1½ Knights - In Search of the Ravishing Princess Herzelinde (2008)

Redundant and unnecessary.

Boring, over-political, tech fuzed mess

Awesome Movie

In truth, there is barely enough story here to make a film.

at least if you are not really into pain. Or with the Scavenger's daughter, the Scold's bridle and the Iron Maiden, they couldn't hurt quite as much as watching this insipid movie. It is based on one idea, one really simple idea: Put actors into a medieval setting, but let them talk and basically act like contemporary TV characters. You can take an old script that was too bland to even use it for a TV soap, change the parts to king, princess, knight and troubadour. That's all. Imagine the men's stupid hairdos that make them look like hillbillies - and what's funnier than that. Don't overdo it like those Monty Python guys, using gags and stuff. The viewers are already laughing about the hairdos, don't over-strain them.That is no exaggeration. The dialog and the storyline are extremely dull. How did the writers manage it to get their script accepted? With no images to distract from the trite content this seems to be an impossible task. Yet they succeeded. They probably put an image of a medieval hairdo on every single page.Though "1 1/2 Ritter" is an intellectual disaster, the lack of money hasn't been the problem here. The art department's work looks alright. There are lots of well known German actors - acting stupid. Is this the most embarrassing role poor iconic Udo Kier ever agreed to stain himself with? Probably not. It's still a pity. The most dignified acting is delivered by Dieter Hallervorden, who's been infamous for his silly comedies in the Eighties. Compared to "Zeroes" comedies like "1 1/2 Ritter" they don't look half bad. A good thing for Mr. Hallervorden, annoying for nearly everybody else.The only thing remotely interesting about this movie is the startling lack of any redeeming qualities and therefore the question: How could this happen?

Well I must say first that lately I've become bored with movies. Kind of an overdose, really, with at least one or two movies a day for the last 3 years. Always the same plots, the same actors, the same styles, the same politically correct and, well, the same everything. So I saw this one thinking that it was going to be the same... again. And boy was I wrong! Of course, there are some "deja vu" things here : the spirit of Shrek, a scene from François Ier with Fernandel, some souvenirs from Princess Bride, some from Kaamelott... But all witty and with good rhythm, and curiously, somehow new. I loved the actors, all unknown to me (though strangely it's been like I've known them forever instantly) but all very good at their part, the casting is outstanding because every character is just so perfectly what you'd expect him/her to be, Lanze wear so seriously his ridiculous hairdo, the Black Knight is so charming, the king so good, the bad one so creepy, the princess so spoiled yet lovable... Anyway, I've spent a very entertaining moment, and I wasn't able to stop before the end, nor did I want to do so, though this has happened to me countless times for other movies lately. It's very well acted, and everything in it just feels right. For me, it's an instant classic. A great and lovable movie, really.

Thanks to Rick Cavanian, Didi Hallervorden and Roberto Blanco 4-5 scenes are remotely funny, the rest of the movie had me cringing with pain due to unfunny jokes and horrific acting. Furthermore the plot has no continuity and failed to generate any suspense. Most chapters are introduced by showing the scenery or close-ups of some plants which isn't a bad thing per se, but these sequences are rather longer than needed. The soundtrack, while good (despite obvious Gladiator and The Dark Knight influences), doesn't seem to be aware of what's going on in the movie, the protagonists are accompanied by happy-go-lucky tunes almost all the time, in peril or not. Don't waste your time with this.

Til Schweiger's performance was an absolute tragedy. Whereas Thomas Gottschalk was surprisingly good (for those who remember him in the "Supernasen"-moviews), Rick Kavanian as Erdal was very funny and Udo Kier creepy as always. On the pro side are the sets, costumes and the score. Those have international standard. The story is incredibly boring and many (no, almost all) jokes drain. What I personally found absolutely disgusting, was the fact that father and (15 year old) son were cast as homosexual lovers...just ugh! Overall, the movie was very disappointing. Especially after Til Schweiger's hilarious "Keinohrhasen".