American Meltdown (2004)

Why so much hype?

Fantastic!

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

I was told by a friend and fellow 24 fan, that there was a fantastic movie made on the same subject as this years series storyline. I rented the movie and was completely blown away. I have to say, some of the comments above are harsh. As a television movie, this is hands above 95% of what's made. No one has mentioned that Chechik seemed inspired by Paul Greengrass' work on Bloody Sunday, rather than 24. Interestingly enough, I would say the writers of 24 actually saw this movie and went so far as to use its premise and if you can believe it, even cast the same actor as the lead terrorist, Arnold Vosloo. That said, the movie is pretty relentless. Chechik places you inside moments without editorializing. Although I might question some of the motivation of the terrorists, once I got the big twist, I found myself being less interested in the why and more interested in the how. Which I suppose is the reason FX made the movie. More importantly, the ending leaves you breathless in its callousness and in the position the US government takes regarding their actions. Actions characterized as being for the "good of the country." It's amazing to me how bad for the country that posit is. Really well done.

Director Jeremiah Checheck who brought us big budget debacles like "The Avengers" and the remake of "Diabolique" has directed this ripoff of the Die Hard concept, done on - what looks like - a Blair Witch budget. A California nuclear reactor is overtaken by Arab terrorists. But - are you ready? - the terrorists aren't Arab; they're really disgruntled American soldiers masquerading as Arabs! We find out that they don't really intend to blow up the reactor just make a statement. We're not sure what the statement is but never mind. So there's really no threat. But then one of the terrorists decides to go it alone and actually blow up the plant because he's kind of crazy. So maybe there is a threat after all. But the army goes in and all the bad guys are killed. So there was no threat. Oh, and a good guy is killed too. Let that be a lesson to everybody.If all of this sounds muddled and kinda of a waste of time then you got the idea of what watching Meltdown is all about.The script never bothers to introduce the characters or to even give any personal details that might flesh them out or emotionally involve the audience. So we're left with one dimensional characters: the-expert-that-nobody-will-listen-to; the-trigger-happy-sergeant; the-slimy-politicians; the-dweeby-Engineers. The story skips from one cliché incident to the next in a formula composite of practically every action movie you've ever seen. But at nearly every turn, just when we think something may be at stake the script flinches and we find out there's actually nothing to worry about.Like Die Hard, there's an police officer who's on the inside, unbenownst to the bad guys. The big twist is that the cop here is....A WOMAN! Oh and she's injured too. But not that bad, just enough to make her wince a couple times. Oh and instead of the walkie talkie that Bruce Willis had this cop has a magic cell phone that works everywhere...even underground! When he's not yelling at everybody else Bruce Greenwood - his jaw made out of granite - tries to soothe her over the walkie talkie. He even makes a joke once but we're afraid his face might crack. After all, this is serious business.But mostly it's scene after scene of people arguing: the Military expert is arguing to wait it out (his reasoning doesn't seem particularly sound but he's supposed to be the smart guy in this movie so okaaaay); the people at the White House argue with him; the army sergeant argues with him too; the nice Pakistani Nuclear Engineer argues with the main terrorist. The dialogue is absolutely B Movie all the way and lines like, "stop the broadcast! STOP THE BROADCAST!!!" may have you in rolling off your sofa as you wonder if the characters are actually referring to this silliness.Maybe to compensate for the lack of production quality the camera-work is kept jittery in that faux documentary 21 Grams style that's supposed to lend immediacy and energy to the scenes but the way it's indiscriminately and amateurishly applied here it's downright annoying; even pretentious. Further attempts to ratchet up the tempo are made with the inclusion of nonsensical black and white footage that's randomly intercut with the main action. But this, too, is pretentious and annoying in that Blair Witch kinda way. In short, the stylistic attempts look very amateurish.The music lives up to the visuals - it's synthy and cheap sounding. Sort of like a porn movie but with less melody and lots more heart beat sounds. The graphic treatment is howlingly bad too: cheesy graphics in huge red font scream out to us "9:28 pm" as though the timeclock actually makes some kind of difference.Meltdown may work as a marketing concept but it's clear that the script was a second thought. FX - part of Fox - put this cheesy production together and dropped several million dollars on it. Now THAT'S what I call a meltdown!

This film was not all that bad as the story went but the camera work is what makes it difficult to watch. I just don't like that so-called "realistic" camera work that is being done nowadays; you know the type- jumping off center, panning around, etc. What got me particularly irritated about this film though was the new thing that they threw into the mix by shooting a few frames in black and white in each scene. I believe that the film would have been much better if the camera work was shot in the much more conventional way because as it was I couldn't concentrate on it and found myself analyzing the camera work instead. Maybe if more people express dissatisfaction with camera work like this the filmmakers will finally get the hint.

The editing in this movie was rather unusual. They kept fading in and fading out. The hand held camera work didn't really work for me, too much made me dizzy. And the choice to go black and white at times was uncalled for, at first I thought it was for the "terrorists" to gather information but then out of nowhere it would just go because. The main terrorist has been in The Mummy and Darkman now he's playing another bad guy. The character of Shea is rather over the top I'm not sure if someone like that would really be in the FBI, and he's the senator in Rules of Engagement. Also the actions of the anti terrorist team were rather harsh, you'd think they'd be a little more controlled. Over all it was enjoyable watching.