Only the Valiant (1951)

Powerful

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

The acting in this movie is really good.

Only the Valiant isn't a great movie, but it is a good one. It is sluggishly paced however, with some parts that feel drawn out, and there were times when the direction was lacking. That said, Only the Valiant is very well shot, the black and white cinematography looks good, and the scenery is authentic. Also good is the score, which is suitably rousing, the script is decently structured and the story is interesting while taking inspiration from Fort Apache and Red River. The acting ranges from decent to very good; I am not a huge Gregory Peck fan(I sometimes find him dull) but he does a good job as the ruthless and tight-lipped martinet officer, and Barbara Payton is luminous and pretty as Cathy. Ward Bond, Gig Young and Jeff Corey are much more impressive though. Overall, not perfect, but worth the look. 7/10 Bethany Cox

"Only the Valiant" qualifies as a gritty good western. This Gregory Peck cavalry versus the Indians oater is a solemn suicide mission without a trace of humor. Veteran director Gordon Douglas has helmed a grim, harrowing outdoors epic with an ideal cast of tough guys under considerable pressure; even Lon Chaney, Jr., registers superbly as a powerful Arab trooper. Ostensibly, "Colorado Territory" scenarist Edmund H. North & "A Place in the Sun" scribe Harry Brown drew their screenplay from western film maker Charles Marquis Warren's taut novel about a group of die-hard cavalrymen cut off from any escape route who must prevent murderous redskins from launching a devastating raid against helpless white settlers. North and Brown stick to Warren's novel for the most part and the last minute revelation--when it seems that there is no way that our heroes can survive another onslaught of Native Americans—is a corker! This turn-of-the-century tale develops an effective claustrophobic feeling in the second half of the action. Douglas and company take studio bound sets and make them look convincing during the nocturnal hours. The crisp black & white photography of "Going My Way" cinematographer Lionel Linden imbues this western a grim look that accentuates its tension and atmosphere. Actor Michael Ansara, who later played the chief villain in "Guns of the Magnificent Seven," is extremely effective in a small role as the hated Indian leader Tucsos."Only the Valiant" opens with over-voice narration by Army Scout Joe Harmony. "This is my stamping ground. I'm a scout for the Army. Had my work cut out for me for a long time. Behind that pass there is the whole 'Pache nation. (There is a graphic of the territory with the Flinthead Mountains stretching across the screen with a bottleneck pass.) They used to come swarming out of the pass killing everything in sights. Then we built a fort—Fort Invincible. It plugged up the pass, just like a cork in a bottle. Things was fine for a while. But them 'Paches is pretty smart. One day the bottle blew the cork plum apart." We are shown the burning remains of Fort Invincible with a dead man pinned to a stockade wall and a lance sticking out of his belly. Captain Richard Lance (Gregory Peck of "12 O'Clock High") and his men boil in on horseback and capture Tucsos (Michael Ansara), and Joe Harmony (Jeff Corey of "True Grit") wants to shoot him on the spot. Harmony points out Tucsos is "the fella that started this whole business." Captain Lance intervenes, "The Army doesn't shoot prisoners, Joe." Predictably, Harmony is aghast at this prospect. "He's no common injun. He's just as near to a god as a fella can get. If you shoot him now, things will quiet down. Without Tucsos stirring them up, the rest of those Indians will get reasonable, just as fast as they can. You take him in alive, you'll have every 'Pache in the territory coming after him. We have had three years of this, you can stop it now." Just as predictably, Captain Lance refuses to kill Tucsos and Lance's decision to take the Indian back sets things into action.Colonel Drum (Herbert Heyes of "Union Station") surprises Lance when he tells him he should have shot Tucsos. As it is, they need to get Tucsos to another post. Everybody from the troopers to Joe Harmony knows that taking Tucsos to Fort Grant is asking to die. The Apaches are poised in the mountains and the fort is under strength. Meantime, we are introduced to the daughter of Captain Eversham, Cathy Eversham (Barbara Payton of "Kiss Tomorrow Goodbye"), and young Lieutenant William Holloway (Gig Young of "They Shoot Horses, Don't They?") and they play a part in a major narrative complication. You see, Lance and Holloway both want to marry Cathy. Clearly, Cathy wants Lance. Colonel Drum refuses to let Lance take Tucsos to Fort Grant because Drum cannot spare Lance. Drum changes the orders and Holloway is given the mission at the last minute, and everybody is shocked. Lance has never changed an order. Furthermore, Lance saw Cathy and Holloway kissing in public, and everybody thinks Lance has reassigned Holloway out of jealousy. Indeed, one officer observes that rewriting orders is about a possible as rewriting the Bible. Predictably, Tucsos escapes and the surviving troopers and Harmony bring back a dead Holloway.Although Drum expects a relief column of 400 troopers to arrive any day, Harmony points out to Lance that Tucsos will attack. Tucsos has seen the fort and knows their lack of strength. Lance requests to take 6 or 7 men of his choosing to man Fort Invincible and prevent Tucsos from assembling a war party. The bottleneck in the mountains keeps the Indians from riding through in strength; instead, they must come through one-at-a-time. Lance believes his men can thwart them until the relief column arrives. Drum gives him permission and Lance picks the worst men. All of them hate him and would willingly kill him."Only the Valiant" exemplifies the new breed of military western after World War II. This is not a gung-ho John Ford cavalry western. Indeed, Lance's own men want to kill him and this foreshadows the attitude of troops during the Vietnam War when they fragged their own officers. Lance bears the onus of all—except the few who know about the circumstances that brought about the change of orders putting Holloway in charge of the detail. The black & white photography enhances the dire nature of this western. "Only the Valiant" amounts to a last stand western until the last minute reprieve. Reportedly, Peck hated this movie, but then this is not a spit-and-polish western in Technicolor. If anything, "Only the Valiant" lives up to its Warner Brothers origins. It is small but significant and it is grubby with loads of drama and unsavory characters, virtually a "Dirty Dozen" western.

