Crying Freeman (1995)

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Yo Hinomura (Mark Dacascos) is Freeman, an assassin for the Chinese order The Sons of the Dragons, sent to Canada to deal with the Yakuza who are causing trouble in their homeland. When beautiful artist Emu (Julie Condra) witnesses Yo at work, she becomes his next target, but when the killer comes a-calling, intending to bump off his witness, he winds up falling in love with her instead.There's more than a little of the John Woo about Christophe Gans' live-action manga Crying Freeman: assassins and gangsters with a code of honour, an innocent woman caught in the middle of a bitter feud, lots of juicy bullet squibs, and more ballistic action and swordplay than you can shake a katana at. Of course, that in itself doesn't guarantee a good film, and Crying Freeman does suffer a little from an overly-ponderous tone, not helped by an excess of slow motion (another Woo trademark). There's also a disappointing lack of martial arts from its talented star Mark Dacascos.The good news is, however, that the positives outweighs the negatives: Dacascos puts in a fine central performance as the regretful killer who sheds a tear with every mission, the cinematography is great, the violence is satisfyingly brutal (and suitably balletic), and Gans balances the action and the romance confidently. The result is a stylish film that, while no classic, should still be well worth the time for most action fans.6.5 out of 10, rounded up to 7 for IMDb.

This movie started out quite nicely, until the Chinese started speaking. It couldn't stop me laughing since then. The realisticity was completely broken when what the Chinese Mafia/secret society speak is Cantonese, which only people in Guangdong, Macau and Hong Kong speaks. But none of those places were featured in the movie. Additionally the Cantonese dialogues are really cheesy, and the stereotype of Asians being chain-smokers just annoys me. The same language problem happened to the Flight of the Phoenix where the locals were speaking Cantonese. There are way too many explosions, especially considering what caused them. The set where the main character was taken was poorly made too. I wouldn't recommend this movie if you can understand Mandarin or Cantonese, as it would be a laughing joke for you, like it did for me.

The title is a big come-on: "Crying Freeman." It elicits thought. "Crying" and "freeman," the two words seem to cancel each other out. But then again, it is precisely the nature of man's being free--his freedom is not absolute! Not only because all man's actions have dire consequences following it but also, his choices are already limited by his design, by his thrown-ness.That being said, the movie has great potential. It is supposed to play around that theme having creatively combined the two words together. However, this movie is so much unlike the anime. It is from the point of view of the woman touched by the Crying Freeman. It could have gone through the psyche of its protagonist--his battles within, the dissonant drives and desires tearing him apart--and it would have worked much better. Unfortunately, the movie stuck to the love angle, the hero and the damsel-in-distress story, and it drained the movie of all potential.

Some spoilers may follow."Crying Freeman" is one of my favorite movies ever. I can watch it again and again many times. This movie is first of all a work of art. It is uncanny beautiful, in every small detail. Almost each episode I can watch through as if it were a picture of a talented artist. Graceful, elegant, very aesthetic - CF is a masterpiece of visual art. I fell in love with it when I first saw the starting credits: a wonderful katana sword turning and revealing the title in a flash: "Crying Freeman". And the rest of the credits, no less beautiful. I thought that if the creators of this movie could make the opening title so stunningly beautiful, then the movie itself would not disappoint me as well. And it didn't. But besides visual beauty, CF has a marvelous plot, actors and... Well, I'll simply say the whole blend of all things that make a movie is perfect in the "Crying Freeman". And again, when I try to describe my impression from some part of the movie, I can think of only one word - beautiful. No, even "fair". Yo Hinomura, deadly and elegant, as a katana blade. Beauty of death. And his another side - soft and artistic. Beauty of art and poetry. Emu O'Hara, fair and tender. Beauty of peace and modesty. Lady Hanada. Even she has the beauty - of pride and honor. Beauty can be found in every detail.And deep layers that accompany each Christophe Gans' movie... You might watch "Crying Freeman" a hundred of times and on the hundred and first you'll something you haven't seen before. I am very grateful to all the people that made the creation of "Crying Freeman" possible.