Obliging Young Lady (1942)

Very very predictable, including the post credit scene !!!

Sorry, this movie sucks

The best films of this genre always show a path and provide a takeaway for being a better person.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

Director: RICHARD WALLACE. Screenplay: Frank Ryan and Bert Granet. Original screen story Arthur T. Horman and Jerry Cady. Photography: Nicholas Musuraca. Film editor: Henry Berman. Art directors: Albert S. D'Agostino, Carroll Clark. Set decorator: Darrell Silvera. Costumes: Renie. Music composed by Roy Webb, directed by Constantin Bakaleinikoff. Assistant director: Sam Ruman. Sound recording: Hugh McDowell Jr. RCA Sound System. Producer: Howard Benedict. Copyright 8 September 1941 by RKO Radio Pictures, Inc. New York opening at the Palace: 12 February 1942. U.S. release: 30 January 1942. Australian release: 5 March 1942. 7,338 feet. 81 minutes. SYNOPSIS: A young girl finds herself the center of a custody battle. COMMENT: An unexpected find. A gem. Why isn't this movie better-known? I agree entirely with a previous breezy reviewer. Not only is this a well-produced and absolutely hilarious comedy, but the fun gets crazier and daffier at every turn of the chucklesome plot. It's beautifully acted by a fine cast. In addition to the talented principals and other gifted comics like Eve Arden who are along for the ride, some of our favorite character players are spotted here and there, including Ralph Sanford as Pudgy, George Lloyd as another court attendant, Jimmy Conlin as the man hit with the pot, Hal K. Dawson as a train Romeo, George Chandler as Skip, Emory Parnell as the first motorcycle cop, and Joseph Crehan as the newspaper editor. Superbly photographed - in black-and-white of course - by Nicholas Musuraca and inventively directed at a really smart pace by Richard Wallace, An Obliging Young Lady is one of the greatest comedies RKO ever made.

I could have decided not to watch this film since it was rated very low. Never judging a book by its cover, I thought I'd give it a chance. It caught me up in the romantic pursuit O'Brien after Ruth. The little girl was cute with her attraction for getting a thrill by putting tacks on seats. Believe me, I know from experience that this kind of act shouldn't be funny because it once happened to me in grade school. However, it is part of the movie that O'Brien can relate with when he meets the little girl on the train and how he did it too to people. PLEASE WATCH THIS MOVIE!!! Never be afraid of ratings because some movies haven't been out there to the public and need a chance. It is a movie THE WHOLE FAMILY CAN ENJOY! My Father (bless his heart!) reminds all his 10 children to just concentrate on watching ROMANTIC COMEDIES! I want to say that this would definitely be a movie that my Pop was talking about. As far as the Bird-calling scene, only true birders can understand and appreciate the comedy. I don't want to spoil anything else but real birders will obviously find errors in the actual bird that made the calls made by the actors.

Totally fab opening has a train-track cadence set to baseball great Heine Manush's name. The name is used throughout the film and sets the tone of silliness. Filled with terrific chacacter actors, the films bounces along despite the lame plot. But it's always a pleasure to see Franklin Pangborn, Almira Sessions, Charles Lane, Eve Arden, Luis Alberni, Jimmy Conlin, George Cleveland, George Chandler, Fortunio Bonanova, Nora Cecil, Marjorie Gateson, and others in solid roles. Ruth Warrick is ok, Edmond O'Brien less so. Joan Carroll as the kid is blah, but Robert Smith is downright terrible. Heine Manusch, Heine Manusch!!!

This film had great potential, however, the screenplay left a lot to be desired. Young Miss Carroll is actually the better performer of all the folks who appear in it. Franklin Panghorn isn't that bad either. After these two forget it, which is a ashame. Eve Arden is wasted, such a talent deserved more than the tripe she was given in this one. Edmund O'Brian makes one ill just watching him handle his lines. I cannot bear to discuss the other parts. Joan Carroll had a lot of potential, but she like Ann Carter and Sharyn Moffet never were consistent child performers thanks to much of the inane scripts they were given. Carroll was the most talented of the three RKO child Starlets, but Moffet at least had a few pictures that were all her own. Obliging Young Lady shows Carroll was star material, this just wasn't a vehicle in which she was able to shine, still whatever redeeming value it has is carried by her.