Inescapable (2012)

Excellent, Without a doubt!!

Bad Acting and worse Bad Screenplay

An old-fashioned movie made with new-fashioned finesse.

It's a feast for the eyes. But what really makes this dramedy work is the acting.

Adib's (Alexander Siddig) daughter goes missing in Damascus, Syria and he must go and find her; but Adib has a secret that has kept him from Syria for 20-years. Actually, 2-secrets. This whole movie hinges on the reason his daughter went to Damascus in the first place when she was supposed to be on her way home to Toronto, Canada. This is very slow going, but consider that if Adib goes back to a country that he escaped from and if caught now he would be arrested. He knows the customs of the country and still knows some people who are in high places, sort of. Language is no problem as he knows Arabic. Ah, but he does go back and knows he must approach everything slowly as there are many secret police units all over the place in this police state. Adib needs help from someone who can do the things he needs done to find his daughter. The help comes from Fatima (Marisa Tomei) who Adib was supposed to marry back in the day, but he escaped and never made contact with her again. And, to be sure, Fatima tells him all about it in a rough and tumble way; and she is still in love with him. Okay, so now you know one secret. So he goes to the Canadian Embassy (Adib is a Canadian citizen) for any help they can provide. He goes to see his old friend in Syrian Military Intelligence, and tries to run down a old Russian spy he knew back in the day to get his help. Adib knows he is being watched by factions of the Secret Police and is acutely aware that he could be arrested at any moment as now people are beginning to see him and do some research about him. But, no tension is felt. This is sometimes suspenseful, but the tension is not there. The acting is fine all around, but also halting as one would expect in a place like this where one must choose one's words carefully. But, still no tension. One thing that bothered me was that he wanders all over Damascus in a new Western suit, which stuck out like a sore thumb; and later he walks around openly in a newly pressed ultra white dress shirt. He should have worn things to blend in more, but the director didn't see it that way. She was never a spy. HA !You will enjoy this if you take Adib's character to be your own. Sometimes you may ask yourself if you would have done anything different aside from the suit and the white shirt, of course. He knows people and needs to ask favors and he has to be careful about it. And, yes, he does get beaten up at times, but still no tension. If there was a way to get tension in here this would be a very good movie. It needed tension. (5/10)Violence: Yes. Sex: No. Nudity: No. Language: Yes, not much.

Over complicated and taking itself way too seriously Inescapable tries to craft an intelligent and complex thriller but despite a few twists and turns and a leading man that does well enough it just failed to really grab my attention. It certainly wasn't that the film dragged, in fact the hour and a half flew by and there is plenty of action and intrigue and yet for some unknown reason I just didn't care about any of it. I wish I could explain it better but there isn't any one reason why it doesn't work. It is just missing something. At times I felt like I was losing track of what was going on and what this mysterious background was of this father desperately looking for his daughter. It felt like it was trying to be a more political version of Liam Neeson's Taken. It very loosely touches on the political turmoil of Damascus but then at the same time I'm not sure they used it as much as they could have. The cinematography felt bland and empty and some of the supporting characters felt underdeveloped. I do feel like there was a lot of potential here because the script is decent and as I said there is plenty of action but it all comes across as being without any real merit and that's unfortunate.Alexander Siddig is excellent in his role. There is absolutely nothing wrong with his performance as the protective father with an old secret that he has been running from. He is believable and shows a lot of intensity in his role. Joshua Jackson is much better of an actor than you would think from his performance in this. I feel like he sincerely misses his mark and almost seems bored in this performance. There is no chemistry between him and Siddig and he absolutely does not give this his all. Marisa Tomei is borderline pointless in this film. Her bad accent and deer in the headlights performance is annoying and barely existent. A great character actor, Oded Fehr is very good in his role but its such an unfortunately small part. I feel like he should have had a far more vital part in the whole story but sadly he does not though he has one very good scene towards the end when he is getting the truth out of Siddig.To call the story convoluted is an understatement. There is a lot of intrigue and back story and to be honest I am not sure I even understand a single thing that happened. And yet at the same time, I never got even remotely invested enough to really try and understand it. I didn't feel like everyone was putting their entire heart into the film and I think that's where it falls apart. Ruba Nadda is apparently a very well respected writer and director but I simply felt like this was poorly shot and put together. Even the climatic reunion of father and daughter felt like it was lacking any depth. I'm not sure what drew me to try this and I'm not sorry I did because I have seen worse but this just felt so very empty. I wouldn't recommend it to anyone looking for any sort of powerful story because it misses the mark in a big way. 5/10

