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Arsène Lupin

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Arsène Lupin (2004)

October. 13,2004
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5.4
| Adventure Action Crime Mystery
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As the daring thief Arsène Lupin ransacks the homes of wealthy Parisians, the police, with a secret weapon in their arsenal, attempt to ferret him out.

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Lawbolisted
2004/10/13

Powerful

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Afouotos
2004/10/14

Although it has its amusing moments, in eneral the plot does not convince.

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Cheryl
2004/10/15

A clunky actioner with a handful of cool moments.

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Dana
2004/10/16

An old-fashioned movie made with new-fashioned finesse.

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sarastro7
2004/10/17

An average rating of 5 out of 10 for this movie is patently absurd. It may be too smart and elaborate for a mass audience, but based on the few votes (less than 900 at the time of this writing) it cannot have received very wide distribution. I believe posterity will be far kinder to this movie than the IMDb users have been thus far.I rented Arsène Lupin on DVD from Blockbuster, and I was engaged and engrossed from beginning to end. Actually, what made me want to see it was the IMDb genre description - a mix of Action, Adventure, Crime, Romance, Mystery and Comedy?! I loved mixed genres, so I thought this should be good! And I loved it. An interesting premise, cool martial arts action, unexpected developments, an immortal countess (!!) and lots of intrigues, set at the end of the 19th and the beginning of the 20th century. Very classy, and very well produced in every way. I was thoroughly entertained. I have not read the books, but this movie makes me want to.My only complaints are that there was no explanation for Arsène's father being a bad guy. He had started out as Arsène's hero, on whose life Arsène modeled his own, and then his father turns out to be a traitor, with no explanation? Harumph! Also, I thought the countess was a mite too evil at the end. I mean, deliberately trying to set off World War I?! Why?! No explanation.However, the reason I rate this movie a 9 rather than just an 8, is that it finally - finally! - gives us a great role for Kristin Scott Thomas. She is a delight to behold in a role that is worthy of her. This is perhaps the only movie since The Tenth Man where she's had a prolonged, really great role. For that I thank whoever got her involved in this project.9 out of 10.

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mintho
2004/10/18

This movie has one of the worst adapted scripts I've ever seen. To be honest, I've never read any original novel, so maybe it would be easier to follow the movie for me if I did, but that can't be the objective of any film. The movie has a lot of things going for it. It has nice costumes and sets and it really delivers this 1900 atmosphere. Plus, the idea of a gentleman thief could really be promising. But oh my god, how bad is that script...It looks like they had three scripts from which they chose whatever they thought to be the best, leading to a series of events that doesn't make a whole lot of sense. All the time during this movie you keep asking yourself: How did they get there? What are they doing there? Why are they doing what they are doing?There is just too much going on. There are two girls, two villains (actually there are three, as it turns out that Beaumagnan isn't really working for the royalists) and there are at least three endings of which the final one is the most disappointing of them all. So as you can imagine, there is no time to properly introduce all the characters, let alone develop the different strands of the plot.

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dbdumonteil
2004/10/19

Maurice Leblanc means a lotof things to me: I've read all his novels .Strange how little by little,they became very mysterious with an extraordinary sense of wonder whereas the first books were simple detective stories.That Jean-Paul Salome who butchered Belphégor just a couple of years before can tackle one of the most original series of books of the genre can strike horror into your heart.And however,in spite of a very poor rating at my time of writing,I will say that it's not that much bad after all.The actors are generally well chosen ,particularly Scott-Thomas ,the ideal countess.And the cast includes such luminaries as Matthieu Carrière and Robin Renucci .And the budget-which does not guarantee quality anyway-is not exactly what you call low-.Showing Lupin's childhood is not very new:see The Saint and Indiana Jones for that matter,not to mention good old Sherlock Holmes.And what 's amazing,for a character and adventures that are French French French (not to say Norman )to the core ,we have often the strange feeling of watching a made-in -Hollywood movie.Anyone who knows Leblanc's books will notice that ,although Salome and his script writers adapted "La Comtesse de Cagliostro" ,they also borrowed from other books: "l'Aiguille Creuse" ,"Le Bouchon de Cristal" (Renucci's eye) ,"813" (the banker's name is none other than Kesselbach and the safe combination is of course 813!"and even "la Cagliostro Se Venge" which showed the son (Clarisse's and Arsene's) fighting against the father (Arsène).And other users will probably find other snatches taken from other Leblanc 's books.The screenplay becomes some kind of jumble in spite of Salome's good intentions and what was finally a good idea to use elements from other stories became a terrible mess. :for example,I cannot forgive Salome for botching the scene when Lupin visits the famous Etretat Aiguille Creuse(there's a Lupin museum there in that Etretat town).In the movie Beaumagnan is Lupin's father -which is very difficult to accept - whereas in the novel he was simply his rival.It seems that the writers found their inspiration in "Star Wars" ,and their fights on the lighthouse or on the Aiguille Creuse make me think of Luke and Darth .Too many things happen,and it's sometimes hard to catch up with the plot,which is most of the time complicated instead of complex .Leblanc's books are deceptive:it is hard to transfer them to the screen badly (and Salome's movie,I say it again,has qualities:splendid settings ,nods to the readers, a good tempo)while being harder still to transfer them well.Even such a veteran as Jacques Becker failed ;the TV series 1971-1974 were an absolute nadir.The best came in the late seventies/early eighties with the made-for -TV 'L'Ile aux Trente Cercueils" and "Arsène Lupin Joue et Perd (813)"with an infinitely lower budget than Salome's extravaganza.Entertaining movie,but we are still waiting for the MOvie which will do Leblanc justice.

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vollenhoven
2004/10/20

Might contain some spoilers.In this vehicle from 2004, we get after the movie Vidocq, we get the next hero from the old days. Arsene Lupin the French counterpart of the English gentleman thief Raffles, while Raffles adventures are limited Arsene had a long list of books they could film.This movie however took the road of an epic movie, it cuts through the life of Arsene to highlight one of his great adventures and thereby leaving out the portion what made the man so charming namely his gentleman thiefery adventures. Yes we get a little peak of a few episodes but mostly AL is busy not stealing in the most genial ways but having a grand adventure. Is the movie therefor less entertaining, no it is not as epic adventure stories go it is a nice and fun movie that uses this classic hero in a positive way. It fails to deliver the gentleman thief however, which is one of the reasons why I like the character.However the main character monsieur Lupin does strike me as a Vincent Cassel light, he does his job well enough but he's for me not powerful enough. Kristin Scott Thomas is besides a gorgeous woman also a devil in this movie, she gives the movie it's strength (bond villains have a look here how it's done). her part also gives the movie that fantasy aspect that does sit rather well in this story. Eva Green is a vision of loveliness so when the inevitable moment comes you really care.The movie moves in a decent enough pace, gives us a great and luscious view of old France with some great set pieces like Paris. Greatly filmed and delivers a nice enough epic movie that could have used a little less epic.I hope that the next movie is a we bit scaled down in size and centers more upon the character Lupin as a master Thief.And I am now actually looking forward to that moment that is bound to come when the French cinema has a new shot at Fantomas (French greatest villain ever). I feel that the popularity movies as Vidocq & Arsene Lupin will undoubtedly make way for this title.Perhaps it is time for the UK to dust of their epic hero's like Allan Quartermain (with a preferable SC) or Raffles.If you like any of the last suggestions make your nose tingle it is a sure sign you most probable going to enjoy Arsene Lupin. Enjoy, I did.

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