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Big Fan

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Big Fan (2009)

August. 28,2009
|
6.6
|
R
| Drama Comedy
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Paul Aufiero, a 35-year-old parking-garage attendant from Staten Island, is the self-described "world's biggest New York Giants fan". One night, Paul and his best friend Sal spot Giants star linebacker Quantrell Bishop at a gas station and decide to follow him. At a strip club Paul cautiously decides to approach him but the chance encounter brings Paul's world crashing down around him.

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Stevecorp
2009/08/28

Don't listen to the negative reviews

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Dynamixor
2009/08/29

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

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Deanna
2009/08/30

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

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Zlatica
2009/08/31

One of the worst ways to make a cult movie is to set out to make a cult movie.

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Steve Pulaski
2009/09/01

Patton Oswalt's Paul Aufiero is a depressing character to focus on for a full eighty-six minutes. He's a lonely man in his late thirties, living with his mother, making end's meet as a parking garage attendant where he spends his time either sulking at the loneliness of it all or jotting down notes while listening to the broadcast of the New York Giants game so that he can read them aloud on a radio show later that night. Yes, Paul is a "big fan" of the New York Giants, and his devotion is incorruptible, even when the unthinkable happens.But before I blaze that trail, I return to my point about the notes, which Paul turns into a lengthy rant about how well the Giants played during the game. He will go on to read the rant live on his favorite radio program, hosted by "Sports Dogg," under the ambiguous name of "Paul from Staten Island," where he frequently exchanges punches with "Philadelphia Phil," a frequent caller into the sports station to praise the Philadelphia Eagles and slander the Giants. On the phone, Paul sounds like a totally different man. Not a depressed and listless man in his thirties who resides with his mother, and not a man of no further ambition. Just a passionate and quirky outsider who shows true commitment to what he loves, which is sports. He's the kind of guy you'd want on your side for moral support and a working set of ears.Paul's only friend is Sal (Kevin Corrigan), and the two show invaluable bonding when they tailgate during the Giants home games and run a long extension cord through their car in order to sit outside the stadium and watch the game happening feet away from them on a puny little antenna TV. One day, Paul and Sal spot Quantrell Bishop (Jonathan Hamm), the Giants quarterback, and his faithful entourage in Staten Island and, in a starstruck-haze, decide to follow him to see if they can snag an autograph or exchange some words. They drive through a bad neighborhood, where Bishop picks up something that likely isn't the most legal thing on the market, and they wind up at a strip club, where the two friends get the courage to walk over and talk to them.Bishop views them as two loner geeks interrupting his night, and things get rough when Paul accidentally brings up the part about him driving through a rough neighborhood. Bishop assumes they were being followed and, in a fit of rage, beats poor Paul to a pulp and is left unconscious for three days until he wakes up in a hospital bed. There, Paul is informed that his personal-injury lawyer brother (Gino Cafarelli) is ready and willing to cook up a lawsuit, and that an NYPD detective (Matt Servitto) wants to get all the details of what exactly happened the night of the altercation. The problem is that Paul doesn't want to remember what happened that night. To him, Quantrell, regardless of what he did to Paul and how badly he left him damaged, he just wants to move on with his life, unburdened by the incident, and not have his love for the New York Giants soiled by this one unfortunate mishap. Only the conflicts this poses on his family begin to come out of the woodwork. His mother begins to bring up the fact that he is a lonely man, desperately searching for companionship and his brother can not fathom the idea that Paul would not want to pursue a court case or a lawsuit against Quantrell.Patton Oswalt gives what I call a career making performance in Big Fan. A performance just subtle enough that you may overlook it, yet just powerful enough to you will remember it. Oswalt, rarely leaving frame at all here, is so deeply sympathetic and easy to feel for in this film. But why? The look in his eyes in numerous scenes (take the excitement and expression in his face when he's "Paul from Staten Island" for example, or even when he is being lectured by his mother in the car after his brother's party) often accentuates the feeling of misery or dim joy. He is a figure that we understand his moral position, but question his decision not to move forward with a lawsuit against Quantrell regardless of the "idol-status" he has obtained in Paul's heart.It is questions like this that are too psychologically complex to answer without oversimplifying and that is what makes Patton Oswalt's character and performance so memorable. We can side with him only to an extent before he makes the decision to move forward and move on from his current problem. I was stunned that director Robert D. Siegel (former editor in chief for the fake newspaper "The Onion") took this material with such depth, heart, and seriousness. Big Fan is a film detailing the dark side of spectator sports, a multi-billion dollar industry that focuses on those who put on a jersey to play and make millions and those who buy overpriced tickets to games in the exact same jerseys that were sold in order to continue fueling the pockets of those involved in the industry. It is arguably one of the finest dramas of the 2009 year, and one of the films Oswalt should view with great pride.Starring: Patton Oswalt, Kevin Corrigan, Michael Rapaport, Marcia Jean Kurtz, Matt Servitto, Serafina Fiore, Gino Cafarelli, Jonathan Hamm, Polly Humphreys, and Scott Ferrall. Directed by: Robert D. Siegel.

