Safari (1956)

Simply Perfect

Good concept, poorly executed.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

So much of this film leaves a bad taste in the mouth.What was a very complex situation is treated rather like a western with the cavalry coming to the rescue in the nick of time.Then there is the great white hunter slaughtering everything in his path.The film was dated when it was made and feels more embarrassingly so nowMature gives his usual wooden performance and Culver is surprisingly bad.

at the first sigh, nothing different by many adventure films from the same period. the love story, the animals, the Manichean distinction between characters, all is well known. but the difference is made by a lot of details. one - Victor Mature , who did a good job in a role who seems be perfect for him. in same measure, Janet Leigh in a fragile, delicate and powerful young woman portrait. and, sure, Mau Mau attacks, Earl Cameron giving a splendid portrait of the general. in rest - animals and lovely characters and the portrait of Africa , seductive and full of childhood references for the generations behind smartphone era.

Safari is directed by Terence Young and adapted to screenplay by Robert Buckner from a story by Anthony Veiller. It stars Victor Mature, Janet Leigh, John Justin, Roland Culver, Earl Cameron and Juma. A Technicolor/CinemaScope production out of Columbia Pictures, music is scored by William Alwyn and cinematography by John Wilcox. Plot finds Mature as a hunter Ken Duffield, who returns home from a trip to his Kenyan homestead to find his son as been murdered by a Mau Mau general who was hiding in disguise as the Duffield's house servant. Initially stripped of his thirst for revenge by the local authorities, Duffield gets his chance when he is hired by wealthy and powerful Sir Vincent Brampton (Culver) and his trophy fiancée Linda Latham (Leigh)lead them on a jungle hunt to kill as lion.Be on your guard against Mau Mau terrorists.Colourful, entertaining and often picturesque in scope, Safari manages to rise above its standard plotting to reveal a decent jungle adventure. Shot on location in Kenya and using the Mau Mau uprising as a backdrop, film was daring back in the day, that the likes of Mature and Leigh were talked into making a picture in Kenya at this time is impressive since the Mau Mau uprising was still in effect. What transpires as the film unfolds sees the stars put through their paces by Terence Young, a future James Bond director and a dab hand at action scenes. There's some inevitable cheapness in the production, with back screen projections and the odd dummy flung about, but action rushes and human peril is within and Wilcox's scope photography of the Kenyan landscapes is most pleasing. 6.5/10

The colorful opening graphics and credits punctuated with African music and drums set up an effective introduction. We know that there will be more to the movie than just a safari. At the time of the film, Kenya was one of Britain's many African colonies. Victor Mature is he-man Ken Duffield (though he looks more like a Vic Russo) hired by wealthy Sir Vincent Brampton (Roland Culver) to lead him on a jungle hunt for a large maverick lion known as Atari ("Danger"). Sir Vincent's fiancée, the voluptuous Janet Leigh (Linda Latham), early on tells Ken that he is a "BWH" (big white hunter). More than hunting, though, Ken is more interested in finding bloodthirsty Jeroge (Earl Cameron), a Mau Mau "general" who – early in the movie – betrayed Ken's household during a frightening attack and murdered his young son in cold blood. In the movie's course, we see a native dance and a Masai ritual lion hunt. Then Linda takes an ill-advised rubber-raft trip in a crocodile-infested river that ends in dangerous rapids. We will also observe the killing of several animals, including those of a hot-tempered bull-elephant, a rhino, and some lions. These animal killings of the 1950s will not please those who are against big game hunting in principle. Conscience of their environment, they demand preservation of our animals.Among the cast are Juma who acts as Odongo, and Orlando Martins, who, as Jerusalem, likes to play the trumpet when the expedition is at camp. Both Odongo and Jerusalem hate the Mau Mau and are loyal to Ken. Odongo, Ken's boy-assistant (13 years-old) certainly has a captivating laugh. When 200 Mau Mau later attack the hunting expedition, Ken's automatic weapon helps keep the evil horde at bay. More help will be needed though, and it will come in the form of competent native (colonial) police coming to the rescue. They are as welcome as the US cavalry. In the meantime romance has developed between hunter Ken and beauteous Linda. At movie's end it is assumed that they will marry and that they will adopt Odongo, whose conclusive laugh is fitting indeed. The film is wonderfully filmed in Technicolor, while those beautiful animals are always so magnificent to see. They remain Africa's treasure indeed!