Deaf Smith & Johnny Ears (1973)

Best movie of this year hands down!

I like the storyline of this show,it attract me so much

One of my all time favorites.

An old-fashioned movie made with new-fashioned finesse.

With the talent assembled in the production of this tosh, it should have at least been tolerable. The films English title "Deaf Smith and Johhny Ears" attracted my curiosity, but a film about a deaf commando (gunfighter!) set in a historic Texas, where more people end up in Boot Hill than seem to live in the township was certainly difficult to believe. What could they have been thinking?...a 'deaf' 60ish protector of the countries president......I ask you! I see from other posts, a few have enjoyed it but I'm with those who looked deeper and found very little. After a string of films just like this, it's little wonder the Western genre was well and truly killed off. Leone's Cinematographer Tonino Delli Colli may have had an eye for detail, but he obviously did not get the budget, or the time, to create any magic here. Any promise in the idea, is quickly killed off with shoddy Italian and Spanish writing and film technique (or lack off it) A halfway interesting Music score attempts to give more than the script can deliver (the song lyrics promise a strong idealistic storyline but it's not forthcoming) In fact, the music score not only seems to belong to another film, it sounds somewhat familiar. The film wastes beautiful Pamela Tiffen, and reduces the Franko Nero role to little more than a clone of the 'Trinity' films character, and Quinn, well he just appeared to be enjoying getting paid in his old ageItalians could not make intelligent films about the 'American' west (even Sergio Leone's epic 'Once Upon a time in the West' while it looked good at the time, in retrospect, is filled with the type of foolishness that drags this work down to 'C' grade level) The near ridiculous body count and callous way people are killed puts 'Deaf Smith' in the 'Dollar' film category. The undiscerning viewer could be impressed, anyone else may want to leave town. Maybe with better handling....but I doubt it. TCM in Australia screened this (as with most of their movies) with the 'Automatic Sound Leveler' on... creating what sounds like a constant hailstorm in the background when no-one is speaking. In this age of technical excellence when will they ever get it right? KenR

This is not a bad little movie, of a certain 'style' that was popular when it was made.It's loud - and violent - at times, but there-in lies a heart and whilst neither (Franco) Nero or (Anthony) Quinn show us their inner feelings, rather like a lesser Butch Cassidy and Sundance Kid, there is a sort of loyal, strange chemistry between them, that like the best of friendships, work for reasons only known to them.Unlike 'B' westerns of 20 years earlier, that almost tried too hard to get the most out of their tiny budget/bad script/untalented actor, director etc, Deaf Ears... doesn't, it just gets on with it, which is nice as we can relax and let it unfold.Erastus 'Deaf' Smith (Anthony Quinn) is the deaf mute messenger who is hired by General Sam Houston to infiltrate a rebel faction that are trying to stop Texas becoming part of the U.S. His friend, Johnny Eras (Nero) comes to assist him with his mission.There's the usual womanising in the cat-house that helps beef up both the lead's manliness and the male viewing numbers is there as is blowing things up.Though the film is also known as the bland 'Los Amigos', it's often and usually goes by this far more intriguing one. I saw it on TCM (Turner Classic Movies). It says on the Radio Times website that it was in Italian, but it was not, though in hindsight I'm sure it was dubbed - and Quinn, who is multi-lingual, doesn't speak, of course. The ending and its music is quite a strange enigma, mind you.If you're after a good, standard, straight western, I'd dither at recommending it, but if you do like your spaghetti westerns, with some sauce, then go for it.

I like the above comment: "Watchable if not recommended". I just saw it on TV as "Deaf Smith and Johnny Ears". It breaks my heart that AMC didn't show the full credits as I am haunted by the music and cannot identify the tune.Erastus "Deaf" Smith was actually a soldier in Houston's army and was distinguished for destroying a bridge that cut of Santa Ana's retreat at the battle of San Jacinto. The movie, of course, is pure fiction with no historical basis.Anthony Quinn has always been one of my favorites and it pleases me that a Mexican actor has found such worldwide success. His AMC interview is well worth a watch.

Set in 1830's Texas, Erastus 'Deaf' Smith (Anthony Quinn) is an ageing but trusted spy for the president, despite the obvious handicap of being a deaf mute. His friend and companion is the sexually charged Spaniard Johnny Ears (Franco Nero), seemingly on a constant mission to obtain another notch on his bed post (or should I say, someone elses!). In fact, unlike your usual Spaghetti Western hero, he is probably more likely to be found in bed than in a bar brawl or gunfight.The two have been sent by the president to halt the uprising down south, where a rebel by the name of Morton is rallying a rebellion to create independence and domination, with the help of German backing.The whole emphasis of the story is the great bond between Nero and Quinn, which is quite enjoyable throughout. Comically, Johnny Ears is constantly throwing stones at the laid back Smith in order to get his attention. Ears' relationship with the luscious local whore Susie (Pamela Tiffin) is also a fine display of character play, as their interplay changes from flirtation to sexual tension, and from lust to love. Hell, by the end, Ears seems willing to quit his womanising ways and settle down with the blonde beauty.There are entertaining one-liners throughout (all obviously left to Nero, who is in fine comic form). As for Quinn, the whole idea that a deaf gunhand can survive and be held in such esteem is entertaining in itself (as he walks away completely unaware of the explosions metres behind him, and sneaks up on opponents oblivious to the fact that the bells on a whores garter - given to him whilst he awaited the return of the promiscuous Ears from the local brothel - are jangling together).Aside from these highlights, the film is fairly average fare. At times Smith's inability to communicate can be as frustrating to the viewer as it must be to Smith himself. The Director does however highlight this disability to some effect, with silence at any time when the story is shown from Smith's eyes. Too much weight is also placed on the final action-packed climax, which goes on for an age with a maximum explosion count (although it does contain a priceless moment when Ears is unable to operate the enemies' machine gun - a skill mastered to great effect by Nero's Django).In summary, this is an entertaining little film, high on cheese but low on substance. And there are days when that is exactly the sort of "popcorn" movie that you want to watch. If you are in that mood (I was) you will probably enjoy it (I did!). But it is definitely more "watchable" than "recommended".