Real Life (1979)

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

It really made me laugh, but for some moments I was tearing up because I could relate so much.

Local 'madness' in an Arizona small, one horse town. Based on a show shot in Santa Barbara California in 73' a first reality show, that went horribly wrong! It was a hit, but the family was never the same. This is an off the cuff answer to that first reality show, that I believe may have gone lost in translation. Sure this starts out interesting and goes right along, showing a small Arizona Phoenix as the place where the real family will be followed by a camera and crew, in the home, in their lives and all over the place. It seems at times so depressing and so real in parts... that it hurts just watching. That's not bad when it seems that it is real. Brooks has a creative and wild mind. With it all some how he can lose people in his presentation. It isn't that he is not talented, he just sees things through a different ' lens ' than most average do. If more people had been informed of why and how the movie came about, I think it would have done better at the theater. Albert Brooks is an entertaining creative craftsman and his work and acting shows to those who can follow what he is about.I recommend this movie for it's madness and reality type-lore but the fun part is seeing the Arizona from the seventies and how different it is today. Brooks will always be good at his job I believe, but you have to understand the mind from which it comes. (***)

As a Phoenix resident, it was interesting to see the old Phoenix. Boy has it changed since the old days. Well, I was from ABQ before, I moved here in 1998. This movie was good and there was a lot of DARK humor, such as the horse scene, where another 2.5 percent of halophane was injected into that HORSE.The martian photographers were interesting. Hammon Buck is on his way to my house now via plane. I wish he was here to see this reality TV movie. This movie is really cool. I was shocked. It's a mockumentary of sorts.Albert Brooks is the best.

#9 on my all-time list. Another one of those truly (and tragically) hidden gems -- full of great lines that you can spout ad nauseum to your friends and family until they finally see it (and, trust me, they'll thank you for it). Without question, this is Brooks' best. And true to his genius, arguably the funniest character in the film is one you never see -- just a voice on a speaker phone. If you don't become a Brooks fan after seeing this film, you'll never be one.

'Real life' is the perfect send-up of the worst scenario possible for a film maker shooting a documentary, i.e., what happens when your subject matter loses interest in the project before completion? Albert Brooks, as the seemingly besieged director of this 'loaf of reality' year long vigil with a typical American family, walks a fine line between egomania and neuroticism and scores with broad belly laughs both ways. Charles Grodin as the head of the suburban clan from which this film within a film emanates exudes his special brand of bland exuberance at the beginning of this captive camera stakeout inside his home(and everywhere else he may go) provided his life is depicted as letter perfect from day to day. When such is not the case and the obtrusive lenses are interfering with his job as a veterinarian, (in a sequence that has to be seen rather than described) then Grodin regards the camera presence as nothing more than an albatross and mentally switches himself off. Albert Brooks, meanwhile, never says quit. Every so-called hair in the eye of the lense is still a perfect scene regardless of the participation or lack of it, thereof, from his celluloid family. For Brooks regards this film as 'paramount'(oops) over the desires of his cast of characters. Brooks facile mind works methodically from beginning to end. From his perspective, nothing can go wrong, everything is in its place with a place for everything. So when his documentary and the human equation around it blow up in his face , his conferences with colleagues are hilarious as he tries various remedies to salvage not only his project but his self-image. Brooks is a comic delight as a man who cannot take criticism regarding his methods and his interaction with project staff are decidedly one-sided, but in the capable hands of this farceur, his myopic viewpoint is always good for guffaws galore. Real life should be this funny.