The Little World of Don Camillo (1952)

Best movie of this year hands down!

The film makes a home in your brain and the only cure is to see it again.

Story: It's very simple but honestly that is fine.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Don Camillo is, quite simply, one of the most heart-warming films ever made. Fernandel is perfectly cast in the title role, bringing Giovannino Guareschi's gentle short stories to life.The gentle humour and warm tone of the film allows it to convey its morals with nary a hint of didacticism.The comic potential of the ideological (and physical!) clashes between the fiery but lovable priest and his nemesis, the Communist mayor of the village, is fully exploited. Fernandel's facial expressions and timing are superb, as is the warmth he conveys.For those unfamiliar with the Don Camillo tales, Jesus (in the form of a crucifix on the church wall) guides (and frequently rebukes) Don Camillo, for his imperialistic attempts to try to win the hearts and minds of the villagers away from the Communist Party.Jesus literally functions as the moral adjudicator of the ideological war between the priest and the mayor, finding both equally guilty of empire-building. He frequently reminds Don Camillo of his duty to show compassion and love to his flock when Camillo becomes more interested in scoring points against the communists. It is Jesus who understands the peasants and has faith that everything will be fine in the end. Jesus understand the villagers more than they understand themselves, and shows empathy for them even when the priest feels they are insulting Him.Although ostensibly Roman Catholic, Christians of all other denominations will gain an enormous amount from watching this film. With its light touch, perfect casting and warmth, this is the perfect comedy. Very faithful to the original books, this film is highly recommended to young and old.

This is, and has been since I was a young boy, one of my favorite movies.It's the story of a Catholic priest and a Communist mayor who are each others worst enemy and best friend. The dialogs are just great, but what I like most about these movies (there a are 5 in total) is that both main characters (Don Camillo and Peppone) are "real people". They act on impulse, say one thing but think the other, manipulate... they are real humans. When one of Peppone's people dies and asks for the church-bells to be rang at his funeral, Don Camillo refuses because he was no Catholic. Peppone orders a big bell to be placed in the town square which Don Camillo sabotages. The bell is broken and sounds horrible but at the end, Don Camillo rings his bells because "by asking for the bells, the boy was asking for God". This is one of these typical things I like about these movies.I've got the good fortune I also understand French and can watch these movies in that language. I can't imagine what they would sound like in English but I would advice anyone to watch them in the French version. I hate dubbed movies and can't imagine Fernandel speaking English (although in one movie he does which is hilarious). But in all, I think even the English version still is one of the best movies ever made.If you're not prejudiced against black and white and foreign movies, this is a movie you have to see. If you are, you don't know what you're missing.

...Actually, of all those adjectives, `Italian' was the first to leap to mind. I can't believe the IMDb has decided to classify this film under a French name. `Things happen there that could happen nowhere else in the world,' says the narrator. It's easy to believe.The Catholics and the communists are battling for the soul of a small village. It's to be hoped that neither side ever wins. Nor is it likely that either side ever will win. This would spoil everyone's fun.The communist mayor, is, so to speak, the Anglican of the two: someone who will gruffly talk about burning all the capitalists, while letting it be understood that he doesn't really intend his words to be taken literally. The priest (Don Camillo) is hot-headed, as fiercely loyal to the Catholic Church as the mayor is to his party, at once highly intelligent and preternaturally simple minded. He's the kind of Catholic who avoids absurdity by the time-honoured trick of simply not thinking about the doctrines to which he officially subscribes. His `prayers' are impromptu conversations with Jesus, or perhaps simply with the icon of Jesus that hangs on his wall - whichever it is, the film humours his fancy by having Jesus (or the icon) talk back to him. To this day I'm not sure if Jesus (or the icon) is REALLY talking back, or if it's just Don Camillo's imagination. What does it matter? It is, after all, no more than a private eccentricity. It's not as if he talks to or about Jesus in PUBLIC.No one - not atheists, not communists, not Christians, not Norse pagans - could object to the film's big-hearted fantasy, or fail to like either of the two very likeable protagonists. I gather there are several sequels: the one I've seen isn't nearly as good; and the original feels so much like an archetype that I suspect any sequel would be little more than a footnote.

(Since I originally submitted this review to the IMDb, an English-subtitled DVD of "The Little World of Don Camillo" -- and of its first sequel, "The Return of Don Camillo" -- has become available in the US. However, I still think that a fan might be interested looking at in the old dubbed version, if he or she can find it.)This film is the first in a series of five shot in the 1950s and 60s based on Giovanni Guareschi's well-loved "Don Camillo" stories. The joint Italian-French productions were made with the involvement of the author himself, who wrote screenplays and Italian dialog for various entries in the series; therefore, most consider them to be the official movie versions of the Don Camillo stories. Guareschi is quoted as warmly approving of the way that stars Fernandel and Gino Cervi brought to life his two famous protagonists, the battling parish priest and Communist mayor of a small village in post-war Italy. Today, more than forty years after the series was completed, the films are still played on European television, dubbed into a variety of languages. Unfortunately, however, they are all but unknown to English-speaking fans (particularly American ones) of Giovanni Guareschi and his wonderful characters.But this need not be, for "Le Petit Monde de Don Camillo" (1951) does exist in an English-dubbed version. The only one of the five films to get the treatment, it is quite well done (once you get around the fact that it's dubbed in the first place). "King of Dubbers" Robert Rietti (Rietty) takes on the roles of both Don Camillo and Peppone, while none other than Orson Welles provides the voice-over narration and, in that capacity, the voice of Christ which Don Camillo hears in answer to his prayers. The narration is intrusive at times (they got their money's worth out of Welles), but the movie overall is a faithful adaptation and interweaving of some of the more memorable early Don Camillo tales.As the story opens, we meet hot-tempered Don Camillo complaining to the Lord about the recent election of the town's Communist contingent. The new Mayor, Peppone, is a particular thorn in Camillo's side, as the two have had an on-going rivalry which only escalates after the election. Conflicts abound: Peppone wants to have his son baptized "Lenin," but Don Camillo has other ideas. The priest has been trying for years to scrape together the money for a town recreation center, then suddenly the Communists tap an unorthodox source of funds and build their own "People's Palace." Peppone wants to fly the Red banner at a church procession, and he doesn't take Don Camillo's veto well. Don Camillo invests heart and soul into a soccer match between the church's team and the Party's, and he doesn't understand why the Lord declines to take a side. The Communists call a strike against the local landowners, but Don Camillo is determined to save the neglected farm animals. And somehow, amid all the sometimes humorous, sometimes serious conflict, a Catholic "Juliet" and a Communist "Romeo" have fallen in love. Can priest and mayor lay down their fists and help them?I should add, for the *very* knowledgeable Don Camillo film fan, that the dubbed version of "Little World" is based on the Italian rather than the French cut of the original movie (director Julien Duvivier and the mostly bilingual cast shot the two versions simultaneously). Thus, certain scenes that appeared in the French release but were excised by the censors in stricter Italy will not be in the English version.I believe the dubbed version of "The Little World of Don Camillo" is still available in vintage video catalogs (that's where I got my VHS edition in 1998), and it's worth looking for, especially for fans of the warm and whimsical tales on which it is based.