I was very pleased to see this movie was willing to bring the action, as good as Ruba Nadda's romantic-leaning films Cairo Time and Sabah were. But where this film about a father who flies to a dangerous land to rescue his daughter from an unknown threat is different from Taken is that the hero is flesh and blood and approaches the problem in a civilized way first and by the time there is fighting we can feel a sense of consequence. It has been said that the movie starts off fast. It starts as it should and as I reflected afterwards it avoids stock shots of a plane taking off and gives the impression of travel with aerial shot of a road the hero is riding along in a car. Cinematic short-hand. At the same time, it manages to avoid scenes that would be obvious beats in a lesser movie, like the panic of the mother upon learning of the crisis. Instead we see the moment before, as she watches her husband on the phone preparing to make the trip and confront the problem. There is just enough of the Canadian wife in this movie, considering that she would not compete with Marisa Tomei who "blends" into her environment and feels authentic. Even to the end I am thinking I hope Tomei's character makes out alright. Alexander Siddig is not playing a super human but someone who is willing to face the worst and some real consequences to find his daughter. Joshua Jackson as a Canadian embassy guy manages to show several divergent aspects of his role without falling into any traps that would be central to a lesser movie with similar layers. Had Siddig been playing a typical action hero, he would have to cross a line into sociopath to clear away all the bad guys at once. He gets some good shots in and we can cheer for him, and one secret police figure is especially smug and needs to be killed but the way this film arrives at what has to happen is to take a left turn into character-motivated choices that are refreshing for the genre. Where there is tension, we are absolutely rooted in the reality of the moment by Siddig's expression. This is real for him and for us.I have read a comment/review here on IMDb by one "A P" that seems to be a screaming stream of lies, one after the other. I contest his claim that people walked out during the TIFF screening. The movie grabs your attention and Siddig has a strong presence. There is a reason for every scene and not a moment is wasted. Any politics I took for granted. One villain is identified as Israeli but even he is redeemed. This is not a political tract. As I watched the story unfold as a Caucasian Canadian male I looked at the cultural aspect as colour that Ruba brings but the concept of a hero's descent into a special and dangerous world is one that we know and accept as classic myth. I had no problem identifying with Siddig's character, often called "Mr. Toronto" by an innkeeper in the film, and seeing it through his eyes. I am stunned by the current low numerical rating this movie has on IMDb and I trust that the more people see it the more the rating will improve. I noticed in a TIFF guide or other such publication Inescapable was misidentified as a romance. There is a restrained and heartbreaking lost love woven through the story, but it is a thriller that is correctly paced and set- up. It has action, though the build up is half the entertainment. I highly recommend seeing this movie.

This was such a good film. I am baffled by some of the sexist reviews on line. Typical from Canada I suppose but this was a great movie, more personal, character study of this man who is from Syria and his daughter gets kidnapped. Not very similar to Taken in that he doesn't go around shooting people. My boyfriend and I were on the edge of our seats – great twists and turns, excellently written and what a cast. Marisa really transforms but it was Alexander Siddig's performance, raw, contained, masculine. Wow. I was crying at the end of the movie. Some of the strange reviews on line almost seem personal especially when you see this movie. Canadians should be proud although I can see the pettiness. It looks like a Hollywood film. Pure heart though. Totally recommend.