Mr. Orchid (1946)

Just perfect...

Good , But It Is Overrated By Some

A lot of fun.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

My summary says all of my point of view. It goes even over the top, for a really excellent piece of propaganda should not be understood as propaganda… But since all the reviewers pointed that this movie, made just at the end of the war, was sugar-coating French supposed general behaviour during the war and German occupation, it's maybe time to speak about the film itself.Though naive, it's a compelling story, extremely well shot and acted. Noël Noël, Paul Frankeur and above all Nadine Alari --I discover this very talented young woman-- are touching and in tune all along the reels.René Clément shows his mastery in the filming, angles, movements and composition.And the last scene before the epilogue, when father and son are meeting again, is an absolute tear-jerker.Have a break, indulge yourself in watching Le Père tranquille. You won't regret those 90 minutes.

At a superficial level this could be dismissed as Pimpernel Smith with a French accent. Leslie Howard beat Noel-Noel to the punch and, if you have a mind to stretch comparisons, both actors were loved in their respective countries (although Howard, of course, was not English by birth). The French, of course, had a rich seam to mine in the shape of the Resistance which remains a sore point even now, more than half a century later and philosophers can spend hours debating which would be better, no Occupation means the French are spared untold suffering but movie-buffs lose out on classics like Armee de l'ombres. It's a braver man than I who would choose. Meanwhile here we have Rene Clement who would practically build an entire career out of World War Two with special regard to the Resistance. He burst on the scene as it were with Bataille du rail, a semi-documentary and followed with this screenplay by Noel-Noel himself who, the year previously, had enjoyed a personal triumph with La Cage aux rossignols, memorably re-made half a century later as Les Choristes. He takes the role well and the supporting cast, all totally unknown in England, complement him well. As a non-French person with no direct experience of the Occupation it is not for me to comment on anything other than the technical - writing, directing, acting - credits and, as I have intimated, I found them all up to snuff.

René Clément began his career with movies which did not really belong to him,with the exception of his first film (about Resistance too:"La Bataille du Rail" ).Although he co-directed "La Belle et la Bête " ,every cine buff knows that the film is thoroughly Jean Cocteau's work;for "Le Père Tranquille" he is credited with being "Réalisateur Technique" which speaks volumes: in fact the real auteur is the star Noel-Noel who wrote the screenplay ."Le Père Tranquille" is looked upon as a bad propaganda movie by lots of young critics today.Time had not come ,in 1946,when the war just came to an end ,to show the dark side of the mirror:it would take 25 years before Marcel Ophuls made his "le Chagrin Et la Pitié" (1971) which showed that all the French people were not heroes;Louis Malle jumped on the bandwagon and released his "Lacombe Lucien" ,the hero of which was a collaborator.Both films met tumultuous reception.Back in 1946,people did need optimism."Le Père Tranquille" is a dated movie,and one should add that Clement's directing is pretty mediocre ,when compared to some of his later works such as "Jeux Interdits" or the highly superior "Les Maudits" ,the follow-up to "Le Père Tranquille ".Those who attacked Clément for his "naive " depiction of his country should be set down with a DVD player and a copy of "Les Maudits" ,where there IS ,in 1947,a collaborationist journalist among the characters.Noel-Noel portrays a stay-at-home.He grows orchids in his greenhouse,he has breakfast in bed with his missus ,he is in the insurance business and does not seem to care for the world outside.But you should not go by appearances.When the German officer (Howard Vernon) questions him about a man who is missing,the dialog is finally witty : NN: He's a bastard! 0:Why? NN:He is a Gaulliste! O:He ain't! He's one of our agents! Another scene is revealing.While the insurance agent's daughter is playing a military march written to celebrate one of Napoleon's victories,the officer wonders at seeing French people's apathy."Wait and see ,the French answers,you do not know them yet,it takes several years!" Like this ? Try these ....."La Bataille du Rail" René Clément 1945"This land is mine" Jean Renoir 1941"Un Ami Viendra Ce Soir "Raymond Bernard 1945 "Jericho" Henri Calef 1945"Le Jour et l' Heure" René Clément 1962 (which in several respects shows the dark side of those days)

In my opinion the worst movie about a sad era. A propaganda movie for French social and national peace after the second world war. But this is not the truth, I'm French, and I want to the see the true history, like the German people. Sadly enough not all French people were partisans only few of them, and happily not all German people were Nazis. Noel Noel as a scriptwriter and actor is not unbiased. Unfortunately there is a good director (Lust for Evil, Forbidden games...). To me this movie is rubbish. About this era, I would advise people to watch the Louis Malle's movie : Lacombe Lucien, which is much more in keeping with historical truth, sadly French people are only humans.