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The Cabinet of Dr. Caligari

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The Cabinet of Dr. Caligari (1921)

March. 19,1921
|
8
|
NR
| Drama Horror Thriller Crime
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Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.

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Cubussoli
1921/03/19

Very very predictable, including the post credit scene !!!

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Wordiezett
1921/03/20

So much average

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MamaGravity
1921/03/21

good back-story, and good acting

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Roman Sampson
1921/03/22

One of the most extraordinary films you will see this year. Take that as you want.

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rogerdarlington
1921/03/23

This wonderfully radical German Expressionist work from director Robert Wiene is unusually wordy for a silent film but then it has quite an intricate plot with a surprise ending. It is not just the story that is original; the stage sets are full of disorientating features such as unnatural angles and and weird shapes. The whole idea is to draw the viewer into the madness at the heart of the narrative. But this was a very political work: the all-controlling Dr. Caligari (Werner Krauss) represents the authoritarian figure that has so often dominated German politics, while the somnambulist Cesare (Conran Veldt) who blindly does the doctor's bidding - even when it involves murder - stands for the German populace that allowed itself to be marched into the Great War.

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preppy-3
1921/03/24

Dr. Caligari (Werner Krauss) keeps a somnambulists named Cesare (Conrad Veidt) in a cabinet as part of a sideshow. At night he order Cesare to go out and kill his enemies. Will he be caught? The plot is not the main focus here. What is is the sets which are brilliant. They're all crooked buildings and things you would see in your nightmares and not in real life. This is an example of what was called German Expressionism. The settings keep you off balance constantly throughout the film. Even better is Veidt who's downright terrifying as Cesare. He was a very handsome man but here he looks terrible and frightening. There's also excellent direction and a twist at the end while somewhat predictable today was probably shocking back in 1920. Also this is reportedly the first full length horror film ever made. Only about 60 minutes and well worth seeing.

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tom-durham
1921/03/25

Back in the day when movies were new, you could film anything and people would watch it.Most movies you can speed up to 1.2x maybe 1.5x. This one was watchable at a whopping 3x-4x. You don't even have to be a fast reader! The actors pull faces and hardly move, which feels cartoonish. There are a couple of bits near the end where I slowed down to 2x but for the most part....Even at 4x speed not much happens.If you can't speed it up, prepare for a snore fest, a predictable plot and a twist that wasn't worth waiting for.The wacky cheaply made sets might pique your interest if you are into that sort of thing so I gave it an extra star for that.

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exe_malaga93
1921/03/26

A simple plot, but with a great execution, a gem every cinephile must discover, "The Cabinet...¨ is among the best of the best, even for its time.One can easily perceive why it became a classic: not only for the superb visual style, with those surreal, curved decorates that give the feeling of being trapped in a nightmare, but also for its dark, engaging and suspenseful plot (highlight scenes are the kidnapping of one of the main characters, and the last 20 minutes). A psychological thriller, which even has its moments of horror, as it's normally considered to be the first of that genre, at least in full-length format, if we compare it with, for example, short films such as "Frankenstein" from 1910. The uses of colors, framing, lighting, makeup, shadows, are all perfectly executed in order to give life to a nightmarish atmosphere.It is also important to note that it has the honor to be the film that founded the German Expressionist Movement, which would give us other treasures such as Nosferatu, The Hands Of Orlac, and Metropolis.Superb are also the performances, especially Conrad Veidt as Cesare and Werner Krauss as his master the doctor, who are already very creepy not only by their physical appearance, but also because they imbue an aura of mystery.And last but not least, the final plot twist (being also the pioneer film in using this device) encourages debate, and (why not?) further viewings. This twist, if it was not enough, was used in some later and recent modern films, with more or less variations, but I have no doubt that in its time it shocked audiences.A truly amazing experience. And it is already among my favorite silent films.

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