Gervaise (1956)

From my favorite movies..

For all the hype it got I was expecting a lot more!

It’s sentimental, ridiculously long and only occasionally funny

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

This is absolutely beautiful movie that depicted brilliantly life of working class in France in the late 19th century. It is based on Emile Zola's novel L'Assommoir.The main protagonist is perfectly portrayed by amazing Maria Schell and we can see well into all of Gervaise's virtues, but frailties as well and understand her emotions and struggles she endures constantly in her troubled life. The ending leaves Gervaise in full misery and the director Rene Clement turns our attention to her little daughter Anna - called Nana - that will be the protagonist of another, even more famous Zola's novel of the same name.

Maria Schell plays the titular character in this film adaptation of Emile Zola's novel L'Assomoir. This is like the saddest movie ever. I seriously wept for twenty minutes after it finished, and every time I think of it I start to tear up again. Schell plays a poor washerwoman with little luck in men. Her first man, who never married her, leaves her with two young boys for another woman. Her next man, her first husband (played by Francois Perier), becomes a slave to wine, chronically unemployed and defying his wife and family at every turn for another drink. Sure, this is your typical suffering woman narrative, but, Hell, women have suffered throughout history, and this is a downright powerful story. The characterizations are very complex, and every actor in the film is absolutely perfect. L'Assomoir came in the middle of a cycle of twenty novels. Gervaise's daughter, Nana, was the focus of a later novel in the series (Jean Renoir adapted that novel, called Nana, in 1926).

Against every preconception I could think of, I loved this film. Gervaise is not only an interesting parable which rightly exposes the us to the dangers of drink, but making Maria Schell the protagonist casts the light of feminism into the equation. There is no way to ignore this interpretation either given Schell's brilliantly righteous performance as Gervaise.Her husband is a drunken fool, no longer able to bring in money to support his family following an accident François Perier plays a drunk worryingly convincingly, but Gervaise is far from helpless. She puts up with the incessant tirade of abuse, womanising and eventually the violence. She is vulnerable yet forceful, respected but never entirely respectful. Nonetheless she is a protagonist and she isn't without her flaws. Her forgiveness of her husband cannot be criticised; we mustn't forget that we're watching a film about the second empire. The issues however are increasingly relevant. Both to Clement as a director in the 1950's and to anyone who decides that picking up a bottle can only harm the consumer.

François Perier as the alcoholic Henri Coupeau is unsurpassed as sick man having his overdose and delirium by alcohol. Maria Shell as Gervaise is convincing as the poor woman working day and night for the drunken men she is having in her home and her little daughter! This movie should be shown to all people having drinking problems. As it is set in a different period (the end of the second Emperor Napoleon's reign) is has something universal. The general atmosphere of this epoch is however very accurate.