The Emperor's New Clothes (1987)

Very very predictable, including the post credit scene !!!

A lot more amusing than I thought it would be.

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

It’s sentimental, ridiculously long and only occasionally funny

again. i'm always surprised at how well Cannon MovieTales pulls this off. low budget and with little resource, but strangely lavish just the same. and a very complete musical. Cannon MovieTales achieves this by using the same sets and costumes over again for re-use, and they commission music from little recognized composer and musical arranger Stephen Lawrence. more than likely the budget for these films goes to paying the salaries of the numerous name celebrity actors they acquire for their productions.very few young people, at the time this was produced, realized the notability of having a musical at that time that featured veteran talents like Sid Ceasar and Robert Morse singing. Ceasar was a comedy legend and Morse was in 'The Loved One' and originated the Broadway role in 'Suceed in Business' that Daniel Radcliffe is now winning acclaim for currently.Stephen Lawrence's songs are not always the most memorable showtunes written or composed, but they are more ambitious than you would expect for these projects, and more than satisfactorily answer the call of duty.these films also always seem rather lavish for their modest budgets, but anyone who becomes familiar with Cannon MovieTales, knows they compensate by re-using sets and costumes. it's very effective cost cutting. and even though you can see the Date and Palm trees of Israel in the landscapes (these movies are produced there), they effectively convey the European fairy stories they are made to depict.this was a nice production and they provided Ceasar and Morse with a ample amount of song tunes to warble. it was also cute to see Jason Carter here from Jim Henson's 'Storyteller' and the 'Jackanory' children's series.i really enjoy Cannon Movietale's fairy tale tellings. despite their limitations, they create a wonderful world that is faithful to the source, creates a theatrical "movie-like" feeling, and provides a musical version of the age old stories.

Upon the first viewing, I found this tale to be at least less annoying than other Cannon Movie Tales. After many more, I think it's one of the best. Some of the songs are pretty bad, especially the love song, but two things stand out that make the movie, even the singing, worthwhile. One is the art direction. Like the other Cannon Movie Tales, this is a beautifully decorated period piece; every piece of cloth and jewel (both of which have major parts in this movie's plot) look fresh and new, and contrast with the plain clothes of the peasants. Even during the love song I find myself studying the dress and hair of the princess, wonderfully done. The other thing is the comic timing. A lot of the movie is cheesy, but the emperor's vanity (and his making fun of himself in the end), the suspicious guard, the guard chasing Nicholas, and the stupid prince, were all quite funny and seem to be ridiculous quite on purpose. And the sequence during the song Weave-O makes up for the songs that weren't so good.

I love the Cannon Movie Tales; and I just bought this one. And even though some people don't like it. It isn't half bad! I enjoyed watching it very much. The songs arent to catchy sadly like The Frog Prince/Snow White are but still very fun to listen too. The Plot is excellent the costumes are fantastic. The sets are beautiful! It's very good along with other movie tales!

I have been a collector of the Cannon Movie Tales for years, and this one was a disappointment. The songs were ok, but far from impressive. The actors are okay, but rather boring. And there is really little to talk about. See the other movies in this series though. The Frog Prince, Rumpelstiltskin, and Beauty and the Beast are far, far superior. Skip this one, it isn't worth the trouble.