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The Vault of Horror

The Vault of Horror (1973)

March. 16,1973
|
6.5
|
R
| Horror

The sequel to Tales from the Crypt. Five strangers trapped in a basement vault converse about their recurring nightmares. Their stories include vampires, bodily dismemberment, east Indian mysticism, an insurance scam, and an artist who kills by painting his victims' deaths.

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CheerupSilver
1973/03/16

Very Cool!!!

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Vashirdfel
1973/03/17

Simply A Masterpiece

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Kaelan Mccaffrey
1973/03/18

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

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Ginger
1973/03/19

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

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gridoon2018
1973/03/20

As in any anthology in any genre, every viewer will have his/her own favorites. For me, the weakest (and most predictable) story is the first, while the outstanding one is the last, with Tom Baker (cleverest touch: Baker suffocates along with his self-portrait, which is locked up in a vault!). The common recurring theme is evil and/or corrupt people getting their just desserts by means either natural or supernatural, but there is sufficient diversity in the neatly plotted stories, and the ending succeeds in bringing it all together. The all-star cast helps. **1/2 out of 4.

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jimpayne1967
1973/03/21

I had seen a few horror portmanteau movies over the years but I had never seen this film until recently. I had liked Tales From The Crypt to which this film is something of a sequel but this is mostly inferior to its predecessor.The premise of five apparently successful businessmen descending into the sub-basement of an office block where they find themselves locked into the well appointed room they have landed in with nothing better to do than drink whisky and tell each other their nightmares is not a particularly novel or strong one and the twist that they are all already dead would surprise nobody watching it. The framing story in this kind of film has to be strong and if it is like Dead of Night the twist in this part of tale has to be especially surprising but in both these aspects The Vault of Horror fails. The five segments are pretty variable in quality though one of them, the last, is pretty good. The opener 'Midnight Mess' has a neat twist in it and Daniel and Anna Massey as long lost siblings are pretty good but I thought it could have done with a few more minutes. One of the problems in the film is that it is littered with fairly big names who don't have to do much and in this story Mike Pratt- then a big name on British TV after the success of Randall and Hopkirk (Deceased)- gets about two lines before he is killed off. His character's back story seemed interesting but like so much of the film his part feels a bit underdeveloped.The Neat Job is part 2 and stars the great Terry-Thomas and Glynis Johns. Both are very watchable in what seems to be a light-hearted story about a fussy husband who drives his new wife to distraction because of his overwhelming neatness but the twist of having her to such distraction that she chops up him up and neatly labels his body parts in jars just does not work for me though the final shot is , well, neat.This Trick'll Kill You is better, telling as it does of a husband and wife magician team who spot a great trick on a holiday in India which they decide to steal by killing the trick's original magician only for the victim and her trick to exact spectacular revenge. The downside is that Curt Jurgens plays the thieving magician and he is, as he had a tendency to be, a touch hammy. Pass marks thoughWhich Bargain in Death does not earn. Owing something to a Ray Milland film based on an Edgar Allan Poe story about a man scared of being buried alive it is the most underdone of the stories presented and the music used at the point at which the film twists suggests farce. Michael Craig and Edward Judd were good actors and at the start of the piece there is a hint of a gay lovers plot that would have been daring for the early seventies but that is about it.Drawn and Quartered is the final story and stars Tom Baker just before he was reduced to working on building sites prior to being plucked to stardom as the fourth Doctor Who. In this story he plays an artist who, sick of rejection by the London Art Establishment, has decamped to Haiti. When there he discovers his paintings are actually selling well and that a trio of critics and art dealers who told him his work was rubbish have got rich on it.Being set partly in Haiti it is predictable that voodoo is on the menu as Baker seeks to gain his revenge and the closure of the story is predictable but the murders Baker dreams up are delightfully grizzly- the middle one is a genuine hand over your eyes moment- and it is curious to see a pre-Who Baker. He was of course very good in that latter role but everything he has done since has sounded like a slightly camp reprise of it. Here he is just a very good young actor.This film is disappointing for the most part but I have seen worse for sure.