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Scott Ross
2009/09/02

This is a very interesting tale, and you're not sure where the movie is going. Paul is obsessed with his Giants and happy with his mundane life working as a parking attendant. His Giants are his escape and what he roots for in his life. The acting is very good. Michael Rappaport is excellent as Philadelphia Phil and Paul's nemesis Robert Siegel does a good job as first time director. The story is funny but drags slightly at times. I got to see this movie at the AFI Dallas Film Festival and met Siegel there. Another movie Big Fan fans should enjoy is the upcoming "Pros and Cons: A Fantasy Football Movie" - a story about a guy obsessed with fantasy football.

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julian kennedy
2009/09/03

Big Fan: 6 out of 10: This is Precious for white people. Same collection of overweight pathetic losers, same overt racial stereotypes (assuming Guidos are a race, which I believe technically they are. An offshoot of Oompa Loompa line if I recall correctly), and the same is this supposed to be funny moments.But instead of wallowing in the ethnocentric misery of rape, incest, AIDS, illiteracy, and stealing fried chicken of Precious. Big Fan deals with that most tragic of stories; the lifelong Giants fan.Talented comedian Patton Oswalt plays the schlub with such spot on dramatic conviction that the film has no hope of being a comedy or for that matter being feel good and redemptive. We are in for the long haul and we know this isn't going to turn out well. (A feeling Giants fans should be familiar with.) The film is shot with a seventies eye and is directed by Robert Siegel (in his directing debut) who wrote the quite funny Onion Movie and surprisingly uplifting The Wrestler. The plot follows the actions of Oswalt, a 35 year old loser that still lives with his mother and works as a parking lot attendant. His only outlet is as a caller to the Sports Dog show as Paul from Staten Island where he reads of a carefully crafted notebook of clichés, and battles his nemesis, a caller from Philly.That is the entirety of his life till one night he and his friend run into the Giants star linebacker at a gas station. (The linebacker is nicknamed QB which confused more than one non-sports fan movie reviewer).So they follow Lawrence Taylor (excuse me QB) to a dodgy part of Staten Island where he appears to pick up some drugs and then follow him into Manhattan to the nudie bar Scores (excuse me a Scores like club). He and his friend eventually confront their hero at the nudie bar looking for an autograph where the paranoid QB, thinking they may be stalking him for a shakedown, beats Oswalt into a three day coma.And there is the conundrum. Does Oswalt press charges and sue therefore perhaps getting the means to better his life (and for that matter afford actual Giants tickets rather than watching them from the parking lot every Sunday), or does he claim amnesia and QB will be eligible to play again for the Giants as they head towards the post season.The film has some missteps in the second half as director Siegal struggles with some of the second half plot twists that take away from the gritty realism of the first half. In addition, while the acting and casting is top notch across the board; some of the characters themselves are stereotypes so broad they seem to border on parody.I like football and sports gives guys something to talk about. It is a much safer small talk subject than religion, politics or how I would like to sleep with your wife. I have never understood however the "Sports Fan" as depicted here, but I do understand the need to find a creative outlet in a pathetic dead-end life….Excuse me I have to cry myself to sleep now.

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manicman84
2009/09/04

Big Fan stands as a profound and thoroughly remarkable character study marked by a magnetic performance of Patton Oswalt. He excels as Paul Aufiero, a life-long fan of New York Giants being brutally hit by one of Giants' top players in a strip club. Oswalt is equally sympathetic and believable starring as this deeply troubled character. His performance is the chief, but thankfully not the only reason to see Big Fan. Writer-director Robert Siegel regards the sports fanaticism as an addiction and that gives his film the necessary gravitas: its power and its credibility. The script is devoid of clichés with many well-observed situations thrown in and several ingenious twists you won't see coming. As a result, you observe Paul falling into decay with great anxiety combined with care. Siegel crafts a subversive comedy, funny and bleak in equal measures. It also works as a peculiar take on the pathology of sports mania.

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