Ice Cold in Alex (1961)

I love this movie so much

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

J. Lee Thompson would go on to direct some classic films like The Guns of Navarone and Cape Fear, but Ice Cold in Alex is perhaps a triumph for its sheer simplicity and avowed by Western Desert veterans as being realistic to the conditions they faced during World War II. It's a story about the 'enemy within' and humanity prevailing. The characters, a quaternity against the elements, are all very well acted and give a real sense of physical exhaustion, toruous heat, and impending danger. You'll accompany them in their thirst quenching deliverance by the end.

North Africa, WW2. Four British medical staff - a medical unit CO, the unit's sergeant major and two female nurses - are separated from their unit while trying to evacuate from besieged Tobruk in an ambulance. Along the way they pick up a South African infantry officer. With the Germans taking capturing most of their intended escape destinations, their options are few, and fraught with danger. Plus, the South African officer doesn't appear to be who he claims.Great movie, directed by L Lee Thompson, who went on to direct Cape Fear and The Guns Of Navarone, amongst others. At its most basic it's a pure survival movie - a handful of people in a rickety old truck against the desert. The resourcefulness they show is very interesting and engaging.Add in the fact that there's a war on, and the story adds another level of drama and danger. Then throw in the intrigue that one of the band is potentially a spy and things get really interesting.Good work all round from the main cast - John Mills, Sylvia Syms, Harry Andrews and Anthony Quayle. On the negative side, Thompson's direction is a bit clumsy at times. Some sequences just don't make sense, and overstate the importance of a remark or event. The problem probably lies with the editing, more than anything else.

Battle-weary alcoholic Captain Anson (John Mills) sets out across the Libyan desert after his British base is evacuated. Joining him is Tom Pugh (Harry Andrews), Anson's square-jawed and loyal friend, and two nurses Diana (Sylvia Syms) and Denise (Diane Clare). Joining them early on the road is Afrikaan-speaking Captain van der Poel (Anthony Quayle), a colossal man who seems rather attached to his bag who he claims contains bottles of gin. In their way are mine fields, thirst, swampy salt mines, the desert heat, and those bloody Nazis. Anson promises to quit drinking until he gets to Alexandria, Egypt, where awaiting him is an ice cold lager.Possibly the best thing about this very good film is the real feel of the desert. Many of the old films glam it up a bit, but Ice Cold In Alex revels in the sweat, dust and dirt of the perilous desert. You can literally taste the dryness of their lips and the scorching heat on their back, and really feel their struggle. Also refreshing is the lack of token gunfights and action scenes that plagued many of the old war films. It is more concerned with the individual mental and physical struggle of the characters, and draws up tension in the small moments, such as Anson biting his lip and breathing hard as he slowly makes his way across the mine field. Another film that came to mind during these tense scenes is Henri-Georges Clouzot's The Wages Of Fear.I never realised just quite how terrific an actor John Mills was until I saw this. Even though his male co-stars tower over the little man, he is a raging mountain of frustration, anger and fierce dedication. It is a sublime performance. His co-stars are impressive too, with Quayle another standout as a man who may not be quite who he claims to be. Combining this with the impressive cinematography and intelligent script, it makes for an exciting and absorbing war film that manages to be quintessentially British yet as gritty a war film that I've seen from this era.www.the-wrath-of-blog.blogspot.com

Ice-Cold in Alex is directed by J. Lee Thompson and is based on the novel of the same name written by Christopher Landon. The latter of which co-writes the screenplay with T.J. Morrison. It stars John Mills, Sylvia Syms, Anthony Quayle and Harry Andrews. Leighton Lucas provides the music and Gilbert Taylor photographs in black and white.World War II and the British base at Tobruk, Libya, is attacked by the German Afrika Korps. During the evacuation 4 personnel are tasked with the mission to drive an ambulance across the desert back to British lines in Alexandria in Egypt. Captain Anson (Mills), MSM Tom Pugh (Andrews), Nurse Diana Murdoch (Syms) and Nurse Denise Norton (Diane Clare) are the four people in question, soon to be joined by a South African officer, Captain van der Poel (Quayle). Poel seems shifty, but his physicality and supply of Gin will no doubt be handy on this arduous trip. And arduous it will prove, as the elements, Germans and inner conflict will all test the group to the limit.It falls under the war movie banner, but the truth is that Ice-Cold in Alex is a different sort of animal. The core of Landon's story is to observe how a different group of characters cope in the face of mental and physical hardships. The war and the desert landscapes form the backdrop, but this is in essence a character study where the characters are defined by their actions. Thankfully the group of actors on show are able to turn in great shows to not let the slow structure of the film be a hindrance. Mills and Quayle especially bring a dynamic to their characters, drawing the viewer into the desert with them in the process. A number of quality scenes stand out in the picture, be it involving quicksand or trying to get "Katy" the ambulance over a hill, the tension mounts and the film never wants for effective drama. While the finale crowns the picture in a wave of humanistic collectedness. 8/10