. I grew up idolizing the Lone Ranger. I can never understand the decision to cast Klinton Spilsbury in the title role. This would not be too hard to understand if we follow the theory that a TV pilot was the original idea. But this theory falls apart when I consider that, for some reason, Spilsbury's voice wasn't deemed good enough, so it had to be dubbed. This causes the unintentionally comical situation of a Hollywood movie looking like a foreign-made spaghetti western because the dialog and the actor's lips are not always in sync. The narrator and the songs are irritating. Despite all this, I liked the movie. It started out with the elements of an epic picture about the story of a legendary hero, a film that should have been 3 hours long. Then, after the set-up of how he came to be the Lone Ranger, the film rushes into what seems like a TV episode. A small amount of screen time elapse from the kidnapping of the President to his rescue, which was reminiscent of a Gunsmoke or Bonanza episode, where the story had to unfold in between commercial breaks, all within 1 hour air time. A lot of people got very lazy in the making of this movie. Still, to me, it's as if it were a 98-minute episode of the Lone Ranger. Heigh-ho, Silver! Away!

I saw this when I was five. I liked it at the time and was too young to have heard about the politics and controversy with Clayton Moore or notice the dubbing of the title character's voice. Even watching it again the other day for the first time in almost thirty years, those things were not issues to the movie itself.It was entertaining. There are things I'd change here or there, but overall it was good. The handling of Tonto still holds up today in our hyper-PC world.It's not without its warts, but they can easily be seen beyond and the movie enjoyed. Definitely check it out.

Given that Clayton Moore and Jay Silverheels are firmly in our minds and hearts as the Lone Ranger and Tonto, it was imperative that the casting of this film be correct. It's fine to cast an unknown actor in the title role, but whoever conducted the screen test certainly goofed big time. If you have to dub the voice of Klinton Spilsbury, then he's probably not the best choice for the role. This was worse than casting Michael Keaton as Batman, because Keaton amazingly pulled it off.Actually, the rest of the cast was pretty good. Christopher Lloyd as Butch Cavendish, Michael Horse as Tonto, and Richard Farnsworth as Wild Bill Hickok made the movie watchable.The acting ability of Spilsbury is virtually non-existent, though the physical action was passable.Other problems: The story has been told in films at least three times before, and the Lone Ranger never killed anyone in the other films and TV series. If the "real" Lone Ranger knew the fall would kill the outlaw, he would have chosen a different way to capture him. This Lone Ranger simply was not very believable.