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Wild Palms

Wild Palms (1993)

May. 16,1993
|
7
| Drama Thriller Science Fiction Mystery

A multi-national corporation attempts to take over America while small pockets of resistance hold out against rampant technology.

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Cathardincu
1993/05/16

Surprisingly incoherent and boring

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Actuakers
1993/05/17

One of my all time favorites.

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Pluskylang
1993/05/18

Great Film overall

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Cheryl
1993/05/19

A clunky actioner with a handful of cool moments.

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Andrei Pavlov
1993/05/20

It starts well, goes on quite good for a certain time and then deteriorates at an incredibly fast pace, falling as low as an unimpressive sweet-sweet ending for softies. Comparing it to "Twin Peaks" is misleading. This tricky comparison led me to watching it and to regret it badly. To start with, this product as a whole looks like a Britney Spears music video (no offence to the diva - she's OK, bombastic and quite cute). In the end "Wild Palms" gives you a candy bar with a happy smile: "Suck on it and be happy, people have won, the revolution goes all right, all creeps and tycoons have been properly punished and before us, common people, is happiness and joy only; relax, there will be a party tonight, everybody who owns a luxury car is invited, the drinks are on the house!" "Twin Peaks" was something different. It was teasing the viewer during its run, lurking in the shadows, kicking the viewer in the butt now and then (the ghost punches were also common) and on top of that it destroyed even the slightest possibility of a sugary finale. "That's foul!" you say? Yes, but if it's done artistically, with proper ideas behind these numerous kicks and punches, there is a reliable reward when it's all over. Here is the difference between a genuine masterpiece and a pop culture show-off.Were there any problems before the final part in "Twin Peaks"? You bet. "Twin Peaks" had also a couple of over-the-top moments but "Twin Peaks" was always walking the fine line between the true horror and an easy-going drama, always ready to amaze. It hit and run, it delivered its weird moments perfectly and with style. Many "Twin Peaks" characters were easy on the outside and creepy inside. It's vice versa in "Wild Palms". The characters are flashy and super-serious on the outside but soon you don't care for them, while they are one-dimensional, like cardboard heroes; the crowds of holiday-makers with slogans, some revolutionary chick with a bomb and a hoot (something like "We fight for freedom!"), cheap CGI (by the way, in "LawnmowerMan" the CGI was - and still is - haunting), etc. - it all adds to the flashy but juvenile picture of "Palms". Boring talks of boring characters in acid surroundings, some swimming pool is used as an entrance to the secret organization of freedom-fighters (isn't that kidstuff?).There is only regret: instead of re-watching a couple of decent Oliver Stone flicks from the past, my time was annihilated by this trash that started off so well...Can recommend this failure to teenagers only, while it's flashy, pretentious, seriously didactic like "Matrix Reloaded/Revolution" with bits of explosions, gunplay, lounge music, sexy dames, and eye-gouging. Oh, and there is a katana in one of the scenes. Wow, isn't that groovy? A 3 out of 10 for this serial, which could have been a 10 out of 10 and could have become a rival to "Twin Peaks" but turned out to be what it is – a "pop-popsy" sci-fi.

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written23
1993/05/21

The story is a veiled attempt at going where the church of Scientology exists. Anton Kreutzer, played fairly well by Robert Loggia, is pretty much L. Ron Hubbard. There are even spot lines that go to the arena of Aleister Crowley, Hubbard's "very good friend". The Sea Org and the Commodore's Messengers are dressed to the nines, perfect in their affectation of the naval attire. Coty is a mock-up of the now ruler of the Darkstar, the honorable king David. You know the Star of David is two inner locking equilateral triangles encompassing three 60 degree angles. "and ye shall know them by their number":666; a number exulted upon by Ron's very good friend, Aleister Crowley. The acting is spotty, some actor's can't and some can. However great imagery, fantastic attire, and far ahead of its time in technology make this a must see for the clued-in sci-fi fan. Hubbard might have been twisted, but give him his due, a genius for manipulation of the truth. Scientology is still standing and Tom Cruise can't handle the truth, can't handle it because he knows not what he do.

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dgarwood
1993/05/22

The real credit for WILD PALMS should go to Bruce Wagner and his flowing, prosaic dialogue. It's like classic Film Noir crossed with cyber-speak, doused with a fifth of Single Malt Scotch and set on fire. There are so many clever, nimble phrases that are turned on their axis and spun into something entirely different. Examples: "Mystery loves company." "Do you know how much it hurts to be SHOT IN THE CHEST??""You're no General! You're a pimp with the wings of a bat!" "You've got quite a mouth on you! Take care someone doesn't take a needle and sew it up." "Weak dog! You stillborn calf! YOU MAKE ME VOMIT!"Granted the whole package is a little hard to take in all at once - it's one of those things that becomes more interesting the more you watch it. And for everyone who argues it ends with a whimper, not a bang, well, you may be right, but I posit that The Senator, Harry's real lineage, The Go Chip, and the Mimezine are all besides the point. Enjoy it for one of the campiest, cleverest, most intelligent scripts ever written for television.(Thank You Bruce Wagner) This is a project that is not only entertaining to watch, but a JOY to listen to. It's FUN.

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2henry-1
1993/05/23

Ok, apart from the fact that I read an awful lot of books, movies and particularly good movies do carry me away as well.THIS is one heck of a movie.Robert Loggia excells and makes a start at his appearance in 'lost highway'.Why scientology ? The Fathers are conservative, granted, but they really want to manage your soul in 'the Church'.Guess what, windows is the system ;-)The movie is beautifully done, the plot twists and turns, William Gibson [none other but himself] has a cameo, and grudgingly concedes that he indeed was the first to coin the term.The women in this movie are the true protagonists [excuse me ladies, I know it's never different, Ollie puts it where you can't ignore it. In your face]...A very good movie, highly recommended.I hope this summary entices you to see the movie. You will not be indifferent !

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