The Unseen (1981)

Please don't spend money on this.

I wanted to but couldn't!

A Masterpiece!

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

I was kind of worried about this one when two of three potential victims were bumped off fairly quickly, but I needn't have worried, because the film was just making time for the deranged family to have a good old fifteen minute long punch up near the end of the film! I think while they were throwing each other around and battering two by fours off of each other's head, they completely forgot about the final girl.This one does have scary parts. Sydney Lasseck is enjoyably twitchy as the head of the family, and the scene where junior appears scared the wife a bit. Barbara Bach, however, is pretty awful. She doesn't do much of anything except smoke cigarettes and look bored.It's slow going at first, but when junior comes along the film picks up. Plus, I nearly bust a gut when Lasseck hit junior with a massive plank of wood with a nail through it. That was only topped when the ex-boyfriend's leg injury played up at the most unfortunate time (I nearly fell off the couch at that bit).Yeah - this one's okay, really.

Three girls (an all-female media-crew, including cult-actress Barbara Bach, no less) visiting a small town to cover a festival, end up renting rooms in a house they should have avoided like the plague. Well-made little shocker, suffering a bit from some redundant dialogue-scenes and a rather thin plot-line (that doesn't do very well in hiding its secrets). One underlying theme in particular is quite disturbing (as in: vintage shock-material), and this is basically what the film thrives on. Performances & cinematography are pretty much above par (compared to many other late 70's/early 80's films in the same vein), but what really makes me recommend this film is the fairly long climax sequence in the basement setting. From the moment that "Keller Junior" character was introduced, his performance made my jaw drop open and it didn't close until the end of the film. A very pleasant surprise to see actor Sydney Lassick (who was funnily wacko in "One Flew Over The Cuckoo's nest", and now utterly demented in "The Unseen") take on one of the leading roles.

Since "The Unseen" is your basic B movie, the only reason to see it is that it stars Barbara Bach (Ringo Starr's wife), Stephen Furst (Flounder in "Animal House") and Sydney Lassick (Cheswith in "One Flew Over the Cuckoo's Nest" and also the principal in "Carrie"). No, seriously. That's the only reason to check it out: The Beatles, John Belushi and Stephen King are linked by a story of three women staying in a house inhabited by a carnivorous inbred! If only the founders of Solvang had predicted this! Sorry if I haven't done the greatest job describing the movie. It's just that a cast like this easily eclipses the movie, in my view. Granted, there are a few of the requirements for horror flicks, namely the bathtub scene. Otherwise, nothing significant here.PS: Barbara Bach had previously starred in a similar movie with a similarly jaw-dropping cast. That movie was the Italian horror flick "L'isola delli uomini pesce" (called "Screamers" in the US), in which she co-starred with Mel Ferrer, aka Audrey Hepburn's ex. Yes, it's true. Ringo Starr's soon-to-be wife and Audrey Hepburn's ex co-starred in a movie about half-human, half-fish creatures.

Los Angeles TV news reporter Jennifer (the beautiful Barbara Bach of "The Spy Who Loved Me" fame) and her two assistants Karen (the appealingly spunky Karen Lamm) and Vicki (the pretty Lois Young, who not only gets killed first, but also bares her yummy bod in a tasty gratuitous nude bath scene) go to Solvang, California to cover an annual Danish festival. Since all the local hotels are booked solid, the three lovely ladies are forced to seek room and board at a swanky, but foreboding remote mansion owned by freaky Ernest Keller (deliciously played to geeky perfection by the late, great Sydney Lassick) and his meek sister Virginia (a solid Lelia Goldoni). Unfortunately, Keller has one very nasty and lethal dark family secret residing in his dank basement: a portly, pathetic, diapered, incest-spawned man-child Mongoloid named Junior (an alternately touching and terrifying portrayal by Stephen Furst; Flounder in "Animal House"), who naturally gets loose and wreaks some murderous havoc. Capably directed by Danny Steinmann, with uniformly fine acting from a sturdy cast, a compellingly perverse plot, excellent make-up by Craig Reardon, a nicely creepy atmosphere, a wonderfully wild climax, a slow, but steady pace, likable well-drawn characters, and a surprisingly heart-breaking final freeze frame (the incest subplot packs an unexpectedly strong and poignant punch), this unjustly overlooked early 80's psycho sleeper is well worth checking out.