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GL84
1973/03/22

Disembarking an elevator, five men find themselves in a small room and proceed to tell their dreams to each other to pass the time until they are rescued.The Good Stor(ies):This Trick'll Kill You-Traveling to India, a magician looks to find a new trick to bring into his act. His assistant wants to leave, but after agreeing to another night, he happens upon a local performing a special rope trick. Wanting to know how it works, he tries to get the secret of the act but it soon resorts into something that none of them saw coming. This is a really interesting one that is quite fun. The central premise is quite fun and there's a central air of mystery to be had as it takes place in a foreign country with a seedy underside. There is one particularly gruesome effect when a fakir manages to push a knife right through his cheek, and the scene where his assistant climbs the rope, sees something at the top, screams and disappears, leaving nothing but a swiftly spreading pool of blood on the ceiling is particularly gruesome. Even the rope attack at the end is done well, and the only real part that isn't all that terrific is the long sequence where they try to figure out the trick. It goes on a little too long, but is the only thing wrong with it.Drawn and Quartered-Living in Haiti, an artist finds that his agent has been ripping him off by informing him his paintings are worthless while actually being sold for a lot of money in London. Meeting with a local witch-doctor, he finds that whatever he paints happens in real life. Traveling to London, he threatens revenge but it gets laughed at. Remembering his deal, he sets out to paint their futures for him to decide upon. This one here isn't anywhere near that bad, and is quite fun. The central premise is incredibly original and intriguing, and the fates suffered by the victims are fun to watch unfold. These are great ones and do get a few chills watching them, especially the gunshot one which is really suspenseful. Even the lead-up to the final twist has a few good parts going for it. The ending is a little predictable, but that's all that this one has against it.The Bad Stor(ies): Midnight Mess: Looking for his sister, a man arrives in a small town and finds her living alone. Warned away from going out at night, he decides to venture to the only open restaurant in town. Waiting to be served, he comes across a terrible secret that is particularly shocking. This one here is particularly uneven. Despite the strong central image of vampires planting spigots in a victim's jugular just like a wine cask or the most effective one where the curtains are pulled back to reveal a dining hall filled with reflection-less vampires, this one isn't that spectacular. The twist comes rather quickly, the whole thing is rushed out and this never once takes the time to build up to anything worthwhile. As well, the image of the incredibly fake vampire teeth protruding from the mouths is purely laughable. It's decent, but not that spectacular.The Neat Job-Moving in together, newlyweds quickly realize that his tidiness is a major source of irritation. As they spend more time together in the situation, it soon becomes even more irritable and distressful, and eventually she tries to make things right, to no avail. When it finally becomes too much to bear, she resorts to special means to get it solved. Simply put, this one is dull. It's not that horrific, nothing terribly shocking happens or anything at all, the twist is seen coming from a mile away and as a whole, the idea isn't that terrifying. This is the weakest of the stories and is easily forgettable.Bargain for Death-After realizing he's broke, a horror writer decides to fake his own death to collect the insurance money. As it works to perfection, he awakes in his casket and is soon dug out by medical students who want to bring him back to practice on. When it turns out that the cadaver isn't what they wanted, they resort to other means to get away. This one pretty much plays out like the first one, it's too rushed and doesn't have the time to build up to anything. Nothing is really remarkable about it, and it ends up not really making an impact on anything. The comedy in here is really dreadful and not that funny. It's only real bright spots are the nasty car crash and a pretty gory spade in the head death, but these here are the only things worthy about it.Today's Rating/PG-13: Violence.

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AaronCapenBanner
1973/03/23

Roy Ward Baker directed this five-part anthology film that sees five strangers stuck in an office basement who talk about their recurring nightmares: 'Midnight Mess' - A thief comes to a bad end when he meets some vampires. 'The Neat Job' - A very tidy man becomes involved with the wrong woman. 'This Trick Will Kill You' - A couple in India get mixed up with a mystic much to their regret, 'Bargain Of Death' - A plan involving faking a death by burial goes quite wrong. 'Drawn & Quartered' - Future "Doctor Who" star Tom Baker plays an artist who seeks revenge on the men who wronged him. Weak film has wildly uneven tales that veer from silly comedy to gruesome horror, none of which work, though Tom Baker comes out best. Muddled morality and premise don't help.

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