Dragonwyck (1946)

I don't have all the words right now but this film is a work of art.

Bad Acting and worse Bad Screenplay

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

Welcome to Dragonwyck, the American, Hudson River Valley version of "Rebecca's" Mandalay where secrets go way beyond the walls of that driveway with long, tenacious fingers. A suicide centuries before of one of the wives put a curse on the wealthy family now lead by the cool, calm and collected Vincent Price, gentle on the outside but quite sinister on the inside. When it comes to his farmers, he has no intention of giving them the land that their families have been farming for generations, even though their tributes to his ancestors have certainly paid off the land. He believes through entitlement alone, he's obligated to keep it, and with his unattraction to his wife (Vivienne Osborne), he's obviously determined to find a new wife who can produce him a son and heir, and that's where impetuous beauty Gene Tierney comes in.The story focuses on Tierney's exotically named Miranda Wells, a farmer's daughter from Connecticut, a 9:00 girl on a 5:00 farm, determined to find something better than the dirty hands of the farmboys nearby. Parents Walter Huston and Anne Revere are decent, God-fearing Christians who are perplexed by distant relative Price's letter asking for one of their daughters to come to Dragonwyck to be companion to his young daughter (Connie Marshall). Tierney persuades the strict Huston to allow her to go, and gets more than she bargained for. Words of caution from housekeeper Spring Byington aren't enough to warn her against falling in love with Price, and even if its his title and position that she's really interested in, she allows herself to fall under his spell. This continues even after she overhears the farmers confront him at the annual Fourth of July celebration.Lavishly produced and tightly directed by Joseph Mankiewicz, "Dragonwyck" takes the usual Gothic thriller of the European setting and moves it to two of the original American colonies. It's obvious just from the way that Tierney is made up and dressed that she is not meant to be a country girl and that even if it wasn't Dragonwyck, some millionaire's mansion would certainly have her as a resident. As for Price, this is basically the same type of melodrama that he would do much later over at American International in a series of Gothic Edgar Allan Poe tales, and at more than a decade younger in this part than those, he is appropriately cold even when complimenting his bed-ridden wife. The only time he comes alive is when he sees the feisty Tierney telling off some local social snobs and his delight in squiring her around the dance floor even though she's just witnessed him being attacked while demanding tributes from the farmers.Byington's housekeeper is mysterious, but not dire like "Rebecca's" Mrs. Danvers, mixing kindness into her forbidding warnings. Osborne has been made up to look like a living corpse, obviously very unhappy in her marriage and consumed with an unknowing sense of doom. She's also rather cold to daughter Marshall as if knowing that she's not going to be around to see her grow into a young woman. The painting of the wife who committed suicide generations before almost resembles her as if to insinuate that the family curse is about to explode in Price's face. It is obvious that Tierney is the key to which the curse will be unlocked. There are also excellent performances by Huston and Revere, and Henry Morgan is also memorable in a bit as the farmer who vindictively attacks Price, although his motives are certainly understandable. Glenn Langan is the one weak element as the overly noble doctor who pleads the farmer's cases towards Price and is manipulated by Price into treating the ailing Osborne which leads to tragic occurrences.A gripping epic of evil hidden underneath the nobilities' belief that they hold dominion over the poor people around them is a deeply felt drama that grabs you from the moment Tierney grabs the telescope to witness Dragonwyck off in the background, just like Joan Fontaine's first spotting of Mandalay in "Rebecca". There may be some slight unbelievable situations, but for the most part, it really is an intriguing look at sinister intentions disguised by seemingly noble behavior and the destruction to the soul this ultimately causes. It really is Price's show, and he fortunately avoids the over melodramatic line recital that would turn his American International Gothic horror films into unintentional camp.

I find that the reason I did not like this movie very much, was that I had expected something quite different. I had hoped for something like "Jane Eyre" or "Rebecca" - a wild love-story with a happy (or some kind of happy) ending for the love couple. But although "Dragonwyck" started in the same vein - young innocent girl coming to a Gothic mansion, falling in love with the Lord, marrying him and becoming the Lady of the manor - it ended like a quite different story.Although I with my brain find that the ending was just right - it was time for the feudal system to stop, and for people to become equal - I get disappointed in my heart. Because what woman has not dreamt this dream of marrying a Lord or Prince and giving birth to his Heir and all that! And even when you are a mature woman, you want movies and novels that can give you this as escapism. It is the same with monarchy I suppose - you can hate the system and find it old-fashioned and unfair, but you still want to see the young women who manage to marry into the royal families, and you want to admire their beauty and take after their clothes, and learn the things they know...Instead of being a romantic Cinderella-story, with a handsome and virile leading man that you would want yourself... like Timothy Dalton as Mr Rochester in the TV-series of "Jane Eyre", "Dragonwyck" turned out a pathetic story of a delusional man living in the past, and a way of life that - fortunately - was crumbling. The "secret of the tower-room" was also disappointing, but quite in line with the ending of the movie of course. I feel a little cheated! "Dragonwyck" still has some good things to it though: for instance beautiful people in wonderful costumes, sumptuous ball-scenes, very good dialog at times with poetic language, etc. etc..

Dragonwyck is directed by Joseph L. Mankiewicz who also adapts the screenplay from the Anya Seton novel of the same name. It stars Vincent Price, Gene Tierney, Walter Huston, Glenn Langan, Anne Revere, Jessica Tandy and Spring Byington. Music is by Alfred Newman and cinematography by Arthur C. Miller. Connecticut farm girl Miranda Wells (Tierney), is recruited by her aristocratic patroon cousin Nicholas Van Ryan (Price) to be governess to his young daughter at his Hudson Valley mansion. Originally thinking it to be a new step up in life, Miranda finds that Nicholas and the Dragonwyck mansion have dark secrets to tell. Bluebeard and Rebecca come swirling together in this neatly constructed Gothic thriller. It has the requisite eeriness about it, the period atmosphere is strong and Price turns in a wonderfully sinister performance as the tormented Van Ryan. Narratively there's other interests besides the core story of "mad love and dark secrets", such as observations on faith and class structure issues, while the patroon land owner system forms a most historically interesting backdrop. PCA presence means that the spicy aspects of the story (drug use and poisoning) are sketched in grey, but we know what's going on and film doesn't suffer for it. It takes a while to really get going, for the drama to take a hold, and the light dusting's of the supernatural hint at what a better film it could have been. Yet this is comfortably recommended to Gothic thriller fans and fans of Price and Tierney especially. 7.5/10

Have just seen "Dragonwyck" after it had been released 66 years ago, and I found it to be absorbing, brilliantly acted and photographed. Gene Tierney stars as the simple farm girl who is elevated to Lady of the Manor for reasons that she did not comprehend, Vincent Price was superb as the master of Dragonwyck, while those two wonderful people, Walter Huston and Anne Revere, as usual, brilliant. The story by Anya Seton is well-handled, but that is where the frustration comes in-too many people in key roles just disappear from the film without any explanation, e.g. the Master's Daughter, The Housekeeper, the crippled maid,etc. It certainly gives the distinct impression that quite a bit of cutting has been done prior to release, as their part in the story was integral to the plot.