Dr. Wai in the Scripture with No Words (1996)

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Just perfect...

Excellent but underrated film

It's entirely possible that sending the audience out feeling lousy was intentional

Chow Si Kit (Jet Li) is a writer of serial adventures who imagines himself as the hero of his stories, brave archaeologist King of Adventurers. Recently, Chow Si Kit has been suffering from writer's block as a result of his marriage problems with wife Monica (played by the lovely Rosamund Kwan), but receives help from his friends when his back is turned, making the King of Adventurer's latest exploits a little more outlandish than usual.I'm a massive fan of martial arts star Jet Li, and director Siu-Tung Ching's A Chinese Ghost Story is one of my all-time favourite HK movies, but with Dr. Wai, the pair have managed to deliver one hell of a dreadful film, a shoddy mess of ill-conceived comedy and action scenes that seem to have been edited together completely at random. I defy anyone to make sense of this movie, particularly if, like me, they're watching with English subtitles, the film boasting some of the worst subs I have ever tried to read.Cutting between Chow Si Kit's real life and that of his imaginary character, Dr. Wai pays little attention to logic or narrative flow. The visuals are stylish, as one might expect from Siu-Tung Ching—a lot of time and money has clearly been spent on creating a spectacle—but it's all so incredibly slapdash that none of it works. On the contrary, the film proves extremely tiresome, despite such lavish nonsense as a giant runaway metal bull, a steam locomotive crashing through a town, a mid-air encounter with a man-monster on a crashing plane, and a set-to with flaming whip-swords. Despite such adversaries as a team of ninjas, a pair of sumo wrestlers, and Billy Chow, the showy kung fu fight scenes also fail to impress thanks to an over reliance on ridiculous wire-work.I've seen Dr. Wai described as a Chinese Indiana Jones, but to be honest, the best bits of Dr. Wai aren't even as good as The Kingdom of The Crystal Skull at it's worst, which says a lot.

This wonderful adventure comedy is filled with eye-popping action and big budget sets and other top line production values, but what really makes the movie is the fact that the main story is framed within another even funnier story. You see, Dr. Wai, China's answer to Indiana Jones, is a fictional creation of author Jet Li, who has writer's block and is facing a deadline. So, his two idiot assistants and soon-to-be-ex-wife 'help' him by writing in parts of the story while he sleeps, causing the main story line of 'Dr. Wai' to go off in wild directions, and causing characters to shift from good to bad and back again. As a straight adventure movie, this is fine entertainment, but as a comedy about the creative process it is very clever and quite effective. Each of the four writers has his/her own slant and makes the story different by their contributions, and yet it all comes together smoothly. Plus, the mix of comedy, romance, historical fiction and martial arts action meshes well, something that is not often the case in Hong Kong pictures.HIGHLY recommended for anybody who likes Jet Li, action movies in general, or even movies about writers. This one is smart, well-formed entertainment.

Thomas Weissman, who wrote a supposedly major text on Asian cinema (which unfortunately probably blocked publication of better texts for some time) pee-ed off a lot of fans of Hong Kong cinema. One of the reasons is that he knows dam' well the difference between a good movie and a good "genre" film, but, instead of developing this difference critically, he prefers to smudge it, and thus frequently leaves readers with misconceptions.Weissman's review of this film promised a real avant-garde transgression of time and space, of pulp and serious narrative. I'm afraid that's not what's happening here.For one thing, we get no closer to any of this characters than we do in any other Hong Kong genre film. That's important; to make real transgressions of time, space, genre, etc., we need to see what's going on from a particular point of view. (If one doesn't care for "The Singing Detective" - and I don't - then refer to "Slaughterhouse Five".) Since this is really an "action-comedy". it can't do that. Instead, it scrambles its plot around from several different points of view; but the heart of the narrative remains action, not 'perspective'.Well, is it a good action comedy? yeah, I enjoyed it, I'll probably watch it again. IS it the super-duper-transgressive New-wave make or break film that Weissman and a few others have touted it as? Nope. For that see Wong Kar Wai's "Ashes of Time".But not every film has to be really really serious or 'great'. This is a fun film, with some weird displacements of time and space, just to make it interesting. Enjoy it as such.

Jet Li stars as the "King of Adventurers," a novelist who is having marital troubles and takes his feelings to his book that he is writing. The story was pretty interesting, but it was a bit slow paced for me. There were a few interesting fight scenes, especailly with the ninjas and the sumo wrestlers, but they weren't as good as Jet Li's other fights. It's a good rental movie.