Scent of a Woman (1976)

Don't listen to the Hype. It's awful

A lot of fun.

The film never slows down or bores, plunging from one harrowing sequence to the next.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Given this film’s reputation (which soared even higher in the face of the overblown yet bland 1992 Americanization), it’s surprising that it took me so long to catch up with it. Being perhaps the recently-deceased director’s best-known work (though two more – THE EASY LIFE [1962] and IN THE NAME OF THE Italian PEOPLE [1971] – are, at least, equally as good), I chose it as the film with which to conclude my 7-film tribute to him. Coincidentally, it happened on the very day which marked the eight anniversary from the passing of its leading man – the great Vittorio Gassman! The film (and its protagonist) deservedly received a number of accolades back in the day; it was also singled out to represent Italy in the Best Foreign-Language Film category at the 1975 Academy Awards ceremony where another nod went to the screenplay penned by Dino Risi and Ruggero Maccari. For the record, I’d watched Al Pacino’s Oscar triumph in the remake when it was new: I recall not being enthused with either the endless film (running 157 minutes against the original’s 100!) or the Method actor’s hammy performance. Anyway, for anyone not familiar with the later film, the plot concerns a young cadet being asked to accompany a blinded (yet proud and fun-loving) war veteran for a week; together, they go on a voyage (with the experienced man-about-town teaching the ropes to the rookie, who at first is displeased with the high-handed manners of his ‘charge’) – leading them to a girl, played by the luscious Agostina Belli, who’s devoted to Gassman. Earlier, the boy had discovered a photo of her among the blind man’s things (as well as a gun, whose purpose is revealed towards the end).Along the way, the cadet (nicely played by Alessandro Momo) is given the task of organizing the veteran’s entertainment and relaxation – which, given Gassman’s debauched values, takes him to the low-life sectors of the cities they visit (one of the prostitutes who renders service is played by, of all people, famous circus owner/ex-peplum starlet Moira Orfei!). By the time they finally reach Belli and her entourage of willing girls ‘waiting’ on another team of crippled officer and naïve cadet, Gassman has become oddly despondent and rejects the girl’s advances; as it turns out, he and his buddy had intended to commit suicide – with the latter ending up in hospital due to a gun wound, while Gassman eventually loses his nerve and retreats with Belli and Momo to a house in the country-side! I don’t recall the 1992 version well enough but, here, it seems that Momo’s role is relegated to the sidelines once Belli turns up; incidentally, I believe that the remake was far more chaste than this! Risi’s treatment of an undeniably original tale is somewhat low-key but nonetheless impressive – earthy yet insightful and thought-provoking, alternately funny and poignant – which is further graced with a simple but haunting melancholy score from Maestro Armando Trovajoli.

I have seen the remake with Pacino a few times, and I do like it. Even though it is almost too sentimental, I like it. I especially like the tango scene. There is one ludicrous scene where a blind Pacino is driving a Ferrari in Manhattan at high speeds - PLEASE. I'm willing to suspend disbelief for enjoyment of a movie, but this was too much to ask. There would have been an accident! In spite of this and other flaws, it is a moving film.OK, I just saw - finally - the original Italian version with Vittorio Gassman. It is better, way better. It makes the statement about loneliness, self pity, the handicap of blindness, in a simpler, purer way. It is just as touching, but less heavy-handed. Gassman is a brilliant actor, and frankly, better looking and sexier than Pacino in my humble opinion. (Also a lot taller!) But the main difference in the films: this one is FUNNY. Humor is used to make the point about the tragedy of the Captain. He is impossible in a way that is funny--outrageous-- and you can't help but laugh. The version with Pacino has very little humor. See this one, read the subtitles, and enjoy a masterpiece.

"Profumo di donna" is a great movie, it makes you laugh and cry, and touches your heart very deeply, and it makes you think. It was made in 1974 by Dino Risi, a great Italian director. It is probably one of his best movies. All the actors are excellent and very talented. Everything is good in the movie : beautiful music, great screenplay, cinematography, it was shot on location on nice Italian cities, etc... Plot summary : Vittorio Gassman (Fausto) plays a man who was a top military officer before an accident left him blind. The movie tells the story of the trip he does from Turino to Napoli via Genova and Rome, with a young boy (Alessandro Momo) who helps him on the trip (helping Fausto is a job the boy has to do as part of his military service). In the movie, we also see what happens when they arrive in Napoli, and what was the goal of the trip, and we see the beautiful girl (Agostina Belli) who loves Fausto. "Profumo di donna" won numerous awards in several countries and was nominated at the Academy Awards for "Best Foreign Picture". If you don't know this movie, you definitely should rent it or even buy it on DVD.

Al Pacino is a great actor, no doubt about that, but it's not enough for a director to have him to make a good movie. You should watch what Dino Risi is capable of with a handful of actors that are almost anonymous. It's true that European movies are often hard to understand from the point of view of a Hollywood movie, but be sure not to miss this one.