Unfaithful (2002)

Very very predictable, including the post credit scene !!!

That was an excellent one.

How sad is this?

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

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This is a suspenseful remake of a '60s French movie with plenty to recommend it: excellent acting from all the leads; a thrilly, twisty plot that keeps you guessing far past the initial set-up, and enough tension to fill two or three other average movies. The film boasts fine direction from Adrian Lyne and great camera-work, giving it a polished, professional look. Production values are spot-on and the music is particularly emotional/suspenseful.The focus here IS on the emotions, as the members of the central love triangle each face devastating consequences as a result of the love affair. Diane Lane, as the emotional heart of the film, is very good indeed (why haven't we heard of her before?) whilst Olivier Martinez is suitably dashing as the French bookseller. However, it's an understated performance by Richard Gere which holds the whole film together, making the last half an hour particularly tense and impressive. All over, this is a top-notch movie which never lets up for a second.

Go search 'The Unfaithful Wife' (1969) and read the plot summary.. except for a couple of changes, the plot-line is pretty much identical. After all there are only so many story lines, and they must get repeated over and again. This 2002 version does it pretty well (have not yet viewed the '69 film). Of course, it would have been more realistic for Gere's character to have immediately come clean, but the story had to continue on for another few drawn out scenes. The one character in the film that just did not fit in was the kid. Just could not come to grips with the genetics of a Lane and Gere winding up there. And the ending is a cop-out... they should have had it go one way or the other.

There are times when this film draws too much attention to itself with lingering shots and unnecessary camera angles. The wind blowing at the beginning is all a bit too unreal. Diane Lane is a good actress and very attractive. She abandons herself in the part and you really believe her performance. But why would she fall for this French guy? Was she not happy in her marriage? Does she have an addictive personality? I lost sympathy for her character, but that doesn't take anything away from her performance.The pacing of the film is quite slow and felt more like a television movie rather than something cinematic. I believed Richard Gere's performance when he confronts the French guy, initially holding it together, and then falling sick when he sees the gift he gave to his wife giving to the French guy as a gift. If you've ever given someone you love something, or said something intimate to them, and then heard it repeated by third parties who know all about your business, you can relate to how Gere feels at this moment. The twist of him killing the French guy is cinematic with the blood pouring down from this head.I think more should have been made of the police investigation where Lane eventually realises that Gere knows about her affair and that he is responsible for the death of the French man. This is the point when the film became interesting, but it was too near the end for it to develop. The first part of Act 2 should be contracted, whereas the last part of Act 2 should be expanded. The problem with the film is the structure of the script, not the performances.