Demon (2015)

Touches You

Exactly the movie you think it is, but not the movie you want it to be.

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

The plot of the movie appears to be nice at the beginning, however, later on, it's all about stupid wedding ceremony activities and all garbage talking. Acting is not impressive at all. Every time you would expect that maybe something is going to happen, however, it would disappoint you till the end. I have never seen such an awful demonic possession where the possessed person is not being able to harm even a fly, instead vanishes without a trace! The plot itself is ambiguous and incomplete. If you don't want to spoil 2 hours of your life (especially of a weekend), never ever watch this piece of crap. Even watching Child's Play instead would be 10 times better than this junk. Absolutely rubbish!

The Jewish legend of the "dybbuk" is earning prominence in horror cinema; and, to be honest, I find the movies employing it more creative than most of the tales about Catholic exorcisms. I think The Unborn was the first one I saw, and the simple change of mythology was enough to bring it a fresh and different atmosphere; The Possession put a girl in danger, with unexpected spiritual consequences; and more recently, it was the turn of Demon (probably the first Polish horror film I have ever seen), whose interpretation of the dybbuk is adorned with copious references to Jewish culture, possible psychological explanations and abundant black humor which lightens the experience without diluting its general impact. It might even be more adequate to classify Demon as a black comedy, or maybe as a psychological thriller, because even though the first minutes seems like an usual horror introduction (the opening of a secret tomb), the rest of the tale lacks of the formulas commonly associated to this genre: there are no shocks, or violence, or special effects; we simply have a man erratically acting during the noisy reception of his wedding, while the guests try to find a rational explanation to his behaviour. Besides, the affair of the dybbuk can be taken as a metaphor of the abrupt change implied by the marriage, altering the life of the bride and the groom who will never be able to recover their individual identities; or, in the worst of the cases, it might represent an analogy of those people who discover they got married to someone very different than what they expected too late. Or maybe, it might be a comic farce in which the humor arises from the contrasts between the joyful family celebration and the groom's internal turbulence, possessed by an evil spirit, or a ghost looking for justice, or the fear to marital commitment. Anyway, I found Demon a fascinating variation of a sub-genre which rarely offers innovation, supported by the excellent performances from the whole cast (highlighting Itay Tiran, who brings an amazing work in the leading role) and a bizarre energy. In summary, a unique experience which might or might not belong to the horror genre... until we get to the somber ending, and we remember why the dybbuk belongs to that genre.

On the big day for an engaged couple the groom uncovers a grim secret, and the celebrations don't go quite as intended ...This seemed so intriguing, and I was rubbing my hands as the action kicked off at a lively pace with good humour from the actors. Then we switch to a Polish-Jewish wedding, with great music and dancing and lots of knowing observations. But where's the horror? Instead we get an oblique reflection on the secrets buried in sad soil - it's worth the telling, but doesn't dare to be explicit. I guess the aim was to achieve a haunting atmosphere, but it doesn't really make it - although the fate of the director after the movie was released adds a terrible twist. Is there any such thing as a Jewish horror movie?Performances are good, but the plot and characterisation are uneven. There's a running joke with characters getting soaked in rain and vodka, and the photography is good. One scene is captured brilliantly, when the couple emerge from the church and get caught in a flurry of snow and umbrellas.Music is OK, with a joke about Chopin that then fails to switch the music from electronic to piano. Lots of play with several languages and a few puns.Overall: Spirited but not demonic.

"Demon" (2015 release from Poland; 94 min.) brings the story of Peter, an English guy who is about to marry his Polish fiancée. As the movie opens, we see Peter arriving at a construction site, and in conversation with his future father-in-law, who expresses doubt about the upcoming marriage, given the apparent short courtship between his daughter Zaneta and Peter. But the wedding plans are on. Later that day, Peter arrives at the countryside home of Zaneta's family, which is in dire need for some fixing up. When Peter does some cleaning up in the yard, he comes across the remains of a skeleton, and before we know it, strange things start happening. At this point we're not even 15 min. into the movie, but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.Couple of comments: this is perhaps billed as a horror movie, but it really isn't. It really is more of a psychological thriller, rooted deeply in Polish family traditions. Much of the movie plays out over the course of the long wedding night (ceremony, followed by the wedding reception, dinner, and post-dinner celebration). I noticed in the movie's credits that it is in fact based on a theater play, and the movie certainly reflects that (and that is not meant as a criticism). Rather than a horror story, you instead get the constant feeling that something creepy is going on. There are a number of worthwhile performances, including Israeli actor Itay Tiran as Peter/Piotr and Andrzej Grabowski as the patriarch of Zaneta's family. Given the nature of the film, I don't want to disclose much more, but I can only tell you that I became transfixed as this played out, and couldn't hardly believe it how quickly this all went by.The movie premiered at the 2015 Toronto International Film Festival, yes, over a year ago. (Sadly, the movie's director Marcin Wrona took his own life not long thereafter.) It opened without any pre-release fanfare or advertising at my local art-house theater here in Cincinnati this weekend, and I couldn't wait to see it. The Friday evening screening where I saw this at was attended poorly, just a handful of people. Given the lack of marketing, it didn't really surprise me. If you are in the mood for a creepy (in the best possible way) and haunting psychological drama, I'd readily recommend you check this out, be it in the theater, on Amazon Instant Video, or eventually on DVD/Blu-ray.