I would suggest that Only the Valiant is one of the most original and intriguing and in some ways weird movies that Peck ever did; daring , surprising and one of his few best westerns (--no, no, of course, not a western really, but a military chronicle, which sometimes is better--). It's quite low—budget, but, oh, very original and striking. It's one of those treats a true buff sometimes gets; movies that no one yet told you they exist. You say—'that sounds intriguing, or interesting'—and it surpasses your expectations.All in all, the script shows a level of maturity unusual for the westerns—and it somehow reminded me, obliquely, of ULZANA; it's also straight no—nonsense suspense.Peck looked dashing as a young and tough, somewhat gloomy and stoic officer; and there are many unexpected touches—like the blonde babe kissing and flirting with the one she's decided not to marry, perhaps a feeling of hers for justice and retribution ….Even genre—wise, ONLY … is so much more than a military tale—it is as well an action drama, a suspense movie, a commando/ action thriller—the weirdest combo imaginable; a bunch of soldiers in a special mission to counteract and stop a possible Native's attack …--the insane decision not to take all the available troops to the place where those Natives could be stopped—but only a handful of people …--and this plot never takes a crap route—as most would and did …. The interest for humans, for people and their reasons and actions never falters.A due word about Peck himself; he performs with brio, and though I usually find his famous movies to be rather insipid and boring, in such small outings I find intact all Peck's somber and even chilling glamor. He was an unusual star.I gladly recommend this extraordinary movie.

...I saw this movie when it first came out in France, in my hometown, 54 years ago, I was nine, and today I still remember each black and white frame, especially the black ones, because it was so tense, scary, those sneaking attacks through that dark pass in the mountain, the two soldiers, prisoners forced to fight each other by their captors, the last battle with the uncovering of the wagon with the Gatling in it firing away, the last fight between Peck and the chief, and the Happy End which let me take back my breath. I haven't seen it since then, and I don't know if it would be a good idea to see it again today, it was such a fabulous moment for the kid I was.