Truck Stop Women (1974)

Overrated and overhyped

Good story, Not enough for a whole film

As Good As It Gets

Absolutely Fantastic

I didn't think they had boobies back then. I mean in the movies Everytimes this hillbilly music played, boom! There they are. Oh yeah, interesting plausible story except all the truck stop lot lizards are decent looking white chicks. Maybe that was realistic back then instead of the ugly inbreeds they have now. They crash up some expensive cars, so the budget wasn't cheap. Next to the boobies I like old trucks.

I can't think of any titles that fit 1970s drive in movies better than "Truck Stop Women". It immediately brings to mind women, trucks, and bad acting. If it were not for Claudia Jennings, this film would have been long buried with the thousands like it. Besides the snappy title and Claudia Jennings, the movie does have some lively country and western songs, but that's about it. You get the expected nudity and truck chases, but surprisingly no explosions (guess it wasn't in the budget). "Truck Stop Women" is truly a 1970s curiosity, that has somehow survived. This will never be confused with a good movie, but is watchable right up to the surprise ending, due to the presence of Claudia Jennings. - MERK

Regarding the production of Truck Stop Women. Has anyone seen the news lately? Phil Gramm, yes, that Phil Gramm, the former Senator and now MCCain adviser was one of the producers of this schlock. ( schlock in the most favorable connotation possible. )Also, he apparently kicked in about $15 grand or so for the production. Doesn't this suggest he might not be the best candidate for a cabinet position under John MCCain?I wonder if Mr. Gramm invested in this film as a pure business decision without regard to the moral implications. Time will tell!Amazed on the East Coast!

This is a pretty decent 70's drive-in flick featuring the undisputed queen of 70's drive-in cinema, Claudia Jennings. Claudia and her hard-as-nails mother run a truck-stop brothel in New Mexico which they use as a base to get information on valuable loads that they can later hijack by pretending to be stranded female motorists (the sight of Jennings in short-shorts or hot pants is obviously enough to make any male driver slam on his brakes), hitting the poor guys over the head, and stealing their trucks. Jennings grows tired of her domineering mother, however, and teams up with a slick East Coast Mafioso who is trying to take over the operation. This leads to a violent show-down between the rural hicks and the "citified" urban mobsters.This movie contains a lot of violence, exciting car chases (actually semi-truck chases) and general rural mayhem. There is plenty of topless-ness (if an unfortunate dearth of bottomless-ness) by Claudia and her female cohorts. For some reason the main mobster played by John Martino is named "Smith" (perhaps because this was the era of the so-called "Italian-American Anti-Defamation League",ironically created by infamous mob boss Joe Colombo), but he is nevertheless still the complete Italian Mafia stereotype("Fuggedbaboutit"!). Busty bimbo Uschi Degert has her best role ever--she isn't fully dressed for one minute of it but doesn't utter a word of dialogue (lest viewers wonder what a thickly-accented Swedish immigrant is doing in rural New Mexico). Director Mark Lester does a good Cormanesque job of combining feisty feminism with gratuitous sexism (and frankly it's a lot more believable to see a woman like Jennings use her feminine wiles so she can conk a guy over the head with a crowbar than it is to see Peta Wilson or some other 100 lb. fashion model beating up musclebound guys three times their size with martial arts like in today's version of these faux feminist movies).I would recommend ANY movie with Claudia Jennings, but this is one of her best