Queens Of Evil (1970)

To me, this movie is perfection.

the audience applauded

So much average

Fantastic!

Dippy hippy David is travelling freely through somewhere or other on his motorbike, feeling the wind in his hair and superiority on his ego. He lives free, is not faithful to any woman because 'that would make him unfaithful to all the other women', you know, all that crap. I suppose I'll give him credit for stopping to help a sinister old man who's got a flat tyre, but let's face it: the guy's a sponger. That's what this film is – a parable on what happens when you're a want your money for nothing and your chicks for free.After David somehow manages to kill this old guy in a car crash, he hides out in a shed for a while, until he discovers that the house next to the shed is inhabited by three ladies. There's Samantha (dirty-looking, too skinny) Bibiana (grumpy, too skinny) and Liv (Naïve, another dippy hippy) who invite him in for breakfast – gigantic cakes! Wait – those cakes stand for symbolism! That means that the other bit where they give him an apple to eat...It might be a good time to describe the interior of this house too – the living room is filled with hundreds of cushions, some fake trees, and three gigantic pictures of the chicks on the back wall. Their rooms also have a huge picture and a velvet covered bed each and their kitchen is a bizarre angular nightmare made up fifty-thousand shelves and dookits. This is useful information I'm giving you here, as usual.There's something about the way these girls can teleport about the place and perform satanic ceremonies that Raymond just doesn't like, but he's gets to bang all three of them so what does he care? They all keep going on about some castle where some strange guy lives and how Raymond got to meet this guy who the girls have a secret meeting with, and so on and so forth until the ending that completely shifts the tone of the film.What makes it so bizarrely watchable is that these three girls seem to have limitless supply of long flowing gowns of many colours, mental make up and crazy wigs, and throughout the film the wigs get bigger and more insane. There's also a really huge arty streak throughout this one, from the twitchy editing to the bizarre sequences where Ida Galli has some sort of weird dragon painted on one boob, to the hellish soundtrack of Ray Lovelock singing some song about how this and that is 'gonna get ya'.

Another "Euro-Cult" offering I was unaware of (prior to the week-end before last, in fact) but, proving intriguing upon reading its synopsis, I decided to get hold of immediately; this fact, however, did not really have anything to do with my watching it so quickly – just that the disc the film was recorded on was handy at the time. Anyway, QUEENS OF EVIL was quite good, if not exactly a 'lost' gem; thematically, it anticipated THE WITCHES OF EASTWICK (1987) – though I have never watched the latter myself – since the plot revolves around a bearded young man traveling on a motorcycle (Ray Lovelock) ensnared by three lovely women (Haydee' Politoff, Silvia Monti and Evelyn Stewart) he encounters and who are ultimately revealed to be witches; incidentally, while the girls live in seclusion in the woods, their abode is decked-out with all the modern trimmings one associates with the fashion world (including blow-ups of each of them hanging above their respective beds)! Lovelock and Stewart were both "Euro-Cult" stalwarts (he even supplies the rather thin vocals to the soundtrack's two numbers!); I first noticed Politoff in the equally obscure giallo INTERRABANG (1969) – where she had emerged the best of another sensuous trio – but, here, it is Monti (the one I was least familiar with) who particularly shined as the hero's most fiery seductress. Though the film's languid pace was to be expected, it also proves somewhat uneventful until the violent twist ending – organizing a party to which they invite their devilish friends, the girls reveal their true nature and turn on the mystified 'hippie'…egged on by their leader, an aging aristocratic type Lovelock had actually met (and apparently saw killed in a car crash!) at the very start of the picture!! For the record, I had previously watched the good Spaghetti Western TODAY IT'S ME…TOMORROW YOU (1968) from the same director, with two more (and still different) titles I will hopefully manage to check out during my ongoing "Euro-Cult" marathon.

Queens of Evil is a completely obscure Eurotrash flick, and that's not surprising at all as this film has zero mass market appeal and will appeal only to fans to obscure cult cinema - and even then, not all fans. Queens of Evil is a simply bizarre movie and I really don't know what the point of it is. It can't really be pigeon holed into any of the main genres of Italian cinema - it would probably fall somewhere between a sex flick, an exploitation film and a cult themed Giallo (a la All the Colours of the Dark) - but even that definition doesn't really fit it. Our main character is David - a hippy travelling aimlessly on his motorcycle. After a strange encounter with a man who needs his tire changing, David rides on and soon comes across an apparently deserted house. He decides to spend the night in the shed and is surprised the next morning to be awoken by a beautiful young woman named Liv. Liv seems keen to get rid of David, but after her sisters catch sight of him; they ask him to stay and David soon discovers that he has bitten off more than he can chew...The atmosphere is the key thing about this film. Director Tonino Cervi handles the film well and ensures that it's always mysterious. The locations used make the film feel isolated and claustrophobic and this adds well to the atmosphere. The film boasts a good cast, with the handsome Ray Lovelock fitting into the lead role well and convincing as a hippy. You'd expect some nice female talent too considering the plot here, and the film doesn't disappoint. All three of the leading ladies (Evelyn Stewart, Silvia Monti and Haydée Politoff) provide nice eye candy and also manage to create a foreboding chemistry between themselves and Ray Lovelock. The film is very slow to start and not a lot happens for the first hour or so; but to be honest, I preferred this part of the film to the build up to the climax. Considering how slow the first two thirds are, you would think that the film would kind of explode at the end, and while we do get something of a twist; the ending actually isn't all that interesting and doesn't make a lot of sense. Overall, this is an interesting mood piece and I did enjoy it, but I'm not sure why and I wouldn't recommend it.

A young hippie drifter on motorbike is lured to his destiny at the hands of three stunning females residing in a hidden forest cabin(with interior furnishings that look like they were lifted from the sets of A CLOCKWORK ORANGE).LE REGINE is a more-than-partially successful blend of pop-art post-modernism and fairly standard erotic eurohorror, an intriguing mood piece helped along by its surreal atmosphere and a retro-cool bizarro musical score. Eerily dreamlike and spiked with hot sex and an attractive cast, this largely forgotten item deserves rediscovery and some degree of praise...while far from a perfect film, it is undeniably offbeat and rises above the standard for the bulk of sexy Eurotrash released in its day.7/10...unexpectedly good.