Before the Devil Knows You're Dead (2007)

Wow! Such a good movie.

Best movie ever!

A brilliant film that helped define a genre

The film may be flawed, but its message is not.

I'm writing this review after my second viewing of 'Before the Devil Knows You're Dead.' I watched it on DVD when it first came out and, to be honest, it didn't leave that much of a lasting impression on me. If you asked me to describe it, I'd probably say something like, 'Oh, it was about a heist... or something.' To be fair, that is part of the film. I don't know what I started thinking about it years later, but I decided to give it another go. And I'm glad I did. Yes, it's about a heist. Although, the main ingredient in this film is about moral dilemmas. Two brothers (Phillip Seymour Hoffman and Ethan Hawke), both with financial problems, decide to rob their parents' jewellery store as a way of making a fast buck (while not admitting that they're heavily in debt – and why).Naturally, things don't go their way and both of them find themselves stuck in an ever deceasing spiral as more and more things get out of control. I won't go into the actual plot in too much detail, as anything I say will probably spoilt the film of you. However, what is nice is that you can see things from their points of view. Both men have problems. Yes, there may be easier (legal?!) ways of getting cash, but both have already gone too far to be able to turn around and utilise legitimate money-making means. Then, when things start to go wrong, everything happens logically. You'll feel for the two men (even if you don't always like them). Albert Finney is on the cast list and he does a good job, too. Although his part is decidedly smaller than his two on-screen sons, but what he does he does well.'Before the Devil Knows You're Dead' is a slow film. Maybe when I watched it before I was expecting some sort of 'action-orientated' gangster film where people are shooting each other and delivering a witty quip here and there. It's nothing like that. If you're looking for that sort of experience, look somewhere else. This film is quieter, subtle and sadder in tone. It's also nearly two hours long, but, despite being slow, that's not a bad thing.If you're in the mood for 'thoughtful' over 'thrilling' give this one a go. I'm definitely going to watch it again – probably in a few years, but definitely.

You know, there's a decent little sub-genre of films about crimes gone wrong in which the protagonists attempt to evade the law and clear up after their mess. RESERVOIR DOGS could be classed as such, but the real classics of the genre for me are the snow-bound classics FARGO and A SIMPLE PLAN. BEFORE THE DEVIL KNOWS YOU'RE DEAD is another entry in this sub-genre with much in common with the previous movies, but unfortunately it lacks the same kind of power.While I enjoy the narrative of the story, I have to say that this movie's style is all wrong. The jumping back and forth in time structure makes it feel all over the place and, indeed, that it's a mess. It would have been much better if it had played out completely linear. The look is cold, the style holds you back from the action. The direction is one of my least favourite things about the film, which is a real surprise given that the director is Sidney Lumet, purveyor of such classics as SERPICO and DOG DAY AFTERNOON. Sorry, Sidney; you just haven't got it anymore.Still, there are reasons to watch here, not least Philip Seymour Hoffman's sleazy, drug-addled businessman who finds his life spiralling out of control. Ethan Hawke is effective as his waster brother, and Albert Finney reliably solid as the siblings' father. Watch out for the lovely Marisa Tomei as Hoffman's girlfriend and the excellent Michael Shannon in a minor role as a bad guy. Lashings of violence and some shocking twists help propel the plot along, but in the end this was a bit of a disappointment and a case of wasted potential as it could have been so much better.

Two no-good brothers plot the robbery of their parents' jewellery shop. It goes all wrong. The father (Finney) forgives his hospitalised son, then kills him. Marisa Tomei shows all. Reasonable premise, badly executed.I couldn't watch any more of this than to work out why it was boring and ultimately unwatchable. In spite of Lumet's slick direction (an obvious time-jump attempt at a Reservoir Dogs tribute), the naturalistic photography of suburban white America, the cool music, Marisa Tomei's bumps, etc, the problem is with the main characters.You know how in a movie, you get a character who you're meant to hate from the minute he appears? He's ugly but thinks he's good looking, he's a nerd but thinks he's cool, you just wish the hero/antihero would push him under a bus asap? He's often not even the main villain. Both the Hanson brothers are just this type of movie trope. In HAHBYD, there is no hero or antihero, no focus for your loyalty or identification, just a focus for your dislike. It's like a film full of (Fargo's) Jerry Lundegaards, the chiselling, conniving, corrupt used-car salesman, except that these Lundegaards have no self-loathing, which is what made the original character pitiable. The Hansons are too smug and pleased with themselves - after all, one (the late, unappetising, Philip Seymour Hoffman) gets to have sex with Marisa Tomei in the opening scene.

This film had the potential to be one of the very best of 2007, due to the script, but it was wasted. The direction kinda ruined the film. The non-linear narrative chosen was a mess: there was no need for it. Gratuitous, i must say. Some point of views in the story are pointless and don't add nothing to it, much the opposite. It also killed some twists in it that would be work perfectly fine. Also, i felt that the script lacked a bit of humor and dread. It's too dread in all aspects of filmmaking. The cinematography, or better, the art design, was very bad. The generic and bright gray was all over the place, and this is really a common aspect in the low budget Hollywood films that i strongly dislike. Because after all, it kills the colors of the film. Colors are essential.The soundtrack was as well generic. Just a tongue in the cheek score which plays like thrice in the entire film. Could've done a lot better. The performance by Philip Seymour Hoffman was great tough. He really did well portraying the disturbed predicted future psycho man.Anyways, this film could've done a lot better, but unfortunately it is that way and i don't recommend. 6.1/10