American Pimp (2000)

One of my all time favorites.

The movie is wonderful and true, an act of love in all its contradictions and complexity

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

American Pimp, a film by the Hughes brothers, is probably more entertaining, almost in a manner that crosses between a typical documentary and as one of the film clips shown from the Mack as an exploitation film, than it deserves to be. But then the Hughes brothers have made a film about exploitation, the self-glorified glory of it, the stylish inner world that they've created for themselves and their 'ho's' that is like the mob only, well, more stylish and specific. Unlike the mob, as the film tries to show (however true to life compared with facts you be the judge) that they aren't all violent criminals, but see it as a way of life. The Hughes's- maybe wisely and not wisely at the same time- don't try and interfere with these guys and their dialog. There's no preachy message that "pimping and prostituting is wrong." They know audiences aren't completely numb to what the facts are in a (for now) criminal enterprise.But, as I said, it's also entertaining, the kind of entertainment that comes from listening to someone you know is crazy or f***** up and at the same time has a weird, hypnotic quality. They go through telling what it's all about- the breaking in, so to speak, of new prostitutes for the pimp, when said prostitutes might leave, the ins and outs of being a new pimp or an old pimp or someone who talks a big game and may or may not mean what he says. Actually, for the latter, the Hughes's don't seem to skimp on any of their interviewees: they all appear to be genuine to the business, appear being the big word. But it's the intent that counts, and these guys at least sound the part, as well as look it, and in a dirty way these guys are really, really funny, sometimes without trying to be even due to their own self-aggrandizing. As for the prostitutes themselves, they are shown not quite as much. While it might have been difficult for the Hughes's to get any legitimate documentary footage of them, aside from a couple of moments revealed like when a pimp named RC (I think that's his name) berates a girl for getting drunk, with the menace of violence in the subtext, it works fine as it is.It's like a candid string of tall tales from characters painfully believable, as those who think that the media portrays them stereotypically, and why not? Some of these guys ARE walking stereotypes- doesn't stop them from getting their pimp-hand on. It ain't easy, but it's almost in a guilty way insatiable.

I feel that all of the pimps in the movie were real, and they told of their lives and how the streets affected them. Once you are a person of the streets and have lived that life, you know the inner workings, and even if an outsider cannot see the truth of that, the pimp, ho, drug addict, homeless person, hustler, etc., does, because it is their life. The Hughes Brothers should be commended for their true and factual portrayal of the pimp/ho life because perhaps it can stop some other unsuspecting young lady from falling into similar traps that lay in wait for them on the cold hard streets. This movie served as a first, and it showed the harshness, callousness, and reality of selling your body to strangers and it's eventual crash and burn cycle, for the pimp as well as the ho. This was a learning tool for so many people, not just African Americans, but White America as well. As the movie stated, blacks are not the only pimps, there are plenty in all races, and they pimp legally and get away with it. Kudos for this film and the soundtrack was SLAMMIN!!!

First of all, this documentary is well edited, well photographed, and features a kick-ass soundtrack. The subject in itself is interesting, at least from a sociological and psychological perspective.Having said that, I agree with a previous review that stated that it was boring. There's only so much "You know what I'm sayin', b*tch" that I can take before I start to yawn.What they should have done is interview more than just the pimps. They should have interviewed social workers, street workers, police officers, doctors, etc. Then we would have had a greater and more meaningful perspective on the world of pimps and hookers.I realize that the Hughes bros. wanted to focus only on the pimps themselves, but after 10 minutes, we already know that these are uneducated, manipulative egocentric slimeballs with a maximum vocabulary of maybe 10 words. These are not deep thinkers with lots of interesting observations to make. At the start of the film, we see a one minute vignette of different white people giving their stereotypical view of what pimps are. This film proves them right.

I've always had a guilty curiosity about the life of a pimp. Of course, we have those "pimp stereotypes" in films like "The Mack" and "Willie Dynamite." But do we really, really know ALL about this lucrative, though immoral, profession? Thanks to the Hughes Brothers, now we do. First of all, this well-made documentary doesn't glorify the life of street pimps. I'm sure a lot of you out there (especially women) will take one look at a film like this, and say to yourself, "Why the hell do I want to watch a movie about greedy, heartless, misogynistic 'mack daddies' who make a living at degrading women for their own financial pleasure?" The Hughes Brothers don't try to take sides. In fact, the film opens with a montage of opinions (mostly negative) from everyday people about these pimps. Whether you condone the industry or condemn it, that's not the issue. Allen and Albert Hughes do a wonderful job at intercutting the views and "days in the lives" of real pimps with clips from seventies blaxploitation flicks and topping it off with a vivid soundtrack filled with classic soul music. The film starts out by showing the more luxurious, darkly comic side of pimping. It's interesting to learn what real pimps really have to say. Of course, their vocabularies practically consist of three words: "ni**a," "motherf**ker" and "b**ch." But hey, that's how they talk. Am I going to blame the Hughes Brothers for writing an excessively profane script? They didn't write a script! This is how these pimps really talk! As the film goes on, we learn the more serious side of pimping. We learn the pimping REALLY ain't easy. But at the same time, they're not completely heartless. When one of their "hos" die or get sucked into drug addiction, they can't go on with their lives like nothing happened. And it's interesting to see how different pimps took different paths. Some decided to quit the business and concentrate on raising their families, some ended up in the penitentiary and some (believe it or not) found religion. But some still feel that pimping is the way to go, and though it's immoral, they don't necessarily think it's wrong. We even get a brief introduction into the lives of "legal pimps." You know, those clean-cut white guys with the fancy whorehouses with quality hookers who will do anything they please for a large sum of money. Expect to see gratuitous close-ups of female rear ends. At times, you feel as if you're watching a 2 Live Crew video. This is another film that I can consider a feminist's nightmare. Nevertheless, it's wonderfully done, eye-catching, compelling, funny and sometimes heartfelt. The Hughes meant to explore the subject without patronizing it. And I found it quite fascinating. If there happened to be a filmmaker who explored the world of pimping before these guys, then let me know. Until then, I give Allen and Albert two thumbs up for taking on daring subject matter involving an underworld of people often overlooked--or broadly portrayed--by the average filmmaker. My score: 7 (out of 10)