The Sisterhood (1988)

Clever, believable, and super fun to watch. It totally has replay value.

In truth, there is barely enough story here to make a film.

This film is so real. It treats its characters with so much care and sensitivity.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

The Sisterhood (1988) * (out of 4) Low-budget movie set in 2021 in a world where women have become slaves to an army of men who use them for you know what. The only the not enslaved are a gang of women known as The Sisterhood and they set out to try and destroy the male gang and set the women free.Director Cirio H. Santiago wasn't hired to make an Oscar-winning picture. No, he was given a very limited budget and asked to create something that would appeal to action fans back in the days when VHS rentals were the most popular thing around. The film wasn't meant to be any special and in all honesty it isn't. It's a pretty bad and bland picture that really doesn't have too much going for it.As you'd expect, the entire film looks rather cheap and we're given some rather weak performances and bland dialogue. With that said, you really could argue that those things really don't matter in a picture like this and I'd agree with that. The problem with this movie is that it's deadly dull from the start to the finish. There's really no excitement to the action scenes and the story itself just isn't very compelling.These post-Apocalyptic films were all a rip-off of MAD MAX and at the very least you hoped for some minor entertainment. The only real entertainment comes from some of the fight scenes but that's certainly not enough to save THE SISTERHOOD.

Cirio H. Santiago is a director who has made quite a few "girls-with-guns" (or, in this case, "girls-with-swords-and-later-guns") films; he could perhaps be described as another Andy Sidaris, but with less sleaze and an even lower budget. "The Sisterhood", a cheesy post-apocalyptic flick complete with laser beams and "talking" hawks, must not be one of his best moments: most of the action sequences are rather flat, and there is too much wandering around in the desert. But the two female leads are physically well-cast, and as for the third....let's just say that if you ever wanted to see Lynn-Holly Johnson, of "For Your Eyes Only" fame, kicking some serious butt (though it is never quite explained how her character is able to do that), this may be your only chance! (**)

It's hard to figure out which scene elicits the moost laughter in this post-apocalyptic stinker: Lynn-Holly Johnson (cutsey, blonde former figure skater) fighting with a sword; Lynn-Holly Johnson cracking peoples' necks; Lynn-Holly Johnson firing from a Bradley Fighting Vehicle; Lynn-Holly Johnson attempting to act; etc, etc... Lynn-Holly Johnson looks moore like a Valley Girl shopping for over-priced shoes in some pretentious Rodeo Drive boudoir, instead of vicious amazon firing m-16As. She is one of the least cowvincing actresses the MooCow has seen in many mooons. She's part of an all-female band of fighters who each have a special "gift", none of which seems to be acting. They beat the stuffing out of a faceless group of chauvanistic, bone-headed men. As fer the rest of The Sisterhood, the least said the better - it is set in one of those cowfusing Midieval/Post-Apocalyptic wastlands, part Mad Max, part Hercules, where people fight with swords and rocket launchers, and no one know quite sure why they're fighting at all. The shields and armor are plastic, the swords aluminum, the "costumes" include shoulder pads, fatigues, and bits and pieces left over from a Xena get-up. The fight scenes are stagy and poorly timed. Lynn-Holly Johnson can talk to birds and horses, who are probably telling her that she stinks as an actress. This cow says ignore the Boris Vallejo-inspired video box and drop The Sisterhood like a hot cow flop! :=8P

Quite a few folks have belly-aching to me about why these so-called "femme fatale" flicks don't stack up to sheer greatness. Well, this is one of those movies, and it sure comes darn close at being good! Some cool costumes, a futuristic setting, and an original idea were the bright spots, making this one to drool over. But now, the screaming starts. What we have here is a movie based on a horribly bad scripting job, causing everything else lacking throughout the entire program. The end result is another cheesy exploitation movie that tries too hard to pump enough blood. Acting, plot, and everything else that breathes vitality! Is this why they're called "B" movies? I think so. I'll keep trying to search for more of these films, but you and I may be better off disappointed than satisfied with them! Don't lose your mind over seductive artwork on tape boxes!