A Rage in Harlem (1991)

Pretty Good

Brilliant and touching

Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.

Story: It's very simple but honestly that is fine.

This movie is TERRIBLE-ly funny to me - the characters are all just totally "CHARACTERS!" - colloquially speaking! So the many prior mixed reviews are likely because this may not be a cultural expression that everyone can or wants to appreciate. I think another reviewer noted this may not play well in what amounts to less 'cosmopolitan' parts of the U.S. It is thereby easy to see why a few 'good old boys' getting shot up is "violent!" (But war movies, werewolves, cannibalism and the like are - not so bad?) This, even though the movie and writer have billed this as an action comedy, loosely based on Chester Himes' novel.I found that Robin, Forrest, Gregory, and Danny were all absolutely perfect in their roles, but most especially that indefatigable Forrest: "I ain't movin' - I ain't movin'..." And Miss Givens' Immabelle is ICONIC as many others have said. She PLAYS that role (a la Mike Tyson?). Then there's the dark, dangerous Djola, who I thought has been totally overlooked and underrated for his unforgettable role as the 'leader of the pack.' I thought he and his baritone voice portrayed an entertaining, impavid, two gun bad guy, without being vicious or ruthless.I believe this movie is delightful with its twists and turns, and truly colorful characters. Bill Dukes is an outstanding Director! (Hence, the five-minute standing ovation at the Cannes Film Festival!) I gave it a one star because there will be some who go to WORST RATING first to see why they WON'T like this...

This takes place in 1956. Imabelle (Robin Givens) gets away from her mobster boyfriend with a stash of gold he stole. She drives from Mississippi to NY and hides out totally unaware that her boyfriend and his gang are after her. She gets an overweight, naive and trusting man named Jackson (Forest Whitaker) to love her--but then her boyfriend shows up. She leaves him but Jackson gets his brother Goldy (Gregory Hines) to help him find her.That may sound a little plot heavy...but that's only the first hour! This movie is way too convoluted and far too long. Also Hines and Givens are just not good actors. They try but they can't pull this off--although Givens looks great in some of her costumes. Still I did like this.Some previous posters pointed out that this is extremely bloody and that's very true. Also it has strong doses of black humor. Still, it didn't bother me. If anything it gave the film a few nice jolts. It's well directed by Bill Duke, has great period detail (love the cars!) and (aside from Givens and Hines) has plenty of good acting. So, if you like extreme violence, black humor and gangster movies this should work for you. I give it a 7.

This is a pretty good, violent, gangster romp directed with definite panache by Bill Duke. Forrest Whitaker plays a decent upstanding Christian boy how gets embroiled in hokey plot involving stolen money (or something) and Robin Givens. Different groups of parties are all after the dough (including Forrest's good for nothing brother Gregory Hines), when Forrest just wants the girl. Its pretty hackneyed stuff, but the players (in particular the great Gregory Hines and the baddass Danny Glover) elevate it to a standard that just serves to entertain and no more.It also features a great recurring joke about a picture of Jesus that I won't spoil.The only problem I have with this film is that the book it's based on is actually nothing like this. The first scene in the barn is lifted from the book, but everything else has been changed. The two cops in the film, Gravedigger Jones and Coffin Ed are Chester Hime's greatest creations, but here they're just an obstacle for Whittaker (who in the book is actually a supporting character and is a coward, here he is the against all the odds hero of the piece). If you haven't read Chester Hime's novels you won't notice, but be prepared to be disappointed with the liberties taken with the story.On it's own though, this is an accomplished movie from the talented Mr Duke, who's next movie was one of the best of the nineties, Deep Cover.

(Includes one minor spoiler, but it's unrelated to the plot and really more of a recommendation.)Surprised to see so few votes and comments for A Rage in Harlem - it was a modest commercial hit in Britain, so perhaps the all-black casting and setting just didn't play Peoria.The tone of this stylish, good-looking period crime adventure swings wildly between brutal, raunchy, tragic and comic, but a clever, funny script and likeable characters - especially Gregory Hines's big-hearted wiseguy Goldy, but also several delightfully written minor roles - maintain attention and sympathy throughout what could otherwise have been a bumpy ride. It's an emotionally engaging film, much more character-driven than the average urban thriller of the 1990s.Its purely incidental pleasures are many, topped by a splendid musical treat in the shape of cult R 'n' B hero Screamin' Jay Hawkins, giving a no-holds-barred performance of his voodoo classic I Put a Spell on You at the Harlem Undertakers' Ball. If you have a taste for the old school of black show business, this sequence will have you holding up the rest of the picture until you've given Screamin' Jay an encore.Thrills, laughs, and pathos, dished up with verve and heart, make a film that many of us still remember very affectionately.