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Two Rode Together

Two Rode Together (1961)

July. 26,1961
|
6.7
|
NR
| Western

Two tough westerners bring home a group of settlers who have spent years as Comanche hostages.

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HeadlinesExotic
1961/07/26

Boring

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Beystiman
1961/07/27

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

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InformationRap
1961/07/28

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

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Darin
1961/07/29

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

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bsmith5552
1961/07/30

"Two Rode Together" is considered by many to be one of John Ford's lesser westerns (including Ford himself). It's basically a vehicle for the film's two stars James Stewart and Richard Widmark.The basic plot has army lieutenant Jim Gary tricking town marshal Guthrie (that's right) McCabe (Stewart) into returning with him to his fort where he is cajoled into embarking on a search for white captives of the Commanches in order to return them to their families who are waiting nearby as part of a wagon train. Gary and McCabe then proceed into the camp of Commanche chief Quanah Parker (Henry Brandon). They return with two captives, Elena de la Madriaga (Linda Cristal), the wife of Commanche rebel Stone Calf (Woody Strode) and a teenage warrior Running Wolf (David Kent). Tragic events follow.Ford borrows ideas from many of his previous westerns. The opening scene for example, shows Stewart sitting back in his chair with his feet up on the railing much like Henry Fonda in "My Darling Clementine" (1946). The whole premise of "Two Rode Together" is the search for white captives not unlike the plot of "The Searchers" (1956) even to the extent of casting Henry Brandon in much the same role he played in the earlier film. The Cleggs (Ford Rainey, Harry Carey Jr., Ken Curtis) are similar to the point of using the same surname as characters in "Wagonmaster" (1950). There is even a commanding officer's ball much like that in "Fort Apache" (1948).The film is light on action....hardly a shot is fired. Except for individual clashes there are no major incidents between the cavalry and the Indians. There is but one fistfight, and that is played for laughs.There are however, some memorable moments in this film as there are in every John Ford picture. One involves a lengthy scene on a riverbank between Stewart and Widmark where they trade humorous remarks. The meeting in the Indian camp of the captive mother of the Clegg boys (played by silent star Mae Marsh) is very moving. The plea of John Qualen for the return of his daughter is also very touching.As in most Ford westerns, there is a large cast. The female lead is a miscast Shirley Jones complete with braided pig tails who is seeking her captured brother, the husband/wife team of John McIntire as the crusty Major Frazer and Jeanette Nolan as a slightly mad Mrs. McCandles, Andy Devine, along for comedy relief as Sgt. Posy and Willis Bouchey as Mr. Wringle who tries to buy his son, any son's return. Also in the cast are Ford Regulars Anna Lee and Jack Pennick and look for a very young Ted Knight as Lt. Upton.Not his best western, but any John Ford western is worth a look if only to see what parts he assigned to his so-called stock company.

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Jeff (actionrating.com)
1961/07/31

Skip it – Steer clear of this so-called "western." After watching it, I was literally embarrassed for Jimmy Stewart. He probably accepted the role because this movie was directed by John Ford, but this is easily Ford's worst movie. Not to mention just an all around bad western. It has absolutely no action. It attempts to be humorous but fails at that as well. Perhaps this film about white children kidnapped by Comanches was considered profound back when it was originally made. But if that was the case, it has aged horribly. Ford is not known for having heavy action scenes, but usually he can at least weave a great tale. This one has neither. Don't waste your precious time with this one. 0.5 out of 5 action rating.

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Spikeopath
1961/08/01

Two Rode Together is directed by John Ford and adapted to screenplay by Frank Nugent from the novel Comanche Captives written by Will Cook. It stars James Stewart, Richard Widmark, Shirley Jones, Linda Cristal and Andy Devine. Music is scored by George Duning and Eastman Color cinematography is by Charles Lawton Junior.The US Army is under pressure to negotiate the release of Comanche captives and send in a party to ransom for their release. Heading the party are cynical hard drinking Marshal Guthrie McCabe (Stewart) and his pal First Lt. Jim Gary (Widmark). The two men are at odds in how to go about dealing with the problem to hand, but bigger issues are just around the corner.....The Searchers lite it is for sure, Two Rode Together is a mixed bag that hasn't been helped by the quotes attributed by its director. It's well documented that John Ford only did the film out of kindness and a love of money, the great man going on record to say he hated the film, the source and etc. The shoot was far from being a happy one, with the director pitching his two stars against each other whilst grumpily putting his film crew through the mangler. The end result shows the film to be psychitzophrenic in tone and structure, where airy comedy tries to sit alongside some serious themes and fails miserably. When the moral implications of the picture are to be born out, Ford, in his half-hearted approach to the production, comes off as being either clueless, sarcastically mean or going through the motions since he had already made this film as The Searchers. Well clueless is not something you can comfortably say in relation to this particular director....However, film has strengths, not least with Stewart's over the top portrayal of McCabe. The actor is really giving it the full treatment, no doubt prompted by his director, this is a shallow man, motivated by ale and cash. This is non heroic stuff, he calls it as he sees it, he thinks nothing off telling the longing relatives of the missing that their loved ones are now alien to them. It's a clinical thread in the piece, deftly setting the film up for its telling last quarter as the moral questions are raised and the bitter irony leaves its sour taste. It's a mixed bag indeed, but hardly a disaster, though, and in spite of Ford's irreverence towards it, there's a worthy viewpoint in amongst all the causticism. It's just a shame that all the great individual aspects don't make a complete and rewarding whole, the blend of comedy and drama, this time, not making for a great John Ford picture. 6.5/10

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writers_reign
1961/08/02

this is like no other John Ford movie I've ever seen. Whilst it's true the plot resembles that of The Searchers it has none of the 'feel' of a typical Ford movie, western or otherwise. The best sequence by far is one long two-shot of Stewart and Widmark shot from the waist up as they sit, talk and throw in almost an impossible amount of 'business' so that throughout one or the other is doing something with hands or face, punctuating about ten pages of dialogue. Elsewhere we hover between comedy, farce and drama and Ford seems comfortable with none of these. Jimmy Stewart and Richard Widmark are far from a natural partnership but both are consummate actors and keep us watching.

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